I don’t usually blog on Thursdays, but when I was invited to participate in this blog tour, I know you would not mind getting an extra post. And here it is:
The Leavers: Winner of the PEN/Bellweather Prize for Fiction by Lisa Ko
‘A vivid fictional exploration of what it means to belong and what it feels like when you don’t’Oprah Magazine – Favourite Books of 2017
Finalist for the National Book Award 2017
Winner of the 2016 PEN/Bellwether Prize for Fiction
‘There was a time I would have called Lisa Ko’s novel beautifully written, ambitious, and moving, and all of that is true, but it’s more than that now: if you want to understand a forgotten and essential part of the world we live in, The Leavers is required reading’ – Ann Patchett
‘Ambitious . . . Lisa Ko has taken the headlines and has reminded us that beyond them lie messy, brave, extraordinary, ordinary lives’ New York Times Book Review
Ko’s novel is a moving story of how a boy comes into his own when everything he loves is taken away, and how a mother learns to live with the mistakes of the past.
One morning, Deming Guo’s mother, Polly, an undocumented Chinese immigrant, goes to her job at a nail salon – and never comes home. No one can find any trace of her. With his mother gone, eleven-year-old Deming is left mystified and bereft. Eventually adopted by a pair of well-meaning white professors, Deming is moved from the Bronx to a small town upstate and renamed Daniel Wilkinson. But far from all he’s ever known, Daniel struggles to reconcile his adoptive parents’ desire that he assimilate with his memories of his mother and the community he left behind.
Set in New York and China, The Leavers is a vivid examination of borders and belonging. It’s a moving story of how a boy comes into his own when everything he loves is taken away, and how a mother learns to live with the mistakes of the past.
‘Imperative reading’ Oprah’s Book Club DIALOGUE BOOKS’ LAUNCH TITLE WINNER OF THE 2016 PEN/BELLWETHER PRIZE FOR FICTION FINALIST FOR THE NATIONAL BOOK AWARDS 2017
One morning, Deming Guo’s mother, Polly, goes to her job at a nail salon – and never comes home. No one can find any trace of her.
With his mother gone, eleven-year-old Deming is left mystified and bereft. Eventually adopted by a pair of well-meaning white professors, Deming is moved from the Bronx to a small town upstate and renamed Daniel Wilkinson. But far from all he’s ever known, Daniel struggles to reconcile his adoptive parents’ desire that he assimilate, with his memories of his mother and the community he left behind.
Told from the perspective of both Daniel – as he grows into a directionless young man – and Polly, Ko’s novel gives us one of fiction’s most singular mothers. Loving and selfish, determined and frightened, Polly is forced to make one heart-wrenching choice after another.
Set in New York and China, The Leavers is a vivid examination of borders and belonging. Of identity. It’s a moving story of how a boy comes into his own, when everything he loves is taken away, and how a mother learns to live with the mistakes of the past.
About the Author:
Lisas Ko is the author of The Leavers, a novel which was a finalist for the 2017 National Book Award for Fiction and won the 2016 PEN/Bellwether Prize for Socially Engaged Fiction. Her writing has appeared in Best American Short Stories 2016, The New York Times, Brooklyn Review, and extensively elsewhere. Lisa has been awarded fellowships and residencies from the New York Foundation for the Arts, the Lower Manhattan Cultural Council, the MacDowell Colony, the Helene Wurlitzer Foundation, Writers OMI at Ledig House, the Jerome Foundation, Blue Mountain Center, the Van Lier Foundation, Hawthornden Castle, the I-Park Foundation, the Anderson Center, the Constance Saltonstall Foundation, and the Kimmel Harding Nelson Center. Born in Queens and raised in Jersey, she lives in Brooklyn.
