Today I bring you both a new book and a review. I’d been curious about this writer for a while and this is one of the few reviews where I’ve got feedback on the review itself in Amazon (at first somebody complaining about a spoiler, although it is not that kind of novel, and later recommendations and good words).
Here I Am by Jonathan Safran Foer
A monumental new novel about modern family lives from the bestselling author of Everything Is Illuminated and Extremely Loud and Incredibly Close
God asked Abraham to sacrifice his beloved son Isaac, and Abraham replied obediently, ‘Here I am’.
This is the story of a fracturing family in a moment of crisis. Over the course of three weeks in present-day Washington DC, three sons watch their parents’ marriage falter and their family home fall apart. Meanwhile, a larger catastrophe is engulfing another part of the world: a massive earthquake devastates the Middle East, sparking a pan-Arab invasion of Israel. With global upheaval in the background and domestic collapse in the foreground, Jonathan Safran Foer asks us – what is the true meaning of home? Can one man ever reconcile the conflicting duties of his many roles – husband, father, son? And how much of life can a person bear?
(I haven’t found an e-book version available yet).
Thanks to NetGalley and to Penguin Books UK Hamish Hamilton for offering me a free copy of this book in exchange for an honest review.
I had not read any of Jonathan Safran Foer before, so I can’t really compare it to his previous work. I’ve checked comments about the novel, as I felt quite overwhelmed when I finished its reading and I wanted to check if I was the only one. The opinions by people who’d read his previous novels varied widely, although ‘ambitious’ is one of the words most often used in all the comment, positive and otherwise. Yes, the novel is ambitious. The story is about the disintegration of an upper-middle-class Jewish-American marriage. Jacob, the main character, writes a TV comedy, is married, with three children, a dog, and relatives both in the United States and in Israel. The story is told mostly from his point of view, although there are fragments also told from other characters’ viewpoint, like his grandfather, his wife, his oldest son… Later in the novel there are also inserts that purport to be news articles or news reports about an earthquake that affects most of the Middle-East and has terrible consequences for the region, resulting in what is referred to in the book as ‘the destruction of Israel’. The attempts at equating the family’s fortunes to that of Israel itself are clear when reading the book, although how successful they are it’s open to the individual reader (for me, the situation provides a good way to test the main character’s beliefs and is a good way of offering the reader a better understanding of him, but how literally we’re supposed to take it is a different matter).
This is not an easy book to read, for a variety of reasons. The quality of the writing is excellent, although I found it difficult sometimes not to get lost as to who is talking in very long dialogues with few tags (but I am aware that different readers feel differently about this). Although there is action in the novel, most of the time this is observed and described through the subjectivity of different characters, making it appear slower than in most books. All the characters are highly intellectual and articulate, even Sam, Jacob’s teenage son who does not want to have a Bar Mitzvah. Often, we see the same events from different points of view in different chapters and the actual time frame of the story might become confused. Towards the end of the novel we discover that the famous TV programme Jacob has been privately working on is, in reality, a retelling of his family’s story, so I wondered if this was a book, within a book… There are also many Yiddish terms used that although have been incorporated into English in the US might not be so familiar to readers in other places (although they might be known from TV, and if reading the electronic version there’s always the dictionary at hand).
The characters are easily identifiable but not necessarily that easy to empathise with and might not have much in common with a large part of the readership. They all try their best, but fail often, find excuses for themselves, give up, and are less than heroic. They also lie and feel sorry for themselves, but at times are truly amazing and insightful. Overall. in the book there are funny and witty moments, there are sad moments, and there are moments that made me think. There are images and vignettes I don’t think I’ll ever forget, and reflections I’ll keep thinking about.
There are moments when reading this book that I was gripped by the power of the writing (and yes, at times it reminded me of other writers, like Philip Roth, but perhaps an older version of some of Roth’s earlier novels), and others when I wondered exactly where we were going, but I didn’t mind to be taken along for the ride.
This is not a novel for those who like functional writing that gets out of the way of the story and moves along at a good pace, rather than contemplating itself. But if you enjoy deeply subjective and introspective writing, and in-depth explorations of identity, relationship and what makes us human, I’d recommend it to you.
Thanks to NetGalley, the author and the publishers for providing me with a copy of this book, thanks to all of you for reading, and please, like, share, comment and CLICK!
Oh, and the wonderful Marie Lavender has organised another of her multiauthor events, this time asking a number of writers: What does your writing look like? She’s been kind enough to ask me to take part. Here is the link to her post. I’m aware it will go live on the 11th of November afternoon (Eastern US coast time), so depending on when you’re reading this you might not be able to read it yet, but visit it later if you can, as I’m sure both readers and writers will find it interesting. Thanks!