Today I bring you a novel in one of my favourite genres. Thanks to Rosie Amber for her great review group where I keep discovering great books.
PAINTED: A Horror Novel by Kirsten McKenzie
If art can capture a soul, what happens when one of those souls escapes?
When art appraiser Anita Cassatt is sent to catalogue the extensive collection of reclusive artist Leo Kubin, it isn’t the chilly atmosphere of the secluded house making her shiver, it’s the silent audience of portraits clustered on every wall watching her.
Kubin’s lawyer didn’t share the detailed instructions regarding the handling of the art, and Anita and her team start work in ignorance of the very instructions designed to keep them safe. Safe from the art.
In the dark, a portrait stirs as the subject eases themselves out of the portrait and stretches, free at last from the confines of a canvas which they have no intention of ever returning to. They have a painting to finish and the people in the house will only be in the way…
Buy Painted now and you’ll never look at the art on your walls the same way again.
Perfect for lovers of early Stephen King and Rachel Caine
What readers are saying about PAINTED:
“Refreshing to encounter this subtle, delicate narrative where horror peeps slyly out…”
“Painted is an effective haunted house book, favoring tension and subtlety over outright violence and kills.”
“McKenzie does an incredible job in the characterization of the people in her novel. With each and every one, I came away with the feeling that I knew them–down to even the secrets they kept hidden from each other.”
“This novel literally took my breath away in places.”
“The plot is sensationally addictive and the creepy factor kept me alert page after page.”
“No gore or cheap scares here, this is a subtle and delicate chiller written in the spirit of a Shirley Jackson novel.”
About the author:
For many years Kirsten McKenzie worked in her family’s antique store, where she went from being allowed to sell the 50c postcards in the corner of Antique Alley as a child, to selling $5,000 Worcester vases and seventeenth century silverware, providing a unique insight into the world of antiques which touches every aspect of her writing.
Her historical fiction novels ‘Fifteen Postcards’ and its sequel ‘The Last Letter’ have been described as ‘Time Travellers Wife meets Far Pavilions’, and ‘Antiques Roadshow gone viral’.
Her first horror novel, ‘Painted’, was released in June 2017.
She lives in New Zealand with her husband, daughters, and her SPCA rescue cat, and can be found procrastinating on Twitter under the handle @Kiwimrsmac.
Thanks to Rosie Amber (from Rosie’s Book Review Team, check here if you would like to have your book reviewed) and to the author for providing me with an ARC copy of this novel, that I freely chose to review.
When I read the description of Painted I knew I had to read it, as it was a horror novel (and despite how much I like the genre, I don’t seem to read many of them), and it had to do with art. When I read that the author had worked in the antiques family business; that sealed the deal for me. I had not read any work by this author before (and I understand this is the first time she writes horror) but I am pleased to have discovered her.
I don’t want to give too much of the plot away, but let’s say we have a dead painter who left very specific instructions in his will as to how to deal with the artwork he left behind. Unfortunately, there had been changes at his lawyer’s and his instructions were ignored. And we all know what happens when we ignore warnings, don’t we?
There are authors who are better at building characters than at creating a plot, and there are also authors who excel at describing places and objects but are not so good at providing psychological insights. McKenzie manages to create a great gothic atmosphere (some reviewers have said that the novel is more gothic than pure horror, but both things do not exclude each other), with a fantastically eerie and creepy house, full of even creepier portraits, and a variety of objects, furniture, and even plants that all combine to create a fabulous setting for the novel. In fact, the house becomes another character, one that hides many secrets, and of course, many ghosts.
But the author also creates fully-fledged characters, with their passions, foibles, secrets (some darker than others), and stories. Even when we do not get to share much time with them, we get flashes of their personality (be it because of their fastidiousness about their personal appearance, or because of the way they hang on to mementos from the past, or the way they present a false and harmless persona to the world when they are anything but). She manages to do this by using a variety of techniques, especially by her particular use of point of view. The story is written in the third person, but it shares the points of views of different characters. There is a certain degree of head-hopping, although I did not find it confusing and it is very smoothly done. We do see things from the perspective of all the characters. We mostly follow Anita, the young woman sent by the auctioneer’s to catalogue the paintings, because she is the first one to arrive and she spends the most time at the house, but we even get an insight into the thoughts of the lawyer’s secretary and of the farmer’s dog. And of course, the baddies (although it is not easy to decide who is good and bad in the story). There are also moments when we are told something that none of the characters could know (a great way of creating suspense and forecasting future events), like references to shadows, sounds nobody has heard yet, and things that happen behind characters’ backs or when they are asleep.
The character easiest to empathise and later sympathise with is Anita. It is clear from the beginning that she is battling with something that happened to her in the past and is bravely trying to get on with her life (despite still experiencing symptoms of PTSD). Her story is terrible in its own right, and it makes her reactions to what happens more justified. Some characters are nasty and difficult to like (like the lawyer), but most of them are given interesting backgrounds and scenes that make them memorable, and some are much more twisted than we realise.
I loved the details of the process of cataloguing the house contents (as I love antiques and TV programmes about antiques. Yes, I could watch The Antiques Roadshow forever and never get bored), the descriptions of the painting process, and the pace of the novel. The atmosphere is created slowly and we follow the characters’ commonsensical approach to the events to begin with and share with them their descent into paranoia and utter horror. The step-by-step reveal, the twists and turns, and the ghosts (it reminded me of The Turn of the Screw by Henry James) are also masterly rendered. And the ending… No, I did not see it coming, and as a fan of unhappy endings in horror books, this manages to satisfy, to surprise and to leave us wondering.
This is psychological horror, with ghosts and haunted house, at its best, and it does not contain gore or extreme violence (there is more menace and imagining than there is anything explicit), so I would recommend it to lovers of the genre, and to those who love atmospheric readings and don’t mind a scare or two. I cannot comment on the author’s previous writing, but she definitely has a talent for this genre, and based on the quality of her writing, I’m sure we’ll hear more from her.
Thanks again to the author and to Rosie for the novel, thanks to all of you for reading, and remember to like, share, comment, click and REVIEW!