I don’t usually blog on Wednesdays, but as wonderfully talented author Shelley Wilson was having a book launch tomorrow, I had to bring you her book and made sure it was available for you. So, here it comes.
The Last Princess by Shelley Winter
Edith still has much to learn about the art of ruling a kingdom, but when her family is murdered, she’s faced with the challenge of staying alive.
As a young woman in Anglo-Saxon England, Edith finds it hard to be heard above the Eldermen who are ripping the kingdom to pieces, but nothing can prepare her for the arrival of the pirates and the Vikings. Torn from her homeland and sold into slavery, she’s determined to survive at any cost.
Finding allies in the unexpected and enemies closer to home, Edith clings to her dream of returning home one day to reclaim her throne and to exact revenge on those who harmed her family.
Extract from The Last Princess
‘It’s too far for them to travel without us,’ my mother protested.
There weren’t many women who could admonish their king and get away with it, but Mother wasn’t your usual woman. She was strong and capable, an equal match to my father’s bravery and flair.
‘Nonsense. Kings have been sending their children on pilgrimages for years without issue.’
‘The girls aren’t on a pilgrimage though, are they, my love? They’re simply parading themselves for the good of our kingdom in the hope of snaring a suitable husband.’
Father dismissed her comment with a wave of his hand and snatched up his goblet of mead, draining the contents in one gigantic gulp. He threw his arm out and a servant jumped to attention, immediately filling the empty vessel.
‘We’ll be all right, Mother,’ I said in a bid to quiet the unrest etched into the queen’s brow. ‘We’ve got Edmund and lots of soldiers with us.’
A trusted friend of my father’s, Edmund was an elderman, and it landed on his shoulders to serve the king in any capacity. At the moment, it was my father’s wish to send his three daughters across Northumbria on a “husband-grabbing rampage”—Mother’s words.‘I’d feel much happier if one of us were accompanying them, that’s all.’
My father rose from his elaborate throne and approached his wife, tucking a loose curl of her hair beneath her veil and kissing her gently on the forehead. My sisters always looked away when our parents were loving, but the exchange fascinated me. I hoped that our husband-grabbing rampage bore me a spouse as loyal, and handsome, as my father.
Although marriage at a young age wasn’t what I’d hoped for myself, I understood the commitment we, as heirs to the crown, needed to make to secure the future of our realm. At seventeen, I should have been wed long ago, but Father had grumbled over every suitor who stepped through the doors of Bamburgh fortress and into his court. It was at Mother’s insistence that we now embraced the task ahead.
‘They’re good girls, strong-willed like their mother.’ Father chuckled and cupped Mother’s chin in his hand, raising her head so they were looking into each other’s eyes. ‘They have Edmund and my best guard, but I doubt they’ll need them. I saw Edith practising with a sword when she didn’t know I was watching.’
Father winked at me as Mother rolled her eyes in dismay.
‘When will you start to act like a lady, Edith?’
I shrugged and tried to look suitably mortified for my mother’s sake, but I was elated that my father, the king of Northumbria, thought my skills with a sword were enough to keep us safe on the road. My private lessons with Edmund were paying off.
‘Go. All of you, gather your things as you leave at first light.’
My sisters and I shot off in all directions, excited to get back to our chambers and start packing. As the eldest daughter, I could take the largest luggage chest, which meant at least two good dresses for the journey, whereas my siblings would have to entertain suitors in the same old dress. I could have cut back on the lavish jewels and slippers and let them pack more, but I wasn’t that nice when it came to my sisters.
Being only two years apart in age from one another, my sisters had bonded so much that it was difficult for anyone to break through into their confidence. I’d tried over and over as they were growing up, but they always saw me as the older sister, able to come and go as she pleased. Over time it was easier to ignore, tease, or annoy them as I saw fit, something my father found amusing but our mother discouraged at every opportunity.
‘Try to act like a princess, Edith,’ she would tell me when I’d hidden their slippers or put a spider in their bed. ‘One day you will be a queen, and a queen doesn’t drop a leech into her siblings’ bathwater.’
It was unheard of for a daughter to succeed as heir, but as our father had only produced girls, it rested at my feet to take up the mantel of queen should something catastrophic happen to the king.
Father had spoken to me at length about it only recently, calling me into his private study, which contained hundreds of scrolls—or lessons, as Father liked to call them. He showed me a map of the kingdom and where our boundary lines met with Mercia, the centre of England.
‘One day all this will belong to you, my daughter.’
I’d traced my finger along the map, outlining Northumbria from east coast to west, a sense of pride and passion rising through me. Losing my father was not something I wanted to contemplate—he was an amazing man and an even better king—but the thought of ruling our beautiful land was too tempting to push those wicked thoughts from my mind.
‘I thought only sons could rule, Father.’
‘Nonsense. If I will it, which I do, then you will succeed me when I die.’
‘But the eldermen might object.’
‘They wouldn’t dare defy the ruling of their king.’ The power in his voice thundered around the small room, and I knew he was right. Nobody would have the strength of character to argue with him, apart from my uncle.
Being the king’s only brother, Aelle didn’t cower like the other eldermen. He stood up to my father and tested him. Although Father always bellowed his dissatisfaction at being challenged in his court, I knew he secretly enjoyed sparring with his younger brother. They had a similar relationship to me and my sisters—they loved each other one minute and wanted to bury each other in the vegetable garden the next.
‘What will your first act be when you become queen, Edith?’
I’d pondered his question for a moment as I studied the map on the table.
‘I’d invade Mercia, then Wessex, and become queen of all England.’
He roared with laughter and swept me into a warm embrace that only a father can give.
Shelley is an English multi-genre author. She has written nine young adult/middle-grade supernatural, fantasy, and historical novels, a children’s meditation book, and six motivational self-help titles for adults.
She is a proud single mum of three and lives in the West Midlands, UK. Shelley loves travelling in her VW camper searching for stories. She also enjoys paddle boarding, Tudor and Viking history, supporting Leeds United, and obsessing over to-do lists!
Her latest book, The Last Princess, is out on 24th May 2022, published by BHC Press Books.
I bring you a book that was a very pleasant surprise for me, and I’m happy I was given the opportunity to participate in the blog blast on the day of its publication.
The Unsinkable Greta James by Jennifer E. Smith
An indie musician reeling from tragedy reconnects with her father on a week-long cruise in this tale of grief, fame, and love from bestselling author Jennifer E. Smith.
Just after the sudden death of her mother – her most devoted fan – and weeks before the launch of her high-stakes second album, Greta James falls apart on stage. The footage quickly goes viral and she stops playing. Greta’s career is suddenly in jeopardy – the kind of jeopardy her father, Conrad, has always warned her about.
Months later, Greta – still heartbroken and very much adrift – reluctantly agrees to accompany Conrad on the Alaskan cruise her parents had booked to celebrate their fortieth anniversary. It could be their last chance to heal old wounds in the wake of shared loss. But the trip will also prove to be a voyage of discovery for them both, and for Ben Wilder, a charming historian who is struggling with a major upheaval in his own life.
In this unlikeliest of places – at sea and far from the packed venues where she usually plays – Greta must finally confront the heartbreak she’s suffered, the family hurts that run deep, and how to find her voice again.
Jennifer E. Smith is the author of nine books for young adults, including The Statistical Probability of Love at First Sight and Hello, Goodbye, and Everything in Between, both of which have recently been adapted for film. She earned a master’s degree in creative writing from the University of St. Andrews in Scotland, and her work has been translated into thirty-three languages. She currently lives in Los Angeles. Follow her on Twitter at @JenEsmith or visit her at
‘This book is a very special one for me. It’s my tenth novel, but my first one for adults, so it feels like a debut in many ways, and I’ve never been prouder of anything I’ve written. I may not be a rock star, and we may not be in a packed music venue with all its energy and immediacy, but I think what happens between writers and readers is something even more profound, something quieter and more personal. So whether this is the first you’ve heard of me, or you’ve grown up along with my books, I’m endlessly grateful to you for choosing to spend time with Greta. It means the world’ – Jennifer Smith
My thanks to Quercus and NetGalley for the ARC copy of this book, which I freely chose to review, and for the opportunity to participate in the blog blast on the day of its release.
Jennifer E. Smith is an author well-known for her YA novels, but this is the first book I read by her, and although I can’t comment on how it compares to her previous work, I loved this one.
