I was very happy to be invited to participate in the blog tour of this book because it gave me the opportunity to read the first book by an author who is being acclaimed by public and critics alike.
The Incendiaries: A Novel by R. O. Kwon
“Religion, politics, and love collide in this slim but powerful novel reminiscent of Donna Tartt’s The Secret History, with menace and mystery lurking in every corner.” —People Magazine
“The most buzzed-about debut of the summer, as it should be…unusual and enticing … The Incendiaries arrives at precisely the right moment.” —The Washington Post
“Radiant…A dark, absorbing story of how first love can be as intoxicating and dangerous as religious fundamentalism.” —New York Times Book Review
A powerful, darkly glittering novel of violence, love, faith, and loss, as a young woman at an elite American university, is drawn into a cult’s acts of terrorism.
Phoebe Lin and Will Kendall meet in their first month at prestigious Edwards University. Phoebe is a glamorous girl who doesn’t tell anyone she blames herself for her mother’s recent death. Will is a misfit scholarship boy who transfers to Edwards from Bible college, waiting tables to get by. What he knows for sure is that he loves Phoebe.
Grieving and guilt-ridden, Phoebe is drawn into a secretive cult founded by a charismatic former student with an enigmatic past. When the group commits a violent act in the name of faith, Will finds himself struggling to confront a new version of the fanaticism he’s worked so hard to escape. Haunting and intense, The Incendiaries is a fractured love story that explores what can befall those who lose what they love most.
“Kwon is a writer of many talents, and The Incendiaries is a debut of dark, startling beauty.” —San Francisco Chronicle
“Disarmingly propulsive.” —Vogue
“A singular version of the campus novel … a story about spiritual uncertainty and about the fierce and undisciplined desire of [Kwon’s] young characters to find something luminous to light their way through their lives.” —NPR’s “Fresh Air”
“If you only read one book this summer, make it this complex and searing debut novel.” —Southern Living
“[With] a fairy-tale quality reminiscent of Donna Tartt’s The Secret History … [The Incendiaries is] the rare depiction of belief that doesn’t kill the thing it aspires to by trying too hard. It makes a space, and then steps away to let the mystery in.” —The New Yorker
“A juicy look at campus mores…Kwon delivers a poignant and powerful look into the millennial mindset.” —NPR Books
“One of those slim novels that contain multitudes, R.O. Kwon’s debut novel shows how unreliable we are as narrators when we’re trying to invent — and reinvent — ourselves.” —Vulture
“If you haven’t had a chance to pick up one of the buzziest novels of summer, take Emma Roberts’ — and my — word for it: you can’t miss The Incendiaries.” —Bustle
“In R.O. Kwon’s terrific new novel The Incendiaries, a cultist looks for meaning in tragedy. Kwon’s debut is a shiningly ambitious look at how human beings try to fill the holes in their lives.” —Vox
“Kwon’s lush imaginative project … [is to expose] the reactionary impulses that run through American life…[creating] an impression of the mysterious social forces and private agonies that might drive a person to extremes.” —The New Republic
“The main attraction and reward of this book is Kwon’s prose. Spiky, restless and nervously perceptive, it exhales spiritual unease.” —Wall Street Journal
“Kwon’s multi-faceted narrative portrays America’s dark, radical strain, exploring the lure of fundamentalism, our ability to be manipulated, and what can happen when we’re willing to do anything for a cause.” —Atlantic.com
“Deeply engrossing.”—PBS Books
“Remarkable…Every page blooms with sensuous language…These are characters in quiet crisis, burning, above all, to know themselves, and Kwon leads them, confidently, to an enthralling end.”—Paris Review
“A God-haunted, willful, strange book written with a kind of savage elegance. I’ve said it before, but now I’ll shout it from the rooftops: R. O. Kwon is the real deal.”
—Lauren Groff, author of Fates and Furies and Florida
“Every explosive requires a fuse. That’s R. O. Kwon’s novel, a straight, slow-burning fuse. To read her novel is to follow an inexorable flame coming closer and closer to the object it will detonate—the characters, the crime, the story, and, ultimately, the reader.”
—Viet Thanh Nguyen, author of The Sympathizer and The Refugees
“The Incendiaries probes the seductive and dangerous places to which we drift when loss unmoors us. In dazzlingly acrobatic prose, R. O. Kwon explores the lines between faith and fanaticism, passion and violence, the rational and the unknowable.”
—Celeste Ng, author of Little Fires Everywhere and Everything I Never Told You
“Absolutely electric, something new in the firmament. Everyone should read this book.”
—Garth Greenwell, author of What Belongs to You
“A swift, sensual novel about the unraveling of a collegiate relationship and its aftermath. Kwon writes gracefully about the spiritual insecurities of millennials.”
—Karan Mahajan, author of The Association of Small Bombs
“A classic love triangle between two tormented college students and God. The Incendiaries brings us, page by page, from quiet reckonings with shame and intimacy to a violent, grand tragedy. In a conflagration of lyrical prose, R. O. Kwon skillfully evokes the inherent extremism of young love.”
—Tony Tulathimutte, author of Private Citizens
“An impressive, assured debut about the hope for personal and political revolution and all the unexpected ways it flickers out. Kwon has vital things to say about the fraught times we live in.”
—Jenny Offill, author of Dept. of Speculation
“A profound, intricate exploration of how grief and lost faith and the vulnerable storm of youth can drive people to irrevocable extremes, told with a taut intensity that kept me up all night. R.O. Kwon is a thrilling writer, and her splendid debut is unsettled, irresistible company.”