Visit Lisa on her site: lisa-ko.com or on Twitter: @iamlisako #TheLeavers
Praise for The Leavers
‘There was a time I would have called Lisa Ko’s novel beautifully written, ambitious and moving, and all of that is true, but it’s more than that now: if you want to understand a forgotten and essential part of the world we live in, The Leavers is required reading’—ANN PATCHETT
‘[The Leavers] uses the voices of both [a] boy and his birth mother to tell a story that unfolds in graceful, realistic fashion and defies expectations. Though it won last year’s PEN/Bellwether Award for Socially Engaged Fiction, Ko’s book is more far-reaching than that’—THE NEW YORK TIMES
‘Courageous, sensitive, and perfectly of this moment’—BARBARA KINGSOLVER
‘[A] dazzling debut… Filled with exquisite, heartrending details, Ko’s exploration of the often-brutal immigrant experience in America is a moving tale of family and belonging’—PEOPLE
‘A sweeping examination of family…. Ko’s stunning tale of love and loyalty—to family, to country— is a fresh and moving look at the immigrant experience in America, and is as timely as ever’ —PUBLISHERS WEEKLY (STARRED REVIEW)
‘What Ko seeks to do with The Leavers is illuminate the consequence of [deportation] facilities, and of the deportation machine as a whole, on individual lives. Ko’s book arrives at a time when it is most needed; its success will be measured in its ability to move its readership along the continuum between complacency and advocacy’ —THE LOS ANGELES REVIEW OF BOOKS
‘Ko’s unforgettable narrative voice is a credit to the moving stories of immigration, loss, recovery, and acceptance that feel particularly suited for our times’—NYLON
‘[E]ngaging and highly topical… Ko deftly segues between the intertwined stories of the separated mother and son and conveys both the struggles of those caught in the net of immigration authorities and the pain of dislocation’ —THE NATIONAL BOOK REVIEW
‘Skillfully written… Those who are interested in closely observed, character-driven fiction will want to leave room for The Leavers on their shelves’—BOOKLIST
‘[A]n impressive literary debut…. Ko does a wonderful job of crafting sympathetic characters. The Leavers is never sentimental or cloying’—SOUTH CHINA MORNING POST
‘This timely novel depicts the heart- and spirit-breaking difficulties faced by illegal immigrants with meticulous specificity’—KIRKUS REVIEWS
‘The Leavers is also about the very concept of ‘us’ versus ‘them’ — about belonging, and who we are when we lose the people who make us, well, ourselves. It’s about immigration and cultural barriers, the promise of the American dream and the less talked about way it can devolve into an American nightmare’—REFINERY29
‘The Leavers has already won the PEN/Bellwether Prize for Socially Engaged Fiction, an honor it surely deserves for its depiction of the tribulations of undocumented immigrants in the United States. Beyond that, and perhaps even more admirable, it is an exceptionally well written, fully realized work of art portraying the circumstances and inner worlds — the motives and emotional weather — of its two central characters. Ko is so psychologically penetrating, so acute in her passing observations and deft in the quick views she affords of her characters’ inner lives and surroundings, that her skill and empathy give real joy’ —KATHERINE POWERS, BARNES AND NOBLE REVIEW
‘Ko tells the heart-breaking story of a Chinese mother and her American-born son, who is adopted by a white couple after she disappears without warning and fails to return for several months. Ko is part of an active subgenre shining a light on an ugly truth about our country—that it is possible to come to America and be worse off as a result’ —THE LOS ANGELES TIMES
‘Vividly written and moving, The Leavers is an engrossing story of one young boy struggling to adjust to his new life without his mother and community’—BUZZFEED
‘One of 2017’s most anticipated fiction debuts… The Leavers feels as relevant as ever as the future of immigrants in America hangs in the balance’—TIME
‘A must-read’—MARIE CLAIRE US
‘Beautifully written and deeply affecting, combining the emotional insight of a great novel with the integrity of long-form journalism, The Leavers is a timely meditation on immigration, adoption, and the meaning of family’—THE VILLAGE VOICE
‘A dazzling international parade of the intrigue and dark shadows of motherhood, The Leavers will leave every reader craving more. This is one of the most ambitious novels of 2017, and it delivers’—REDBOOK
‘Touching upon themes such as identity, determination, addiction, and loyalty, the author clearly shows readers that she is an emerging writer to watch. Ko’s writing is strong, and her characters, whether major or minor, are skilfully developed’—LIBRARY JOURNAL (STARRED REVIEW)
‘A rich and sensitive portrait of lives lived across borders, cultures, and languages … One of the most engaging, deeply probing, and beautiful books I have read this year’ —LAILA LALAMI, AUTHOR OF THE MOOR’S ACCOUNT
‘The year’s powerful debut you won’t want to miss. The Leavers expertly weaves a tale of the conflicts between love and loyalty, personal identity and familial obligation, and the growing divide between freedom and social justice. An affecting novel that details the gut-wrenching realities facing illegal immigrants and their families in modern America’—BUSTLE
‘Heart-wrenching literary debut’—ENTERTAINMENT WEEKLY
‘There is something incredibly timely about this book, and something invaluable in Ko’s ability to fully humanize people who are far too often relegated to the position of symbols and far too rarely seen as fully realized beings. The Leavers is more than just a gorgeously written and perfectly constructed novel; it’s a book that means something – maybe even more than its author intended’—PORTLAND BOOK REVIEW
Thanks to Little Brown UK for providing me an ARC copy of this book and for inviting me to participate in the blog tour on the occasion of the UK book’s launch.