The book’s description is very accurate and gives a good idea of what to expect, at least in general terms. It is an adult coming-of-age story, a category that keeps popping up on my reading list recently, and that, so far, has been full of pleasant surprises. Here we have several adult coming-of-age stories, in fact. Apart from the story of Greta, the unsinkable musician of the title (as she proves to be by the end), who has to learn to see things from other people’s perspective, to accept her loss and heartbreak, and to discover that even our dreams are not perfect; we also discover the story of her father, Conrad, who has to face the same loss and make peace with a daughter who challenges his way of life and his dreams; and Ben, a man who is living a dream he never truly believed in and has to pay a hefty price for it. The novel explores family relationships (the stories families tell about themselves, the roles the different members adopt, and how those change), loss (of a close relative, of a relationship, of a dream, of the capacity to create…) and the guilty feelings that often accompany it, different choices and lifestyles (family versus career, dreams versus security), fame and the lack of privacy that comes with it, the role of parents in encouraging their children’s dreams and giving them wings (or not), different concepts of love, the beauty of nature and music and the healing powers of both…
Greta, the central character, is a strong woman, even if we meet her at a low point, a moment when she is going through a deep crisis. She has not only lost her mother and had a public meltdown during a concert, but she is also trying to recover from the breakup from her relationship with her boyfriend and producer, the most stable romantic relationship she’d ever had. Although the story is told in the third person and in the present tense (it felt a bit odd, to begin with, but I quickly forgot about it, and considering most of it takes place in a week and in almost real-time, it feels quite apt) from Greta’s point of view, through her memories and her conversations we get to learn a lot of what happened to get her where she is now, no matter how hard she tries not to think about it. It is very strange, considering that I have hardly anything in common with the character but I really liked her and connected with her from the start, and I often found myself nodding at her comments and reflections, and feeling that many of her words could very well apply to me. The protagonist is far from perfect; she can be obstinate and often refuses to consider things from anybody else’s perspective, but she is hurting so badly and is trying so hard to keep going and to make amends, that it is impossible not to feel for her and cheer her on. The same is true for the rest of the characters. The two couples who have been her parents’ friends forever and travel with them are very different but also very likeable. Pritee, a young girl Greta meets at the beginning of the cruise, is wonderful (and we can easily imagine young Greta when we see this girl’s enthusiasm and zest for life); Ben, the love interest, is a genuinely nice guy, with his own problems but always happy to try and be there for Greta as well; her brother, Asher, is the complete opposite of her and nonetheless a thoroughly decent man, who deeply cares for his family; even her ex-boyfriend sounds quite caring (if far from perfect). And Conrad, her Dad… Well, this man and his interactions with his daughter are the heart of the novel and are both, heartbreaking and heart-warming. There are so many things unsaid between them, and so much hurt, but…
Let me not forget Alaska. Most reviewers comment on the beautiful depiction of Alaska and say they felt like dropping everything to go there. I have wanted to visit it for quite a while, and now I am more determined than ever. Both Alaska and the ship (it’s not a boat, and those who read the book will know why I say that) play important parts in the novel, providing the perfect setting, full of awe-inducing and unforgettable experiences; a sanctuary where the protagonists can have the necessary breathing space and break free from their everyday lives for long enough to confront some hard truths and start anew.
Smith’s writing flows easily, and she excels at describing experiences, feelings, sensations, in a lyrical and compelling manner. There are very sad and moving moments (tissues are recommended), funny interludes, and tender and joyful scenes that will make readers smile. The book is full of eminently quotable gems, but as I have only read an ARC copy, I am aware there might be some changes in the final edition. I decided that I would only share a few of the fragments I had highlighted, as a taster.
Here, Greta is talking about her mother to one of her mother’s friends:
“Also, she made the worst coffee. Like, seriously bad. And she had no street smarts. She’d come to New York and act like she was in a musical, like the whole world is singing along with her. And… she left me. She left all of us, but it feels like she left me most of all, and I know that’s completely self-centered, but it’s how I feel. I hate that she’s gone. I really, really hate it.”
That moment, that phone call, that missed opportunity: all of it is as elemental to their lives as this glacier is to the beach, huge and imposing and receding so slowly, so gradually, that you might be forgiven for assuming it would be here forever.
Greta and her Dad are talking about Ben and his family responsibilities:
“Everyone has baggage,” he says. “Even you. Just because yours is a different shape and size doesn’t mean it’s not heavy too.”
“Maybe the point isn’t always to make things last,” he says. “Maybe it’s just to make them count.” (Another one of Conrad’s wise comments).
I felt the ending was perfect. It has a touch of whimsy and openness that appealed to me because rather than leaving things unresolved (some readers would have preferred more clarity, but I didn’t mind at all), it ends on a hopeful note, full of possibilities. You know that whatever might come next, Greta will be OK and will remain unsinkable.
In summary, this is a novel I would recommend to anybody who enjoys stories with a strong female protagonist, especially one going through a difficult and challenging period in her life, full of interesting characters and real-life emotions. This is a novel about relationships and growing up, and it will not suit those looking for a complex plot full of adventures or intrigue. Although there is a love story of sorts, this is not the most important part of the novel, and people looking for a big romance might be disappointed, but anybody who appreciates stories about family relationships and about how they change, anybody who has experienced the loss of a parent, and particularly those who are fans of indie music and love an Alaskan setting, will enjoy this novel. Book clubs will find plenty to talk and think about in this novel as well (and the fact that one of the characters is a writer and a fan of a classic American author will add to the attraction), and although it is not squeaky-clean, there is no violence or graphic sex, and readers are left with a warm feeling. I don’t know if Smith will carry on writing for adults (although I think older YA and NA would probably enjoy this book as well), but I hope she does, although I wouldn’t mind reading her YA novels either. And I am sure those who try this one will keep on reading her as well.
Thanks to Quercus (Milly Reid in particular), to NetGalley, and of course the author, for such a lovely book, thanks to all of you for following me and reading my reviews, and remember to like, share, comment (if you feel it is worth it), but especially, keep smiling and stay safe. And keep reading!
Hi all, as you can see, I’m participating in a Virtual Blog Tour today. This one is a bit special, as you’ll soon realise:
The Sound of Violet by Allen Wolf
Desperate to find a soulmate, Shawn goes on one awkward date after another until he encounters the alluring Violet. He starts dating her, but his autism keeps him from realizing that she’s actually a prostitute. Shawn thinks he’s found a potential wife while Violet thinks she’s found her ticket to a brand new life. This hilarious and dramatic award-winning story has been adapted into a major motion picture.
PRAISE FOR THE SOUND OF VIOLET:
“Wolf, an award-winning filmmaker, has adapted this first novel from his own original screenplay, and its cinematic potential clearly shows. The high-concept narrative is entertaining, well-paced, and highly visual … It’s a charming, humorous, and hopeful tale. A quirky, touching love story that offers insights into autism, religion, and personal tragedy.” – Kirkus Reviews
“A wonderfully well-written, funny, romantic love story. Unique and inspirational. The Sound of Violet is not your average romance. Rarely do I find myself so captivated by a book that I cannot put it down for nearly two hours. Pick up this book and get lost in the beauty of their relationship. My only complaint would be that the story had an ending, as all stories do, and I did so want to keep reading on. Most highly recommended. The Sound of Violet is simply remarkable.” – Readers’ Favorite
“By turning conventions of contemporary romance on its stilettos and swapping out the typical sassy, fashion-obsessed female protagonist for an autistic male who reads jokes from index cards, Wolf puts a fresh spin on the genre. Adapted from his award-winning screenplay, The Sound of Violet shows signs of its origins with snappy dialogue and humorous, well-staged scenes … A sweet and entertaining romantic comedy, The Sound of Violet touches on autism and the power of faith. It will appeal to any reader who enjoys a blend of quirky characters, humor, and drama.” – Blue Ink Review
“Heartfelt, out-of-the-ordinary romance … This warm, witty story does not shy away from serious themes like exploitation, redemption, and true love. The Sound of Violet explores heavy issues with a light touch. It’s easy to see this being adapted into an enjoyable movie …” – Foreword Reviews
Allen Wolf has won multiple awards as a novelist, filmmaker, and board game creator. His debut novel Hooked won a Book of the Year Award from Foreword Reviews, Gold Medal from the Readers’ Favorite Book Awards, Silver Medal from the Benjamin Franklin Book Awards, Bronze Medal from the IP Awards, and was a finalist for the USA Book Awards. Kirkus Reviews wrote, “The high-concept narrative is entertaining, well-paced, and highly visual.”
Allen wrote, directed, and produced the movie version of Hooked that is expected to debut in theaters in 2019.
As a filmmaker, Allen wrote, directed, and produced In My Sleep which was released worldwide, won multiple film festivals, and is available on Amazon and iTunes. Hollywood Reporter raved, “In My Sleep never rests, a credit to the tight, psychologically astute pacing of filmmaker Wolf.”
Wolf created five board games that won 38 awards – You’re Pulling My Leg!, Slap Wacky, JabberJot, You’re Pulling My Leg! Junior, and Pet Detectives. They have brought smiles to hundreds of thousands of people around the world through his company, Morning Star Games.
He graduated from New York University’s film school. He married his Persian princess and they have two kids together. He enjoys traveling around the world and hearing other people’s life stories. Allen also cherishes spending time with his family, chocolate, and visiting Disneyland.
You can also access more information about the author (including a sample of the first chapter of this novel), here:www.allenwolf.com/author
All those who purchase the novelwill get a sneak preview of the trailer for the upcoming movie. They only need to email a screenshot of their order or their order number to firstname.lastname@example.org. Oh, I have watched the trailer, and I’m looking forward to watching the movie already!
Thanks to NetGalley and to the publisher for providing me an ARC copy of the novel and for asking me to take part in the Virtual Blog Tour of its launch.
I had never read any of the author’s books, but it is evident from his biography that he is a multi-talented individual with an ample career in filmmaking, screenwriting, podcasting, and also creating games. I hope to be able to catch up on some of his other skills soon because reading about his work has piqued my curiosity.
The description of the book offers enough information for future readers to be able to get a good sense of what to expect. If I had to add to this, I would say that it made me think of Pretty Woman. That is if we transform the male protagonist —a very charming and classy millionaire (or billionaire)— into a not quite so wealthy, but equally charming (more, in my opinion) young man, who loves weddings, dreams of a happy marriage, and whose autism might not be evident at first, but it affects his social interactions and his everyday life in not-always-subtle ways. And although the female character is a young prostitute as well, there is more realism and more darkness behind her circumstances. So, although there is certainly plenty of comedy and amusing scenes and episodes, there is also a darker reality explored by this novel.