—Laura van den Berg, author of The Isle of Youth and Find Me
About the author:
O. Kwon is the author of the novel The Incendiaries (July 2018) and is a National Endowment for the Arts Literature Fellow. Her writing is published in The Guardian, Vice, BuzzFeed, Time, Noon, Electric Literature, Playboy, and elsewhere. She has received awards from Yaddo, MacDowell, the Bread Loaf Writers’ Conference, the Sewanee Writers’ Conference, Omi International, the Steinbeck Center, and the Norman Mailer Writers’ Colony. Born in South Korea, she has lived most of her life in the United States. She can be found at http://ro-kwon.com.
Thanks to NetGalley and to Grace Vincent, on behalf of Virago, Little Brown Book Group UK, for providing me an ARC copy of this book that I freely chose to review. Thanks also for the opportunity to take part in the blog tour for the launch of the novel, the first book published by R.O. Kwon, and I’m sure it won’t be the last.
This novel describes the attempts by one of its protagonists, Will Kendall, of making sense and understanding the events that have led to his girlfriend’s, Phoebe Lin, participation in a horrific event. As often happens in novels with a narrator (or several), no matter what the story is about, the book often ends up becoming a search for understanding and meaning, not only of the events that form the plot but also of the actual narrator. Why is s/he telling that particular story? And why is s/he telling that story in that particular way? This novel is no different, although the manner the story is told can, at times, work as a smokescreen, and we don’t know exactly who is telling what, and how accurate he or she might be.
On the surface, the novel is divided into chapters, each one headed by one of three characters, John Leal (this one written in the third person and always quite brief), Phoebe (written in the first person), and Will, also written in the first person. At first, it’s possible to imagine that Phoebe’s chapters have been written by her, but later, we notice intrusions of another narrator, a narrator trying to imagine what she might have said, or to transcribe what she had said, or what she was possibly thinking or feeling at certain times. As we read this book, that is quite short notwithstanding the seriousness of the subjects it deals in, we come to realise that the whole novel is narrated by Will, who, after the fact, is trying to make sense of what happened, by collecting information and remembering things, and also by imagining what might have gone on when he was not present. He acknowledges he might be a pretty unreliable narrator, and that is true, for a variety of reasons, some of which he might be more aware than others.
The novel is about faith, about finding it, losing it, and using it as a way to atone and to find meaning, but also as a way to manipulate others. It is about love, that can be another aspect of faith, and they seem to go hand in hand in Will’s case. He discovered his Christian faith in high school, in part as a refuge from his terrible family life, and lost it when it did not live up to his expectations (God did not give him a sign when he asked for one). He moved out of Bible School and into Edwards, and there he met Phoebe, a girl fighting her own demons, a very private person who did not share her thoughts or guilt with anybody. Will falls in love with her and transfers his faith and obsession onto her. But she is also unknowable, at least to the degree he wishes her to be open and understandable for him, and she becomes involved in something that gives meaning to her life, but he cannot truly become a part of. He abandoned his faith, but he seems less likely and able to do so with his belief in her.
The novel is also about identity. The three main characters, and many others that appear in the book do not seem to fully fit in anywhere, and try different behaviours and identities for size. Will invents a wealthy family who’ve lost it all, to fit into the new college better; Phoebe hides details of her past and her wealth, and is Korean but knows hardly anything about it and John Leal… Well, it’s difficult to know, as we only get Will’s point of view of him, but he might, or might not, have totally invented a truly traumatic past to convince the members of what becomes his cult, to follow him.
The language used varies, depending on what we are reading. The dialogue reflects the different characters and voices, whilst the narrator uses sometimes very beautiful and poetic language that would fit in with the character (somebody who had been proselytizing, who was used to reading the Bible, and who tried to be the best scholar not to be found out). Also, he tends to use that language when remembering what his girlfriend had told him or imagining what John Leal might have said as if he remembered her as more beautiful, more eloquent, and more transcendent than anybody else. This is a book of characters (or of a character and his imaginings and the personas he creates for others he has known) and not a page-turner driven by plot. The story is fascinating and horrifying but we know from early on (if not the details, we have an inkling of the kind of thing that will happen) where we are going, and it’s not so much the where, but the how, that is important. The book describes well —through the different characters— student life, the nature of friendships in college, and some other serious subjects are hinted at but not explored in detail (a girl makes an accusation of rape, and she is not the only victim of such crime, there is prejudice, mental illness, drug use, abortion…).
I read some reviews that felt the description or the blurb were misleading, as it leads them to expect a thriller, and the book is anything but. I am not sure if there must have been an earlier version of the blurb, but just in case, no, this book is not a thriller. It’s a very subjective book where we come to realise we have spent most of the time inside of the head of one single character. Nonetheless, it offers fascinating insights into faith, the nature of obsession, and what can drive people to follow a cult and to become strangers to themselves and to those they love.
The ending is left open (if we accept the narrator’s point of view, although there is an option of closure if we don’t) and I was impressed by one of the longest acknowledgements I’ve ever read. It hints not only of a grateful writer attentive to detail but also of a book which has undergone a long process and many transformations before getting into our hands.
A couple of examples of the poetic language in the book:
Punch-stained red cups split underfoot, opening into plastic petals. Palms open, she levitated both hands.
The nephilim at hand, radiant galaxies pirouetting at God’s command. Faith lifted mountains. Miracles. Healings.
Not a light or easy read, but a book for those eager to find a new voice and to explore issues of faith, love, identity. Oh, and for those who love an unreliable narrator. A first book of what promises to be a long and fascinating literary career.
Thanks so much to NetGalley, to Grace Vincent and the publisher, and to the author, for this opportunity, thanks to all of you for writing, and if you’ve found it interesting, feel free to share, comment, click, review, and keep smiling!