I bring you today the review of a book by one of my favourite non-fiction publishers, Pen & Sword.
The Great War Illustrated 1918: Archive and Colour Photographs of WWI by William Langford & Jack Holroyd. A must have for scholars, researches, and WWI enthusiasts.
The final book in a series of five titles which graphically cover each year of the war. Countless thousands of pictures were taken by photographers on all sides during the First World War. These pictures appeared in the magazines, journals, and newspapers of the time. Some illustrations went on to become part of postwar archives and have appeared, and continue to appear, in present-day publications and TV documentary programs – many did not. The Great War Illustrated series, beginning with the year 1914, includes in its pages many rarely seen images with individual numbers allocated, and subsequently, they will be lodged with the Taylor Library Archive for use by editors and authors.
While some of the images in The Great War Illustrated 1918 will be familiar, many will be seen for the first time by a new generation interested in the months that changed the world for ever.
“Both military miniatures enthusiasts and history buffs should be fascinated by its 1,000 black-and-white photographs and section of color plates… This 517-page book’s imagery and the writers’ narrative combine to succeed in fostering understanding of the events pictured and the global scope of the epic conflict which climaxed 100 years ago.” (Toy Soldier & Model Figure)
About the Editor
Roni Wilkinson has worked in printing and publishing for fifty years. His published works include five fictional titles, a newspaper cartoon strip, and Dark Peak Aircraft Wrecks One and Two, the top-selling guides to aircraft crash sites in the Peak District National Park (co-authored with Ron Collier). He is best known as the respected series editor and designer of the ground-breaking Pen & Sword Battleground guidebooks, of which there are now over 120 titles. He was also instrumental in the creation and development of the popular Pals series. Now semi-retired, he is actively researching and writing historical works, fictional and non-fictional, as well as contributing articles to magazines and writing reviews. He lives in Barnsley with his wife Rosalie.
About the authors:
Jack Holroyd has had a lifelong interest in military history and has given valuable input into many Pen & Sword publications. He has authored two other works of non-fiction (SS Totenkopf France 1940 and American Expeditionary Force: France 1917–1918 ) and also one work of fiction (Lost Legend of the Thryberg Hawk), all of which are published by Pen & Sword. When Jack isn’t researching military topics he spends his time cooking, reading poetry and gardening.
William Langford has been employed in printing and publishing for fifty years. His works for Pen & Sword include: The Great War Illustrated 1914; Great Push – The Battle of the Somme 1916; Somme Intelligence and They Were There! 1914.
Thanks to Alex, Rosie and the whole team at Pen & Sword for providing me a Hardback copy of this book that I freely chose to review.
Despite my interest in the topic, and although I have read some books and watched some movies on WWI, I am not very knowledgeable about it, and I am more familiar with WWII, which feels (and is) much closer. I recently read and reviewed, another one of the books published by Pen & Sword, which explored a historical topic through pictures from the period, and I found it a great way of learning about the era by bringing it to life.
When I saw this book, the last in a collection of five volumes, one per each year of WWI, I was curious. Although I had seen pictures from WWI, they were mostly of soldiers, who had posed in uniform for their families, or political figures, and when I think about war photography, I think of WWII, the Spanish Civil War and later conflicts. This particular volume contains over a thousand photographs, including some in colour, maps, and drawings, of the various campaigns of 1918. The authors explain that some of the images are well-known (I was only familiar with some of the politicians, well-known figures, like T. E. Lawrence and Wilfred Owen, and some of the royals), but they had never been presented as a full collection or in an organised manner. The images are numbered and people interested can obtain copies from the image library in the Taylor Library Archive, and that makes this book a great reference for scholars and other people looking for visual documentation from the period.
The volume is divided into eight chapters: 1) Zeebrugge and Ostend Raids – Naval War, 2) The German Spring Offensives –The Kaiserschlacht, 3) Salonika, Mesopotamia, Palestine, 4) The Italian Front, 5) Battles of the Aisne and the Marne Rivers, 6) Americans at Cantigny, Château-Thierry, St. Mihiel, Meuse-Argonne, 7) Battle of Amiens – The Hindenburg Line – Advance to Victory, 8) Some Consequences of this Global War. Although the big protagonists of the book are the photographs, the text guides us through the campaigns, including also the original captions from newspapers, the citations for the medals they received, and some observations that help us understand the sequence and the consequences of the events.
Although I knew that in WWI there had been a lot of destruction (of lives, animals, and buildings) because of the use of weapons unknown until then, the impact of seeing pictures of towns and cities completely destroyed, of mustard gas attacks, tanks, planes, aerial pictures, dead soldiers and civilians, and famine is overwhelming. And the stories… From inspiring bravery to incredible cruelty (or perhaps it was just a strong sense of duty, but what would make a commander launch an attack two minutes before the armistice was due, resulting in thousands of dead men on both sides is beyond my comprehension). As I read some of the captions of the pictures and the stories behind some of the photographs, I could imagine many books and movies inspired by such events and individuals (and I am sure there are quite a few, but not as many as there should be).
I marked pages containing stories I found particularly touching, inspiring, or almost incredible, too many to mention, but I have randomly chosen a few of them to share as a sample.
The caption to a picture of plenty of smiling men brandishing their knives in page 222 explains that they are Italian soldiers of the elite Arditi Corps ‘the Caimans of the Piave’. ‘They numbered around eighty and were trained to remain in the powerful currents of the Piave for hours. Carrying only a Sardinian knife –the resolza – and two hand grenades, they acted in a communication role between the west and east banks of the Piave.’
There is a picture on page 260 of a worker with the Y.M.C.A. serving drinks to American soldiers on in the front line, and it says that one centre at a railway site served more than 200000 cups of cocoa to soldiers each month.
The book also remembers civilians who died, like those working at the National Shell Filling Factory in Chilwell that was destroyed on the 1st of July 2018, with 134 civilians dead and 250 injured.
There are stories that are the stuff of movies, like that of The Lost Battalion, the 77th Infantry Division, cut off by the Germans for five days, who were eventually relieved, but had by then lost half of the men.
Or the one of Corporal Alvin C. York ‘–later sergeant – at the place where he systematically began picking off twenty of the enemy with rifle and pistol. As an elder in a Tennessee mountain church at the beginning of the war, he was a conscientious objector, but then changed his mind to become the most efficient of killers.’ (405) He took the machine gun nest, four officers, 128 men, and several guns.
There are amazing feats by men of all nations and horrific devastation as well. The last chapter serves as a reminder of the heavy price imposed on the losing side and the consequences derived from it. The peace would be sadly short-lived, as we all know, and some of the issues of sovereignty that seemed to have been solved then would resurface once more a few years later.
In sum, this is a book for people interested in WWI (the whole collection is) at a personal level, invaluable for researchers, as it provides a good reference to a large body of archival images, and it is packed with bite-sized information that will provide inspiration to many writers and scholars. Another great addition to Pen & Sword military catalogue and one that I thoroughly recommend.
Thanks so much to Pen & Sword and to the authors, thanks to all of you for reading, and remember to like, share, comment, click, REVIEW, to always keep reading and smiling, and to NEVER FORGET.