This is eminently a work of fiction and an entertaining and ‘alternative’ romantic story, but there are some themes the novel delves into which deserve a special mention. I have talked about the protagonist’s high-functioning autism, and although I don’t think people familiar with Asperger’s and autism will discover anything new here, there is a lightness of touch in the way we learn about some of Shawn’s experiences (like his synaesthesia, that makes him literally ‘hear’ colours, or his almost painful sensitivity to touch and any intense stimuli of his senses) which will suit people who worry about information dumps or over-the-top descriptions, while bringing to life what it must be like, not only to be Shawn, but also to meet him or live with him. We meet his grandmother and his brother, both great characters (I love Ruth the most, but Colin is a nice guy as well), and learn about his parents’ role (or lack of it). Through Violet, the author explores issues like human trafficking and also child abuse and trauma, and although this is not a tough and harsh documentary look at any of those subjects, it helps anchor it more firmly in reality and makes it a far less idealised and rosy story than many in the genre. People looking for a totally clean, non-traumatic, and violence-free read should look elsewhere, but most readers happy with the description are unlikely to feel offended by its content, with the provisos mentioned before. The book also discusses the world of dating apps, second chances, bereavement, religious belief, prejudice… and family relationships feature prominently in its plot.
I have mentioned a few of the characters of the book, and the novel has plenty of others, some of who we don’t get to know that well (like Anton, the pimp, a pretty devious guy as you can imagine; Jake, Shawn’s boss, who hides depths not evident at first; and also some of Shawn and Violet’s coworkers), but those who play an important role in the story are usually given enough space to leave a mark in the reader. And the protagonists are both very memorable in their distinct ways. Not that they are perfect, by any means. As Colin reminds Shawn sometimes, he has a tendency to think about his own needs, first of all, forgetting what those around him might experience or feel. And Violet at first wants to use Shawn but soon becomes charmed by him, and her relationship with him helps her find the strength she needs to fight her low self-esteem, her trauma, and her circumstances.
The novel’s style is easy to read, it flows well, and it does feel very similar to watching a movie (yes, there is a movie and it looks good, despite the change of setting, as the film is set in Seattle rather than New York), because it is a page-turner written in a scene or episodic format, where the action moves quickly from one situation to the next, following a chronological order. It is written in the third person, but readers have access to the thoughts and feelings of, mostly, the main protagonists, though occasionally and briefly we get to see things from one of the other character’s points of view, and that helps to offer its reader a wider and more rounded perspective.
As for the ending, it suits perfectly his unusual romantic comedy plus (if I had to fit it into a category, or perhaps ‘romantic dramedy’ as the author says later on) genre, and I think most people will be happy with the way events unfold, although some parts of it felt a bit rushed and required more suspension of disbelief than the rest of the novel. But the ending proper is lovely, for sure. And it seems that the author is planning to write more about the characters in the next novel, so don’t worry if you’ve become fond of the characters and wish for more. It’s likely to come.
So, would I recommend this novel? Yes, to anybody who is looking for a romantic comedy that goes a little beyond the usual and has a hard edge. Readers should be aware that some of the topics discussed are darker than is expected in the standard examples of the genre, but it is perfect for those who don’t mind a touch of realism and grit and are looking for a dynamic and heart-warming book, full of lovable characters, and an atypical romance with a fabulous ending.
I include a Q&A session about this novel in the author’s own words, in case you want to know more.
Q&A with Author Allen Wolf
How did you come up with the story for The Sound of Violet?
A friend and I were laughing about the challenges of navigating the dating world in Los Angeles years ago. Even though I was married, those days were still vivid in my mind. Those conversations inspired me to write The Sound of Violet about two dating-challenged people from entirely different walks of life and the opposite from each other in significant ways. The woman is paid to be with men and has a skewed view of love. The man is autistic and struggles with forming relationships as well as physical touch. And he has his own idealistic view of relationships. I thought bringing those two together would make a fascinating and dynamic story and could teach us something about love.
I can relate to Shawn’s dating journey because it reflects some of my journey when I was a single man in Los Angeles. Even though I’m not on the autism spectrum, I struggled with many of my main character’s issues, such as meaningfully connecting with women, being naïve in relationships, and struggling with building intimacy. The woman he falls in love with works as a prostitute, which he doesn’t realize. I thought that would be a compelling contrast with Shawn, who has a faith background and saved himself for marriage. He resists touching because it’s too intense for him, while she’s forced to touch others. I thought that would make a compelling story.
Can you tell us about the book?
The Sound of Violet is about a man who believes he found his perfect soulmate, but his autism keeps him from realizing she’s actually a prostitute. The novel allows readers to experience a love story between two people who are unlikely to fall in love. The main character is autistic, and I mainly wrote the novel from his perspective. He’s very trusting, so when he meets Violet, he believes she’s an actress when she’s actually a prostitute. I wanted the reader to experience the rollercoaster of the relationship mainly through his eyes with glimpses into Violet’s world.
You wear many different hats beyond being an author. How do you balance being an author, a filmmaker, a game creator, and a podcaster?
I start most days around 4:00 a.m. and sometimes even earlier. In those early morning hours, I’m able to work on my creative projects without interruption. I try to work on a project consistently and chip away at it day after day. Then, one day it’s finished, and I’m able to move on to something else. Starting any new project feels like standing at the base of an enormous mountain, and it can feel overwhelming to think of what’s ahead. But if I can move forward with one small step after another, eventually, I discover I’ve made it to the summit. It takes a lot of perseverance, but it’s worth it when I see my creative work come to life and hear how what I’m doing is having a positive impact on people’s lives.
Where do you find inspiration?
Since I’ve started hosting the Navigating Hollywood podcast, I’ve been inspired by my guests, who have overcome tremendous odds to succeed in the world of film and television. I’m also creatively inspired by my family, friendships, and adventures I’ve taken around Los Angeles and the globe. I love watching my kids create entire worlds using boxes and construction paper. Their limitless imaginations spur me on. I always feel creatively recharged when I visit museums, experience a great movie, enjoy a game night with friends, or visit Disneyland, where I’ve visited over 500 times. Everything in Disneyland is based on a story, and I’ve spent many hours at the park to work on novels, screenplays, or other creative ideas.
Can you tell us about your upcoming movie, The Sound of Violet, based on your novel?
The Sound of Violet is a romantic dramedy about a man who believes he found his perfect soulmate, but his autism keeps him from realizing she’s actually a prostitute, so the storyline is the same as the novel. My hope is for the movie to bring awareness to human trafficking while helping people to see autism through a new lens. I wrote, directed, and produced the film. We had a fantastic team of actors and people who worked behind the scenes to make it happen.
While the novel is set in New York City, I changed the movie’s location to Seattle so readers will have a whole new experience in watching the film. We were able to film in some fantastic places, which will showcase areas of Seattle that you don’t usually see in movies based there. I made some changes to the characters. Natasha, who is Russian in the novel, is named Nadia in the film. She’s from India and doesn’t talk. I combined the characters of Flynn and Shawn’s boss Jake so that Jake is more of a central figure.
It’s a very different experience to experience the movie compared to reading the novel. In the book, I’m able to explore the inner lives and thoughts of the characters with words, while in the movie, you’re able to experience the story visually, which brings a whole new dimension to the story. Our composer, Conrad Pope, created a lush score that also helps bring the story to life.
What was the process like bringing The Sound of Violet to life from the novel to the screen?
It was a monumental effort to bring The Sound of Violet to life on the screen. I first relocated the story from New York City to Seattle, which I knew would be a friendlier city to make the film. I changed locations for scenes in the novel to be more visual for the movie. I wanted to explore Seattle’s beautiful landscapes for the film, so I featured scenes in Gas Works Park, the shipping yards, alongside the enormous bridges and different spots around the city that you usually don’t see featured in Hollywood movies.
I wanted to cast unknown actors in the lead roles so the audience wouldn’t have any preconceived notions of who they are during the film. This movie is the debut for our two lead actors, and they pulled off stunning performances. I also had to find ways to tell the story in a tighter timeframe, so I condensed some scenes and took out others. I wanted the experience of watching the movie to be different from the book, so while the story beats are identical, the movie’s journey takes you on various twists and turns than the novel. When I write a novel, I’m able to concentrate on the inner lives of the character. But in creating a movie, I have to communicate all of that through the actors’ performances. There were several moments on the set when it struck me that the characters I had written for the page were walking and talking in front of me. That was surreal! I was so thankful to be surrounded by such a talented team of actors and the crew who worked tirelessly. Composer Conrad Pope created the soundtrack for the movie, which we also recorded in Seattle with a 54 piece orchestra. I appreciate how he draws out the emotional beats of the story through his musical craftsmanship. I’m very much looking forward to the film premiering in theaters and hearing what the experience is like for our readers.
What was it like seeing the characters from your novel come to life in the movie?
It was surreal to see the characters and story from the novel come to life for the film. It struck me that characters I had written about in solitude had become living and breathing human beings. Now, when I read the book, I picture the faces of those actors.
How can we see a trailer of The Sound of Violet?
Anyone who purchases the novel will get a sneak preview of the trailer. Readers send their receipt or transaction number to email@example.com, and they’ll be one of the first people to see the trailer.
What are your current creative influences?
The works of C.S. Lewis inspire me, and I have read his books numerous times. I recently finished reading The Lion, The Witch, and the Wardrobe to my kids for the first time. I’m always impressed by how C.S. Lewis can weave together a powerful story with a deeper meaning. JRR Tolkien also inspires me for the same reasons. I’m also a huge fan of Liane Moriarty and love how she captures the inner lives of her characters in her novels.
What did you learn when writing this story?