The Leavers comes highly recommended (winner of the PEN/Bellwether Prize for Socially Engaged Fiction) and it feels particularly relevant to the historical times we live in. The plight of emigrants, issues of ethnic and national identity, transnational adoptions, alternative family structures and mother and son relationships. There is plenty of talk and official discourses about laws, building walls, and placing the blame on Others for the problems of a country these days, but this is nothing new. As I read the book, I could not help but think that the situation is a cyclical one, and perhaps the countries the immigrants come from, go to, or their circumstances change over time, but people keep moving. Sometimes they are met with open arms and others, not so much.
This novel is divided into four parts, and it is narrated by two characters. Peilan (Polly) is a young Chinese woman who initially leaves her fishing village for the city (to have access to better opportunities) and eventually takes on huge debt to move to America, already pregnant. She narrates her story in different time-frames (she recalls past events back in China, the difficult time when she had the baby and could not work in New York, her hard decision to send her child to live with her father in China, and the boy’s return after her father’s death), in the first person, first in America, and later, in present-day China. Deming (Daniel), her son, is born in America, shipped back to China, then back to America, and eventually ends up being adopted by a white American family. His story is told in the third person, and we follow him from age 11 (and some earlier memories) all the way to his early twenties. This is the story of two character’s growth, their struggle to discover (or rediscover) who they are and to make sense of their complex history.
The book is beautifully written, with enthralling descriptions of places, sounds, and emotions. If water and nature are particularly significant for Peilan, music makes life meaningful for Daniel and gives him an identity beyond nation and ethnic origin. Like our memories, the book is contemplative and meandering, and the thoughts of both characters reflect well how our minds work, as a smell, a sound, or a glimpsed figure can conjure up an image or a flood of emotions linked to a particular moment in time.
There is a mystery at the centre of the story. Polly leaves her son and nobody knows why. The alternating points of view put the readers in both roles and make us feel lost and abandoned on the one side, and on the other feel puzzled, as we clearly see that Polly loves her son, although she might have felt desperate and done extreme things at times. The explanation, when it eventually comes, is heart-wrenching and particularly poignant in view of some of the policies being enforced and implemented by some countries. Although it is not a traditional mystery novel, and it does not lose its power even if the readers get a clear idea of what had happened, I will try and avoid spoilers.
Both characters feel real, understandable and easy to empathise with, although not necessarily always likeable or immediately sympathetic. Deming is no star pupil, studious and well-behaved, and he makes many mistakes and has a talent for doing the wrong thing and upsetting almost everybody around him. Polly keeps her emotions under wraps; she works hard and puts up with incredibly hard situations until she suddenly does something that comes as a big surprise to everyone who knows her. They are not the perfect Norman Rockwell family by any stretch of the imagination, but that is what makes them more poignant and gives the novels its strength. It is easy to accept and sympathise with those we like and we feel are exceptional cases, but every case is unique and exceptional. The secondary characters are well-drawn and not simple fillers for the main story, their circumstances and personalities are interesting and believable, and the subject of the Deming’s adoption is afforded the nuance and complexity it deserves. The book deals with those issues from a personal perspective, but it is impossible to read it and not think about the effect that policies and politics have on the lives of so many people.
I highlighted many fragments of the book and it is difficult to select some that don’t reveal much of the plot, but I will try.
Instead of friends, Kay and Peter had books they read in bed at night. (Kay and Peter are Daniel’s adoptive parents).
He counted the heartbeats during that little catch between songs, savoring the delicious itch as the needle dropped and the melody snuck its toe out from behind a curtain.
A record was to be treasured, its circle scratches a mysterious language, a furtive tattoo.
“And that is it?” you said. “You forgot me?” “I didn’t forget. I just survived.”
Everyone had stories they told themselves to get through the days.
This novel reminded me of two of the books nominated for the Booker Prize I read last year, one of the finalists, Exist West by Mohsin Hamid (which explores emigration in a very novel way. You can check my review here), and the other one Home Fire by Kamila Shamsie (which also deals with identity and displacement, but it was the character of the brother and his descriptions of music that brought the book to my mind. You can read it here). I recommend it to readers who enjoyed those two books, and also readers interested in memory, identity, emigration, adoption (especially across ethnic and national boundaries) or anybody keen to discover a new writer who can paint images, emotions, and sounds with her words.
Thanks very much to NetGalley, to Grace Vincent from Little Brown UK, to all of you for reading and don’t forget to like, share, comment, click, REVIEW and keep smiling!