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#TuesdayBookBlog DAISY JONES AND THE SIX #daisyjonesandthesix by Taylor Jenkins Reid (@tjenkinsreid) Recommended to lovers of Rock & Roll, music, and the 1970s rock scene.

Hi all:

For all of you Rock & Roll lovers, I bring you:

Daisy Jones & the Six by Taylor Jenkins Reid
Daisy Jones & the Six by Taylor Jenkins Reid

Daisy Jones & The Six: A Novel by Taylor Jenkins Reid.

A gripping novel about the whirlwind rise of an iconic 1970s rock group and their beautiful lead singer, revealing the mystery behind their infamous breakup.

“I devoured Daisy Jones & The Six in a day, falling head over heels for it. Daisy and the band captured my heart.”—Reese Witherspoon (Reese’s Book Club x Hello Sunshine book pick)

Everyone knows DAISY JONES & THE SIX, but nobody knows the reason behind their split at the absolute height of their popularity . . . until now.

Daisy is a girl coming of age in L.A. in the late sixties, sneaking into clubs on the Sunset Strip, sleeping with rock stars, and dreaming of singing at the Whisky a Go Go. The sex and drugs are thrilling, but it’s the rock ’n’ roll she loves most. By the time she’s twenty, her voice is getting noticed, and she has the kind of heedless beauty that makes people do crazy things.

Also getting noticed is The Six, a band led by the brooding Billy Dunne. On the eve of their first tour, his girlfriend Camila finds out she’s pregnant, and with the pressure of impending fatherhood and fame, Billy goes a little wild on the road.

Daisy and Billy cross paths when a producer realizes that the key to supercharged success is to put the two together. What happens next will become the stuff of legend.

The making of that legend is chronicled in this riveting and unforgettable novel, written as an oral history of one of the biggest bands of the seventies. Taylor Jenkins Reid is a talented writer who takes her work to a new level with Daisy Jones & The Six, brilliantly capturing a place and time in an utterly distinctive voice.

Praise for Daisy Jones & The Six

“Daisy Jones & The Six is just plain fun from cover to cover. . . . Her characters feel so vividly real, you’ll wish you could stream their albums, YouTube their concerts, and google their wildest moments to see them for yourself.”—HelloGiggles

“Reid’s wit and gift for telling a perfectly paced story make this one of the most enjoyably readable books of the year.”—Nylon

“Reid delivers a stunning story of sex, drugs, and rock ’n’ roll in the 1960s and ’70s in this expertly wrought novel. Mimicking the style and substance of a tell-all celebrity memoir . . . Reid creates both story line and character gold. The book’s prose is propulsive, original, and often raw.”—Publishers Weekly (starred review)

https://www.amazon.com/Daisy-Jones-Taylor-Jenkins-Reid-ebook/dp/B07DMZ5YR9/

https://www.amazon.co.uk/gp/product/1786331500/

Editorial Reviews

Amazon.com Review

An Amazon Best Book of March 2019: There is something a little intoxicating about Daisy Jones and the Six. This is the story of a young, captivating singer who came of age in the late 60s/early 70s, all told as an oral history. The Six did not hit the big time until Daisy joined the band as their lead singer, but her presence brought along drama, intrigue, and a variety of tensions between herself and Billy Dunne, the leader of The Six. It’s best not to know too much about this book going into it; instead, allow the transcribed interviews from the band members (they weren’t real, but they seem real), and from those who tagged along during this great fictitious band’s run, to unspool the story for you. –Chris Schluep, Amazon Book Review

Review

“I devoured Daisy Jones & The Six in a day, falling head over heels for it. Taylor Jenkins Reid transported me into the magic of the ’70s music scene in a way I’ll never forget. The characters are beautifully layered and complex. Daisy and the band captured my heart, and they’re sure to capture yours, too.”—Reese Witherspoon

“Reid is a stunning writer whose characters are unforgettable and whose stories are deeply emotional. . . . Her most gripping novel yet.”—Emily Giffin, author of All We Ever Wanted