When I first started writing the story of The Sound of Violet, Violet’s character was an “empowered hooker” that you typically see portrayed in Hollywood movies. But then, as I researched prostitution, I realized that the vast majority of these women are being trafficked. Or, they were sexually abused, and they’re reliving that trauma as prostitutes. I then consulted with several organizations that work with trafficked people, which opened my eyes tremendously. I took a whole new direction in creating Violet’s character, and I think it reflects the reality of someone caught up in prostitution today. I also learned a lot about autism while researching Shawn’s character. I have a relative who is autistic and consulted with several others to accurately portray Shawn’s character. There isn’t one standard description of an autistic person, so I crafted a character I thought was best for this story. While I was prepping the story, I talked to two different mothers whose autistic sons had unknowingly started relationships with prostitutes, which brought some realism to the story I had created.
What does the title mean?
The title The Sound of Violet has a double meaning. The main character Shawn has a condition called synesthesia which allows him to hear sounds in colors. So if he’s staring at the color violet, he will hear a sound. The main character’s name is also Violet, and she comments to him that he should be with someone whose colors sound right to him.
What do you think happened to the characters after the book ended?
I’m working on a sequel to answer that question.
Thanks to NetGalley, the publisher, and the author for this opportunity, thanks to all of you for reading, and remember to like, share, comment, click, review, and above all, stay safe and keep smiling!
Today I don’t bring you one of my usual reviews. The author of this novel, Anne Goodwin, contacted me ahead of its publication because she thought I might be interested to read it due to the topic and the story. She couldn’t have been more right, and rather than a review, I ended up writing a reflection on the type of thoughts and memories the novel brought to my mind. The book is being published by Inspired Quill on the 29th of May 2021, but I wanted to share it today because the author is holding a virtual book launch this Thursday, 27th of May, and I wanted to give those of you interested a chance to join in (I share the link below). Unfortunately, I can’t make it, as I am teaching an English lesson at that time on a Thursday afternoon, but I’m sure it will be fascinating. And without further ado:
Matilda Windsor Is Coming Home by Anne Goodwin
In the dying days of the old asylums, three paths intersect.
Henry was only a boy when he waved goodbye to his glamorous grown-up sister; approaching sixty, his life is still on hold as he awaits her return.
As a high-society hostess renowned for her recitals, Matty’s burden weighs heavily upon her, but she bears it with fortitude and grace.
Janice, a young social worker, wants to set the world to rights, but she needs to tackle challenges closer to home.
A brother and sister separated by decades of deceit. Will truth prevail over bigotry, or will the buried secret keep family apart?
In this, her third novel, Anne Goodwin has drawn on the language and landscapes of her native Cumbria and on the culture of long-stay psychiatric hospitals where she began her clinical psychology career.
Anne Goodwin grew up in the non-touristy part of Cumbria, where this novel is set. When she went to university ninety miles away, no-one could understand her accent. After nine years of studying, her first post on qualifying as a clinical psychologist was in a long-stay psychiatric hospital in the process of closing.
Her debut novel, Sugar and Snails, about a woman who has kept her past identity a secret for thirty years, was shortlisted for the 2016 Polari First Book Prize. Her second novel, Underneath, about a man who keeps a woman captive in his cellar, was published in 2017. Her short story collection, Becoming Someone, on the theme of identity, was published in November 2018. Subscribers to her newsletter can download a free e-book of prize-winning short stories.
I arrived in the UK in September 1992. My goal was to qualify as a psychiatrist (I had studied Medicine back home in Barcelona, Spain) and, also, to improve my English. I started working as a junior doctor in psychiatry in February 1993, and Anne Goodwin’s new novel is set (mostly) just a couple of years earlier, at a moment when mental health services in the UK were undergoing a major change. The move from the big old-style asylums —where people who suffered from chronic mental health conditions, sometimes poorly defined, were “warehoused”—to “care in the community”, with its resulting emphasis on normalisation, on reintegration, and on support within the family, and/or the community, rocked the foundations of the system, and resulted on new practices, roles, and also in bringing to the fore a number of patients who had spent most of their lives in institutions and had real difficulties finding a place in an outside world they no longer recognised.
Even though this is a work of fiction, it is evident that the author is writing from personal experience, and that lends immediacy and depth to the story. Goodwin captures perfectly the atmosphere of the mental health asylums, where routine was sacred, and everybody had a part to play they were not allowed to deviate from. She offers readers several points of view: that of a newly-qualified social worker (Janice), who is going through an unsettling time in her personal life, and whose values and certainties will be put to the test by this job, especially by Matty’s case; Matty’s, one of the long-stay patients, whose story is less-than-certain after having been institutionalised for over 50 years, who allows us a peek into her unique world (stuck as she is in the past, an imaginary refuge from her less than glamorous reality); Henry’s, a man who also lives stuck in the past, waiting for a sister/mother whom he is no longer sure ever existed; and Matilda’s, who takes us back to the 1930s and tells us a story full of everyday tragedy, loss, and despair.
Although I only experienced the aftermath of the closing of the big asylums, I got to talk to many nurses and doctors who had spent most of their working lives there and had been involved in the changes as well. I also met many of the patients who hadn’t been lucky enough to move back into the community and ended up in newer long-term units, and also some of those who managed to create new lives for themselves, with the dedicated support of members of staff who were usually stretched to their limits. I worked in a newly-built unit in the grounds of one of the big asylums in the South of England, and walked the beautiful gardens, saw the impressive buildings (it had even had a railway station in its heyday), and it was easy to imagine how things must have been. Hardly any of the patients who’d spent years there had any contact with their families any longer, and their worlds had become reduced to their everyday routine, the tea with the sugar and milk already in, and the daily trip to the shop that the novel so realistically portrays. The way the author contrasts the experiences from the characters who live “normal” lives in the community (Henry’s life is “peculiar” to say the least, and Janice is in a sort of limbo, an impasse in her life) with Matty’s life in hospital emphasises the importance of the stories we tell ourselves, and also reminds us of the need to take control and to impose our own meaning in our lives. If we don’t, we are at risk of becoming the person or the version of ourselves that other people decide. And that is the worst of tragedies.
This is not an easy story to contemplate, and most readers will soon imagine that the truth about Matilda’s past, once revealed, will be shocking and tragic. Worse still, we know that it is all a too-familiar story and not a flight of fancy on the part of the author. But she manages to make it deeply personal, and I challenge any casual readers not to feel both, horrified and moved, by the story.
As a mental health professional, this novel brought goosebumps to my skin and a lot of memories. As a reader, it gave me pause and made me care for a group of characters whom I share little with (other than my professional experience). As a human being, I can only hope no girls find themselves in the position of Matilda ever again, and also that, as a society, we always remember that there is no health without mental health. Thankfully, many people have come forward in recent years and shared their mental health difficulties and their experiences trying to find help. It was about time because those patients not at liberty to leave the hospital always reminded us that we would go home at the end of the day, but they had no home to go to, or, worse even, the hospital was their only home. Out of sight, out of mind is a terrible attitude when it comes to people’s suffering. Hiding away mental health problems does nothing to help those suffering them or the society they should be fully participating in, and Goodwin’s novel reminds us that we have come a long way, but there’s still a long way ahead.
A fantastic novel, about a tough topic, which highlights the changes in mental health policy and forces us to remember we are all vulnerable, and we should fight to ensure that nobody is ever left behind.
Thanks to the author for offering me the opportunity to read her novel ahead of publication. It will stay with me for a long time, and I’m delighted to hear that she’s already working on its second part.
I haven’t forgotten the invitation to the online launch. Tickets can be booked here:
Thanks to the author for sharing this novel with me. As you can see from my comments, it brought back many memories. Thanks to all of you for reading, and if you know anybody who might be interested, remember to share and pass the message on. Remember that it will be published on the 29th of May, so not long to go. Remember to keep safe and keep smiling!
I couldn’t resist and had to read this book and participate in this blog blast:
The Disappearance of Stephanie Mailer: A gripping new thriller with a killer twist by Joël Dicker (Author), Howard Curtis (Translator)
A twisting new thriller from the author of The Truth about the Harry Quebert Affair
In the summer of 1994, the quiet seaside town of Orphea reels from the discovery of four murders.
Two young police officers, Jesse Rosenberg and Derek Scott crack the case and identify the killer.
Then, twenty years later and just as he is on the point of taking early retirement, Rosenberg is approached by Stephanie Mailer, a journalist who believes he made a mistake back in 1994 and that the real murderer is still out there, perhaps ready to strike again. But before she can give any more details, Stephanie Mailer mysteriously disappears, and Rosenberg and Scott are forced to confront the possibility that her suspicions might have been proved true.
What happened to Stephanie Mailer?
What did she know?
And what really happened in Orphea all those years ago?
JOËL DICKER was born in Geneva in 1985, where he studied Law. The Truth about the Harry Quebert Affair was nominated for the Prix Goncourt and won the Grand Prix du Roman de l’Académie Française and the Prix Goncourt des Lycéens. It has sold more than 3.6 million copies in 42 countries.
HOWARD CURTIS is an award-winning translator of Italian and French, including books by Fabio Geda, Gianrico Carofiglio, Jean-Claude Izzo and Giorgio Scerbanenco.
Remember The Truth about the Harry Quebert Affair?
A huge bestseller in Europe on publication
Joel Dicker was just 28 when this, his second book, came out. He became so famous in his native Switzerland; his picture was plastered all over public transport in his hometown Geneva
250,000 copies were sold in the UK alone
Sky Witness series starring Patrick Dempsey aired in Autumn 2018
PRAISE FOR THE TRUTH ABOUT THE HARRY QUEBERT AFFAIR
‘Maybe, just possibly, the book of the year’ – Simon Mayo
‘An expertly realised, addictive Russian doll of a whodunnit’ – Daily Mail
‘A top-class literary thriller that smoothly outclasses its rivals’ – The Times
‘Should delight any reader who has felt bereft since finishing Gone Girl or Stieg Larsson’s Millennium Trilogy’ – Metro
‘Unimpeachably terrific’ – New York Times
‘The cleverest, creepiest book you’ll read this year’ – Daily Telegraph
I thank the publisher, Quercus Books, and NetGalley for providing me an ARC copy of this novel, which I freely chose to review.
I read and reviewed The Truth about the Harry Quebert Affair (you can check my review here) almost a couple of years back (during my summer holidays. Remember those?), and I was enthralled by it, to the point where I got a couple of other books by the same author, which I intended to read. Being aware that his books are normally quite long and you need to keep your wits about you when you’re reading them, I’d been postponing that moment (I don’t need to tell you that things have been weird recently, and I think a lot of us have found it difficult to concentrate), but when I saw this book was available, and I was invited to participate in the blog tour, it was all the motivation I needed to plunge into it. I also realised why the name of the book was so familiar to me. I’ve seen it published in its Spanish translation and doing quite well, but I hadn’t realised it hadn’t been released in English yet.
Sorry for the long detour, but I think it’s a reflection of the impact the book has had on me, as it has a way of going off on tangents, or so they seem at the time. I wonder what would happen if somebody else wrote a book like this, and it reached the hands of a standard editor, who would follow the usual advice of removing anything that did not serve to move the plot forward, avoid unnecessary detours, streamline the story… This is a long book, with twists and turns galore, cul-de-sacs plot-wise, and of course, secrets, red herrings, clues, and revelations spread merrily around. I can imagine the author being advised to get rid of characters, or to, perhaps, leave out some of the side-stories and plotlines, maybe write separate novelettes or bonus chapters for followers which would include the background story of some of those characters. But this is a Joël Dicker novel, and he has proven more than once that he can get away with murder. Quite literally.
I am not sure I can talk about the plot in detail without revealing any spoilers, and I want to avoid that at all costs. Without going into the story, I can tell you that what struck me the most, thinking about it, is that although this book includes many standard plot devices and even clichés (you have the detective about to leave the police force, trying to solve a last case just before he hands back his badge; you have a female police detective trying to fit into a small town’s police force whose members are less than accepting of women among their ranks; you have a corrupt politician; a middle-aged man in a powerful position cheating on his wife with his young secretary; an ambitious reporter going after a story at all costs; the spoilt daughter of a rich man who’s mixing with the wrong company and getting herself into trouble…) they all fit in together and create a whole that is not in itself a challenge of any of the tropes, but something other.
I thought I could share this video to give you more of an idea…
In some ways, the story brought to my mind the term of pastiche as used by Fredrick Jameson when talking about postmodern writing. It is not a parody of other genres, it’s a celebration. The author knows and loves a multitude of genres, and rather than poke fun at them, he uses them to create a narrative that is many things in one. Let me count… the genres (or subgenres): 1) the mystery. Overall, there is a mystery hanging over the whole novel and pulling all its strings and characters together, like a centrifugal force, towards Orphea, the small town where most of the events and actions converge, and a character in its own right. The title hints at the mystery, and the disappearance of Stephanie Mailer, a journalist, is what sets the whole story in motion. I’ve mentioned red herrings, twists and turns, clues… We even have secret messages and codes, and we are likely to recognise the typical elements of a cozy mystery, with the setting in a small lovely town in the Hamptons, a friendly bookshop, a charming theatre festival…; 2) the police procedural. I’ve talked about a detective who’s about to leave the force, Jessie. He is challenged by Stephanie Mailer to reconsider the first case he solved, the beginning of his successful career, and that turns his world inside out. He manages to convince his partner at the time, Derek, to join him in the investigation (he took a desk job after the case, for reasons that become clear much later), and they get the assistance of the most recent recruit into the small-town police force, a female officer, Anna, who is having trouble fitting into the close-knit and somewhat misogynistic department. They review the old case, investigate the new clues, and keep digging into evidence, old and new; 3) the noir novel/thriller. A local gangster who uses underhand methods to gain influence over men and turn them into his slaves (underage girls and torture are featured as well), has a night club with an alluring singer, a brutal henchman by his side, and who manages to rub too many people the wrong way plays a part; 4) the second-chance/reinventing yourself story. Anna, the policewoman, has reinvented herself more than once. She studied Law and started working for her father’s company but soon realised this was not for her and trained to enter the police. She quickly became a detective, got married to a lawyer working for her father, and became a negotiator. Her husband wasn’t terribly keen on the idea, things went terribly wrong, and she decided to leave it all behind. Unfortunately, what she finds in Orphea, the charming town, isn’t exactly what she bargained for; 4) the coming of age story. Dakota, the daughter of a rich man, the CEO of an important TV channel, keeps getting into trouble, mixes with the wrong companies, and seems unable to keep her life in order. But there is a reason behind her behaviour; 5) small-town American and its dark underbelly. The lovely town of Orphea might seem idyllic, but it hides all kinds of corrupt practices, characters who are not as squeaky clean as they seem to be, and there is a dark secret (well, a few) about to burst open; 6) dark comedy/farce. We have a talentless ex-chief of police who desperately wants to become a successful dramatist, and he’d do anything to get his play (he’s been working on it for twenty years, so you can forgive him for that) onto the stage. We also have an important literary critic who’d love nothing better than to become an actor, and he will subject himself to any humiliation willingly to be given that chance. He’s joined by another chief-of-police who also wants to shine on stage (Oh, and how they do…). And the play… But those are not the only comedic elements in the story. Jessie’s back story, and his maternal grandparents, also seem strait from a less-than-gentle comedy (expletives and all; and I must confess there is a blonde wig somewhere that made me think of ET), and some of the most extreme behaviours of some of the characters seem taken right out of the Looney Tunes (the original Warner Bros series); 7) romance/romantic novels. We have quite a few stories that have romance at its heart, some set in the past and not standard HEA fare (Jessie and Natasha’s love story, with something of the Greek tragedy about it), Derek and his wife, the critic and his lover (I’m keeping my mouth firmly shut about this), the town mayor and his wife, the local newspaper editor and his wife, and… (sorry, no spoilers); 8) the story I mentioned of a middle-aged man who falls madly in love/lust with his young secretary, featuring adultery, manipulation, extortion and… I’m sure I’m forgetting some, but this wasn’t meant to be an all-inclusive list.
If all that sounds like chaos, well, you have a point, but, quoting Shakespeare, I’d say “there is a method to his madness”.
As you can guess, talking about all the characters would take forever, and I won’t try. I’ll only say that although many are not particularly likeable, at least, to begin with, we get to see many of them under a different light by the end of the novel (not always for the better, but most of them come out of it as quite human and relatable). The same goes for the themes, and you’ve got a good idea about those already from my comments about the genres. Guilt, lost opportunities, the consequences of keeping secrets from those we love and from everybody, and the cost of trying to find out the truth when there are powerful incentives at play to keep it buried, come up often in the novel, and there are multiple references not only to other genres, but also to classic plots and works of literature (the name of the town and the reference to Orpheus could easily apply to Jessie and the mourning of his lost love, but this is just one of many).
The novel is narrated by a variety of characters, and we hear the first-person narratives of quite a few of them (not all, but many). The way it works is: somebody is telling us what is happening (Jessie, for example) in 2014, the time when the contemporary story is set, and he finds a clue or he talks to somebody, and then, as if in a flashback, we are transported to 1994, and, usually in the third person, we get to see/experience that scene. There are multiple references to the actual time and to the person whose perspective we are reading, but these are interrupted by the trips to the past, or by somebody’s memories (like those of Dakota, at some point). That results in readers getting both, a personal perspective of the story, from several points of view, and also a narration of past events, seemingly from an omniscient point of view. It didn’t always run completely smoothly (I’m fully aware I was reading an early ARC copy, so some of the issues might have to do with that, and they were very minor), but I felt it was a satisfying alternative to the long stretches of “telling” so typical in classical mysteries. I’ve only read another novel by this author, but from the comments I’ve read, I understand that he’s also used a similar narrative style in several of his novels (and I definitely intend to read more of them in the future), so it might have become his trademark, although it’s too early in his career to come to conclusions.
There are plenty of memorable quotes here as well, but not quite as many as in Harry Quebert. This is a long book, and readers need to be on their guard and pay close attention to all they read, but as I’ve said, temporal changes are signposted, there is a list of characters at the back, and the writing isn’t precious or overly complicated. There are plenty of detours, and the writing meanders rather than rushing at breakneck speed towards the finish line, but I enjoyed getting side-tracked and following the character’s stories. After reading many stories that strictly follow the rules, I enjoy those who go their own way and take risks, although I know many people won’t share my feelings.
Did I guess the mystery? Well, which one? I did guess quite a few of the important twists and picked up on many of the clues, although no, I didn’t guess the final reveal, and I think that most people won’t until very close to the end, because of the way the story is constructed. But I must confess to being more taken by some of the side-stories at times and not being that concerned about the actual name by the end. It reminded me of a scene in Amadeus when Mozart describes to the emperor a particular scene in one of his operas, where he keeps adding more and more voices singing all in unison. A tour de force. Yes, as the ending neared I kept wondering how many more turns the plot would take before the actual final curtain. In case you’re worried, the main mystery is solved. (What does that mean? Well, you go ahead and read the book if you want to know). And yes, there is a coda of sorts, and I liked what we’re told happens to the characters later on. I’m not sure it’s the ideal ending, but I enjoyed it. If I have to choose from the two books I’ve read by Dicker, I prefer The Truth about the Harry Quebert Affair, but that was one of my favourite books in recent years, so this is no mean feat either.
So, would I recommend it? Of course. With some provisos. Be sure you have plenty of time to read it. As I’ve said, it’s complicated, and it brings many stories together, so if you only have time to pick it up a few minutes at a time over days and days, you might get quite confused, or you might have to keep going back. It’s important to set aside sufficient time to read it so that you can keep the details (or at least the main details) fresh and straight in your mind. Also, if you prefer slim, streamlined, and bare narratives, or straightforward mysteries with no flights of fancy or backstories, this is not for you. If you’re happy to be taken for a ride, enjoy long books, and like to mix and match genres and challenge conventions, you’ll definitely have a good time. I would also recommend it to writers thinking of writing mysteries or crime novels, as it is impossible to read this book and not ponder and keep thinking about how it has been written.
I’ll leave you with a quote from The Truth about the Harry Quebert Affair, which I feel applies here: A good book, Marcus, is a book you are sorry to have finished.
Thanks to the author, translator, and publishers for this book, thanks to all of you for reading, and remember to spread the word if you are intrigued by what you’ve read. Let me know what you think, and remember to keep safe!
Today I bring you a treat. I know many of you are fans of Teagan Geneviene’s blog and her books. For those who don’t know her yet, she is a true magician! She starts with the germ of an idea for a story (sometimes a character and a historical era, a scene, a song) and then asks the readers of her blog to participate and suggest objects, ingredients… whatever might be relevant, and “Abracadabra” the magic is served and an incredible story is born.
Many of her readers (I included) had been asking her to turn these stories into books, to be able to enjoy them more fully and keep them in our collections. After some insistence, she finally agreed, and now some of her stories have become books. And she has done it again! Here she brings us a fantastic (in more ways than one) story with some of my favourite characters (not all human either)! So, you’re all invited to the book launch party!
Oh, and she asked me to choose one of the Real World things, and being a psychiatrist, I could not resist and had to choose Carl Jung’s mysterious Red Notebook. Jung was a psychiatrist and psychoanalyst born in the XIX century (1875). At first, he was a close ally of Freud but later he moved away from psychoanalysis and founded analytical psychology, which caused a rift between them. He introduced many psychological concepts that have become well-known, like archetypes, the collective unconscious, introversion and extraversion, synchronicity, and the notion of the psychological complex. And that’s enough from me. Here comes Teagan Geneviene and Hullaba Lulu.
Lulu and Friends by Teagan R Geneviene
Hi, Olga – it’s wonderful of you to host me to announce my novella, Hullaba Lulu, a Dieselpunk Adventure.
Since you followed this story in the serial version, you know this is a “dieselpunk” story. It has a 1920s aesthetic with retro futuristic technology, a dash of magic, and some creepy settings, along with a crew of misfit characters. Lulu is a snarky, but good-hearted flapper. She and her friends get into all sorts of trouble (often due to Lulu’s clumsiness). They travel on a magical train to a lot of “sideways” places.
At the back of the novella, I included a list of Real-World Things. You chose Carl Jung’s Red Notebook. So, I’m sharing that entry and a related snippet from the novella.
Carl Jung’s Red Notebook, also known as The Red Book, is a red leather‐bound folio manuscript written by the Swiss psychiatrist Carl Gustav Jung between 1915 and 1930. It comments on his psychological experiments and is based on manuscripts first drafted by Jung in 1914–15 and 1917. Despite being nominated as the central piece in Jung’s body of work, it was not published or made otherwise accessible for study until 2009.
The Red Notebook comes into the story not long after Lulu meets the mysterious Valentino. Here’s a snippet:
The right-side page bore a hand drawn map. I gazed at it in sudden inspiration. I grabbed the notepad where I penciled the letters of the Ouija board to which the planchette pointed moments before, Y, T, I, C, C, I, T, N, A, L, T, A. My eyes went back to the map. I spat out the piece of saltwater taffy that as still in my mouth.
Valentino reached the desk in a single step. He didn’t even flinch at putting his hand into the aura. He picked up his travelogue. He snapped it shut and the nimbus burst. The noise of tiny pops repeatedly assailed my ears, like a string of lady finger firecrackers. Bits of ectoplasm showered down in sparks.
I tried to take the book from him, but he held it tightly to his chest. He gave me a derisive look that was probably meant to make me stop. I desperately wanted to get another look at that page. The only thing I had been able to make out in the handwriting was a name. Lauren.
“Lauren was my mother’s name,” I hissed into his ear, not wanting Gramps to hear.
“I know, but save it for later,” he whispered back as he twisted away from my hands.
Video Book Trailer
Olga, thanks again for letting me visit. You’re the kitten’s ankles!
Here’s the rest of the information for Hullaba Lulu.
Cover and Blurb
Hullaba Lulu, a Dieselpunk Adventure is a wild and wooly 1920s fantasy story. Lulu, the heroine is inspired by the song, “Don’t Bring Lulu,” from 1925 ― so are her pals, Pearl and Rose. My Lulu loves to dance, and freely indulges in giggle water. She snores and burps and says whatever she wants. Lulu is a snarky but good-hearted flapper. The song’s inspiration stops there, but the story is just beginning.
Travel with Lulu and her friends on a magical, dieselpunk train that belongs to the smolderingly handsome and enigmatic man known only as Valentino. They get into all sorts of trouble, usually due to Lulu’s clumsiness. It’s an intense ride through a number of pos-i-lutely creepy settings, including “sideways” versions of Atlantic City and the Cotton Club. At every stop and in between, Lulu ends up creating chaos. There’s no telling where they’ll end up. No, Lulu! Don’t touch that!
Lulu’s the kind of smarty, breaks up every party,
Hullabaloo loo, don’t bring Lulu,
I’ll bring her myself!
Throughout October, Hullaba Lulu is at an introductory price. The eBooks are only 99¢. For those who boycott Amazon I made a Kobo eBook too.
While it is not exactly a companion volume to any of my Roaring Twenties stories, I’ve written a 1920s slang dictionary. I’m careful to use slang in a context that makes it understandable, but you might enjoy having Speak Flapper. It debuted at #1 in its category at Amazon. Here’s a review from Annika Perry atGoodreads.
Teagan Ríordáin Geneviene’s work is colored by her experiences from living in the southern states and the desert southwest (of the USA). Teagan most often writes one kind of fantasy or another, including the “Punk” genres, like steampunk, dieselpunk, and atompunk. Whether it’s a 1920s mystery, a steampunk adventure, or an urban fantasy, her stories have a strong element of whimsy. There are no extremes in violence, sex, or profanity.
Her talents also include book covers and promotional images. She makes all of her own. Teagan is currently exploring the idea of offering that service to others.
All of the books by Teagan Ríordáin Geneviene are available at her Amazon Author Page.
The whole tour has been wonderful, so I recommend it to check the rest of the posts, but just in case you’ve missed them, I’m including here Robbie Cheadle’s post as it also includes her fantastic review (and as I belong to one of her review groups, I know how good her review are). Thanks, Robbie!
Thanks so much, Teagan, for this opportunity and for this wonderful post! Good luck with the launch! And of course, thanks to all of you for reading, liking, sharing, clicking (you have no idea what you’ll be missing if you don’t), reviewing, and remember to keep smiling and, above all, to keep safe!
As you know, I translate books by other independent authors every so often, and I share them with you once they have been published. A Spanish author (from Zaragoza), whom I had met, and we even worked together at a book fair, Francisco Tessainer, asked me to translate his book into English. I had been quite intrigued by the premise of his book (the subtitle of the book is: What if Leonardo’s life had been a fraud?) and was thrilled at the prospect. And I enjoyed every minute of it. This is not a regular review, but I thought I’d share it with you, and I recommend it to those of you who enjoy alternative historical fiction, although it is not exactly that, but an interesting “what if” that fits around the facts of Leonardo Da Vinci’s life, offering them an alternative interpretation. It has a wicked sense of humour, and I must confess I learned a fair bit about Da Vinci’s life, even if it was through the lens of this peculiar version of Da Vinci.
The false Da Vinci: What if Leonardo’s life had been a fraud by Francisco Tessainer
In the fifteenth century, when human life was worthless; and in a territory (current day Italy) then divided into powerful city-states; a man who looks extraordinarily similar to Leonardo Da Vinci takes advantage of an accident to impersonate the great master. But, as he does not possess Da Vinci’s talents, he soon realizes that if he wants to keep up the ruse he must appropriate the works of other artists. After savoring the advantages brought by his new name, the protagonist decides to employ the same methods used by the mighty of his time to preserve his newly acquired privileges.
The False Da Vinci is a suspenseful novel full of intrigues and crimes that plays with a possible/alternative past based on real events, and tries to get a closer look at the unresolved mysteries surrounding the figure of the great master: his private life, and the paradox that, in fact, he wasn’t just one man, but three, four, five, six…
From a noble land (Zaragoza), whose people are often labelled “stubborn”, he camouflages that truth with the adjective “tenacious”. And it had to be so because, he was also born under the sign of Taurus and, to top it all, through his veins flows German blood (his grandfather was born in Augsburg). Therefore, with your permission, he’s, at the very least, “stubborn”. An economist by degree and working on the supply chain as a profession, he caught the bug of the written word after being bitten by a book at a very early age. The False da Vinci is his fourth novel, although in fact and by his own admission, the first one he dared to allow others to read. As the saying goes: “Nature never rushes, yet everything gets done.”
Later he also published on Amazon the novels (not yet translated into English) ¿Y después el bienestar? y Ruido de lluvia.
So, if you enjoy historical fiction, especially alternative historical fiction, like the Italian Renaissance, and appreciate a somewhat twisted sense of humour, check a sample of the book and see how you feel.
Thanks for reading, and remember to like, share, comment, click, review, and keep safe, smile, and keep reading!
Here I am participating in a blog tour for a book by an author that has featured before on my blog and who’s become a favourite of mine.
DREAMLAND by Nancy Bilyeau
‘Achingly believable’ – Publishers Weekly
‘This fast-paced, engrossing novel from Bilyeau… gives readers an up-close and personal view of New York’s Gilded Age’ – Library Journal
‘Beautifully written and impeccably researched, Dreamland is a rollicking ride.’ – Fiona Davis, bestselling author of The Chelsea Girls
‘A marvelous book!’ – Ellen Marie Wiseman, bestselling author of What she Left Behind and The Life she was Given
‘Bilyeau is at the height of her talents in the immersive and gripping Dreamland‘ – Heather Webb, USA Today bestselling author
‘Bilyeau’s thrilling novel plunges deep into Dreamland’s maze of pleasure and menace’ – Marlowe Benn, bestselling author of Relative Fortunes
‘Nancy Bilyeau’s passion for history infuses her books’ – Alison Weir
The year is 1911 when twenty-year-old heiress Peggy Batternberg is invited to spend the summer in America’s Playground.
The invitation to Coney Island is unwelcome. Despite hailing from one of America’s richest families, Peggy would much rather spend the summer working at the Moonrise Bookstore than keeping up appearances with New York City socialites and her snobbish, controlling family.
But soon it transpires that the hedonism of Coney Island affords Peggy the freedom she has been yearning for, and it’s not long before she finds herself in love with a troubled pier-side artist of humble means, whom the Batternberg patriarchs would surely disapprove of.
Disapprove they may, but hidden behind their pomposity lurks a web of deceit, betrayal, and deadly secrets. And as bodies begin to mount up amidst the sweltering clamor of Coney Island, it seems the powerful Batternbergs can get away with anything… even murder.
Extravagant, intoxicating, and thumping with suspense, bestselling Nancy Bilyeau’s magnificent Dreamland is a story of corruption, class, and dangerous obsession.
What readers are saying about Dreamland…
“If you enjoyed Downton Abbey and want something from that time, set in the US, but with a delicious murder mystery thrown in, you will love this book.” Goodreads reviewer, 5 *s
“I loved everything about this book and I will definitely look for more to read by Bilyeau! I enjoyed the pacing and character development so much and completely got wrapped up in the story.” NetGalley reviewer, 5 *s
“This suspenseful tale has every element of success: murder, deceit, love, corruption, perseverance, obsession, and redemption. A book that will keep you up at night rushing to the end but that will leave you wanting more once you’re finished.” Goodreads reviewer, 5 *s
Nancy Bilyeau is the author of the historical thrillers “The Blue” and “Dreamland” and the Tudor mystery series “The Crown,” “The Chalice,” and “The Tapestry.” She is a magazine editor who has lived in the United States and Canada.
In “The Blue,” Nancy drew on her own heritage as a Huguenot. She is a direct descendant of Pierre Billiou, a French Huguenot who immigrated to what was then New Amsterdam (later New York City) in 1661. Nancy’s ancestor, Isaac, was born on the boat crossing the Atlantic, the St. Jean de Baptiste. Pierre’s stone house still stands and is the third oldest house in New York State.
Nancy, who studied History at the University of Michigan, has worked on the staffs of “InStyle,” “Good Housekeeping,” and “Rolling Stone.” She is currently the deputy editor of the Center on Media, Crime and Justice at the Research Foundation of CUNY and a regular contributor to “Town & Country” and “Mystery Scene Magazine.”
Nancy’s mind is always in past centuries but she currently lives with her husband and two children in New York City.
I thank the publisher, Endeavour Quill, for inviting me to participate in the blog tour for the launch of this book and for providing me an ARC copy of it, which I freely chose to review. This has in no way influenced my opinion.
I recently read and reviewed Bilyeau’s novel The Blue (you can check my review here) and loved it so much that I did not hesitate when I got an invitation to read her new novel and join the blog tour. Like the previous one, this book also successfully combines history with intrigue, adventures, mystery, a fantastic cast of characters, and a heroine who is trying to find her own way amid a society in turmoil due to changes in the status-quo and to international historical events.
As the description explains, the novel is set in New York and Coney Island in the summer of 1911. Peggy Batternberg, the protagonist (the author explains that she was inspired by the historical figure of Peggy Guggenheim when she created her main character), belongs to the upper class, although as she observes, her family is only a couple of generations away from very humble origins as immigrants, and they would not have figured among the very select of society a few years earlier. They are also Jewish (not very religious), and although their money protects them from the worst of prejudice and antisemitism, that does not mean it does not exist, as the novel exposes time and again. She is trying to lead her own life as a modern woman, but her family’s power and influence, and society’s double standards of morality for men and women make it difficult for her to break completely free, and she ends up having to leave her job at a bookstore and spend the summer holiday at a posh hotel near Coney Island. Of course, although the hotel is very close to the three amusement parks, including the Dreamland of the title, the clientele of both are separated by the chasm of money and social class.
Peggy is a fascinating character. She is very young, determined, and contradictory at times. She is strong but naïve, passionate and rushed, headstrong and totally unrealistic. She tries to be practical and become independent from her family, but she acknowledges that much of what she does is only possible because she has the support of her family, and she does not have to rely solely on her salary, like her colleagues at work. She lost her father when she was young, and she is aware of the kind of hypocritical behaviour the males of her family engage in, but no matter how she struggles against it, she is still trapped by the morality of the period. Following some fairly traumatic experiences with men of her own class (and the male sense of entitlement —especially of men of a certain class— runs through the novel as a theme, and unfortunately recent events only prove that things haven’t changed as much as we might like to think), it is unsurprising that she feels attracted to an artist, a futurist painter, a foreigner, and somebody who is genuinely interested in her as a person, and not as a rich heiress. I am not a fan of love at first sight (or insta-love) stories, but considering what we know of the character and of her circumstances, it is easy to understand the attraction, and let’s say that I was quite reconciled to it by the end of the story. The character is forced to question herself and her motives more than once throughout the novel, and she does grow and develop as a result.
The story is told, almost in its entirety, in the first person, from Peggy’s point of view, but there are many other characters that create a rich tapestry of both, the wealthy upper-class society of the era (there are some real historical characters that make brief guest appearances as well), and also the working class, the underclass, and the artists working at the fair. The author paints a clear picture of the Batternberg family, its power structure, the differences between male and female roles within the dynasty, and it makes for a sobering and absorbing read, especially because over the course of the story, Peggy discovers things are even worse than she thought, and the web of deceit, secrets, and false appearances is woven thick. The fact that this people of loose morals look down upon hardworking individuals without a second thought is highlighted by the murders that take place in close proximity to the hotel, and how nobody (other than Peggy) seems to care about the victims or their relatives, only about preventing anything from disturbing the elegant guests. By contrast, some of the lower-class characters, that have the most to lose if things go wrong, go out of their way to help, even at a serious personal cost.
I must admit to being quite taken by some of the secondary characters that appear in the story, and in many cases, I’d love to know more about them (the whole of Lilliput scene is amazing; Madame Kschessinska is very intriguing; the police detective; Stefan, of course; and what to say about Ben, Peggy’s cousin, a real puzzle), but I agree with many of the reviewers and Lydia, Peggy’s sister, is a favourite of mine as well. She knows her own mind, she is supportive of her sister, and she grows in strength and maturity through the story. With her like with most things and characters in the story, appearances can be deceptive.
The historical background is well achieved, and I loved the descriptions of Coney Island, the seaside hotels, the fast trains, the clothes, the incubators, the art, the buildings… It felt as if I was peering into that era, and even experiencing the heat, tasting the food, and joining in the rides. The descriptions don’t overwhelm the story but help create a realistic setting and increase our understanding of what the period and the place were like. This is a work of fiction, and although some characters and events are recreated, the novel does not claim to historical accuracy (in fact, Dreamland was no longer functioning in the summer of 1911), but I have no doubt that it will encourage readers to learn more about the period and about Coney Island.
As for the mystery side of things… There are red-herrings; there is misdirection, and several suspects, as it pertains to the genre. There is a fair amount of action, surprises, scares, and Peggy’s turn as an amateur detective is fraught with risk. Although she is neither experienced nor particularly skilled as an investigator, she makes up for it with her determination, persistence, and a good nose for choosing her collaborators. This part of the story is the one that requires a greater suspension of disbelief, but the novel is not intended to be a police procedural, and the intrigue fits well into the overall story arc and will keep readers turning the pages at a good speed.
I have already talked about the issue of gender and gender politics that is explored in the novel. Although things were moving and women were fighting for the vote, it was not easy, and if it was hard for privileged women to have a say on how their lives should be run, for working-class women it could get positively dangerous, when not lethal. The author also explores the issue of migration, the suspicion towards foreigners (despite the melting-pot mythos of the United States society), the prejudice of society and authorities towards newcomers, and this is also linked to international politics (and, of course, we readers know that the situation was about to get much worse and it would result in World War I). These subjects are well integrated into the fabric of the novel, elevating it beyond the typical historical adventure romp, and they make comparisons to current historical events unavoidable.
The writing style is compelling, with beautiful descriptions combined with a great skill in making us feel and experience the events first-hand, and a good pace, alternating between action and more contemplative scenes, without ever stalling the flow.
I’ve read some reviews that complain about the ending being somewhat rushed and sudden. It speaks to the skill of the author the fact that we don’t want the story to end, and although there are elements of it that I think could have been further developed, overall I enjoyed the ending, especially because it isn’t a conventional one.
In sum, I enjoyed the wild ride that is Dreamland. I wish I could have visited the real one, but lacking that opportunity, this is a close and satisfying second best. I congratulate the author for this great novel, and I look forward to the next.
Thanks to the publishers, thanks to all of you for reading, and remember to share if you know anybody who might be interested. Oh, and in case you want to follow the blog tour…
I hope 2020 is going well for you so far, and I also hope it will get better and better. It is customary to take stock of what has gone on over the year, and although I enjoy the posts where people share lists of achievements, recommendations, events, etc., I always find others’ reflections more interesting than mine and seem to have too many other things to share and do this time of the year, so there you have it.
Although I hadn’t planned a “best of 2019” kind of post, I wanted to offer you a gift (of sorts) for Christmas, but I ran into some technical difficulties and didn’t manage to get everything ready. Instead, I bring you a gift for the New Year. Well, not sure it’s much of a gift, but, hey, ho!
I decided to do a little experiment and try to see if writing for a short period of time every day would work for me. Instead of publishing the resulting book, because I’m not too convinced about it, to tell you the truth, and I’d rather invest the money necessary in other things, I’ve shared it on Wattpad. You can read it there, if you fancy it, although, don’t worry, I know the topic is a bit peculiar and not to everybody’s taste.
Here is the description:
You’re Never Too Old to Be a Prom Queen.
Have you ever found yourself in the unenviable position of being told that you are too … (fill in the gap with whichever word fits: young, pretty, thin, fat, short, tall, clever, silly, old…) to do something? Mildred, one of the protagonists of the story, had always dreamed of having a prom. But when she finished her studies, in the UK, that was not the done thing. Now, many years later and with time in her hands after having retired from her full-time job as a nurse, she is still thinking about it. She tells her husband, who is less-than-enthusiastic about her idea. After years of being told what to do, she decides it’s time to take things in her own hands. With more than a little help from her friends, her project starts to take shape.
What started as a challenge becomes a mission that engages the imagination and the hearts of all the people involved.
A heart-warming story for all ages about friendship, creativity, determination, and the power of a tight-knit community and of dreams.
Thanks for reading my reviews and everything else, and you know what to do! Keep smiling, reading, reviewing, and being happy in 2020!
I bring you an Austinesque romance by an author I’ve featured a few times (and she’ll be back, no doubt):
Find Wonder In All Things: Persuasion Revisited by Karen M Cox
“There could have never been two hearts so open… Now they were as strangers”
Mountain Laurel Elliot is like her name—she blooms best in the cool comfort of shade, hidden in the Kentucky foothills of Appalachia. Alone on her mountain, she lives a private existence with only her pottery—and her regrets—for company.
James Marshall had a secret dream and Laurel was part of it, but dreams sometimes lead to unexpected places. James’s heart broke when Laurel cut him loose, but he moved on—and became successful beyond his wildest dreams.
For one glorious summer, James and Laurel had each other, but life has kept them far apart.
“a magnificent modernization of Jane Austen’s Persuasion.” -Austenesque Reviews
Winner of the Independent Book Publisher’s Award 2012: Gold Medal in Romance and
Next Generation Indie Finalist in Romance 2013
Karen M Cox is an award-winning author of five full-length novels accented with romance and history: “1932”, “Find Wonder in All Things”, “Undeceived”, “I Could Write a Book”, and “Son of a Preacher Man”, as well as a companion novella to “1932” called “The Journey Home”. She has also contributed stories to four anthologies: “Northanger Revisited 2015”, in “Sun-Kissed: Effusions of Summer”; “I, Darcy”, in “The Darcy Monologues”, “An Honest Man” in “Dangerous to Know: Jane Austen’s Rakes and Gentlemen Rogues”, and “A Nominal Mistress” in “Rational Creatures”.
Karen was born in Everett WA, which was the result of coming into the world as the daughter of a United States Air Force Officer. She had a nomadic childhood, with stints in North Dakota, Tennessee, and New York State before finally settling in her family’s home state of Kentucky at the age of eleven. She lives in a quiet little town with her husband, where she works as a pediatric speech pathologist, encourages her children, and spoils her granddaughter.
Channeling Jane Austen’s Emma, Karen has let a plethora of interests lead her to begin many hobbies and projects she doesn’t quite finish, but she aspires to be a great reader and an excellent walker – like Elizabeth Bennet.
Connect with Karen:
Visit with Karen on several of the usual social media haunts:
I have read several stories and books by Karen M. Cox, both set in and out of the Austen universe, and have enjoyed her beautiful writing, so I did not hesitate when I was offered the opportunity to review the new edition of this novel, which was well-received a few years back. Although this is a retelling of Austen’s Persuasion, I can confirm that it is not necessary to have read that novel to enjoy this one, as I could barely remember the plot of Austen’s original, and it did not detract from my appreciation of the quality of the writing. Fans of Austen will have the added enjoyment of comparing the two, but the rest can be assured that the novel works as a romance in its own right.
I have commented before that this author’s writing has a timeless quality, and even when she sets the action in the present (or very close), there is something that makes one feel nostalgic, and I experienced this very strongly at the beginning of the book, when the male main character, James, recalls his summers at the lake, the time he spent there with his best friend, Stuart, and ends up falling for Laurel, the sister of her friend’s on-and-off girlfriend. The author’s description of the Kentucky foothills of Appalachia made me experience a weird sense of longing, as I’ve never visited but I felt as if I had. It is evident that the author knows and loves the area and can transmit her affection to her readers, who get to understand why Laurel feels so attached to it as well.
The story is narrated from the two main characters’ point of view, and the author clearly separates the two, with the first part (and intermezzo) written from James’s point of view; the second, set several years later, from Laurel’s; and the third alternating both. This allows readers to experience their doubts, frustrations, confusion, and mixed feelings, while at the same having a greater understanding of what lies behind some of their behaviours, words, and actions. If you love stories of the “will they/won’t day” type, you’ll have a field day here because there are many close encounters, lost opportunities, misunderstandings, and numerous occasions when you’ll wish you were there to tell them to just get on with it and talk to each other. But we all know what they say about the course of true love.
The novel is about second opportunities. James and Laurel fall in love when they are quite young, and although he tries to convince her to move in with him when he goes to Nashville to try to make a living in the music business, she’s just started college and decides to follow her family’s advice, carry on with her studies and stay at home. He makes it big —although not exactly how he expected— and seems to have moved on, but he still thinks of her. And it’s mutual. In this retelling of Austen’s story, the characters don’t challenge traditional gender conventions upfront as is common these days, and therefore the book stays closer to the spirit of the original (well, not in all aspects, and the subtlety of the author’s touch is perhaps what most reminded me of Austen). It might be frustrating for those who look for a heroine with a more modern outlook, but, personally, I liked Lauren, understood her plight and her reasoning, and felt her choice of priorities marked her as a very strong woman. James is the one who leaves home and tries to become a success by going wherever the opportunity arises, while Laurel remains close to home, helping her family, and become an artist, living fairly isolated in a mountain cabin, in touch with nature and needing that inspiration to grow into herself. The novel is also about identity, strength, courage, and belonging. We might think we know these qualities and concepts, but they are ultimately very personal and there is no one definition that fits all. The novel also reminds us that we might get to regret the decisions we make, but we’ll never know how things would have been if we’d chosen another path, and we have to live our life now and not get stuck on what may have been.
I enjoyed the setting of the story and the little community of friends and relatives that develops around the two protagonists. I liked the secondary characters, although some of them only appear for a brief period of time, and I was particularly touched by Laurel’s mother and her plight. There is no great emphasis on social mores and the wider world around the main characters (as there would have been in Austen’s novels), and I wouldn’t have minded a bit more on Laurel’s art and James’s music, but this is pretty much a romance focusing on the two characters’ relationship, and very romantic at that, so I’m sure fans of the genre will be more than happy with the story arch. Ah, there are sex scenes (three), which are not extremely graphic, but as somebody who doesn’t care for erotica, I thought I’d better warn you about them. Although it could have been done in other ways, these scenes go some way to challenge the status quo and the way we see the characters, and also exemplify the different phases of the relationship.
I thought I’d share a couple of samples from the novel to give you a taster.
James remembers the summers he spent at the lake with his friend Stuart.
Mrs. Pendleton had said they were eating dinner at the marina restaurant that night, and then there’d be more walking around the dock and maybe some fishing as the sun set. The next day, it would all start again. It seemed as if days on the lake lasted forever and ran one into the other, as the long, lazy days of summer should.
Here Laurel is talking to her sister, Virginia.
“Don’t worry about me. I’ll be fine.”
“Yes, I know. You’re always fine. I just wish you could be happy too.”
This is a novel for romance lovers, especially those who enjoy stories about second chances, and also for fans of Austen. It is beautifully written, and it would be a great choice for book clubs interested in romances and Austen. It includes a number of questions at the end that would help get the discussion started as well. I am pleased to say I have another one of the author’s novels waiting to be read, and I hope they’ll keep coming.
I received an ARC copy of this novel. This has not affected my review, which I freely chose to share.
Thanks to the author for this opportunity, thanks to all of you for reading, and remember to like, share, comment, click (the book is being published today, so it should be available already), and keep reading and reviewing. And I hope 2020 brings you lots of love and romance!
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