“Reid’s writing is addictive and all-consuming. Filled with passion, complexity, and fascinating detail, Daisy Jones & The Six felt so real, I had to remind myself that it was fiction.”—Jill Santopolo, author of The Light We Lost

“From the very first page you know this book is something special. Taylor Jenkins Reid brings insight and poetry to a story that’s utterly unique and deeply authentic, one that transports you to world of seventies rock—with all its genius and temptation and creativity—so completely it feels like you’re there.”—Katherine Center, author of How to Walk Away 

“Raw, emotive, and addictively voyeuristic, Daisy Jones & The Six is imbued with the same anguished heart that fuels the very best rock ‘n’ roll. Like my favorite albums, this book will live with me for a very long time.”—Steven Rowley, author of Lily and the Octopus 

“An explosive, dynamite, down-and-dirty look at a fictional rock band told in an interview style that gives it irresistible surface energy . . . although the real power of this delicious novel is at its tender beating heart. It’s an anthem and a ballad and a marvel.”—Elin Hilderbrand, author of The Perfect Couple 

Taylor Jenkins Reid
          Taylor Jenkins Reid

About the author:

Taylor Jenkins Reid lives in Los Angeles and is the author of The Seven Husbands of Evelyn Hugo as well as One True Loves, Maybe in Another Life, and more. Her novels have been named best books of summer by People, US Weekly, Cosmopolitan, Glamour, InStyle, PopSugar, BuzzFeed, Goodreads, and others.

You can follow her on Twitter @tjenkinsreid.

My review:

Thanks to NetGalley and to Random House UK, Cornerstone, for providing me an ARC copy of this book that I freely chose to review.

I kept seeing this book pop up all over when it came to recommendations of new releases and that made me curious. I also read that Reese Witherspoon had bought the rights to adapt it into a TV series, and the comments about the book made me think about the movie This Is Spinal Tap, although the musical genre is different (yes, it’s all Rock & Roll, baby) and the story is not intended as a parody, and all that together with the evocative cover, I knew I had to check it out.

This is one of those novels where I was intrigued to read what other reviewers had said, and, curiously enough, one of those where I could see the point of both, those who really loved the book, and also those who hated it. Somehow, I could see the merit on both types of opinions, and it really depends on the kinds of books you enjoy or not. A couple of provisos, here. Many of the reviews talk about the author, and especially refer to one of her previous books, The Seven Husbands of Evelyn Hugo, which seems to be a well-loved novel, and for people who had loved that book, their expectations were very high, and some found this book too different (some fans of the writer also loved this book, so don’t let that put you off). I haven’t read any of the author’s previous novels, so I cannot help with that. After reading the reviews and this novel, I became curious about her other books, but I come to it without any previous knowledge. The second proviso is that quite a few people compare the ‘fiction’ band at the heart of the story, The Six, that is later joined by Daisy Jones, with Fleetwood Mac (with Daisy Jones then being a stand-in for Stevie Nicks), but I must confess not to know enough about the ins and outs of this band to be able to comment (I was quite young when they were at the height of their popularity, and I never read much about them, although having read a bit about them since, yes, I can see similarities, but I can also see differences). So, if you are a big fan of Fleetwood Mac, you might be more intrigued to read this novel, but you might also hate it. You’ve been warned.

So, what are the comments on both sides that I agree with? The way the story is told will not be to everybody’s taste. This is the story of the band, and of Daisy Jones, pieced together through interviews conducted many years after the band was created, and that makes it very fragmented. It does follow a chronological order, and we get to know about Daisy Jones, and about the Dunne Brothers (Billy and Graham), from before they got into singing, composing, and playing songs, and later on the rest of the members of the band, Camila (Billy’s girlfriend and later wife) and their manager also come into play. These fragments of interviews often refer to the same events, providing the reader different points of view, and sometimes completely different descriptions, but it can cause a disjointed effect, and it will suit some readers but others will hate it. Personally, I found it fun and quite dynamic, but it is true it does not immediately create a picture of what’s going on in one’s head, in the same way as more standard narratives do.

There were also a lot of comments about the characters, and how some of them were one-dimensional and it was difficult to tell them apart. As I have said before, the story starts with the origin of the band (we later learn why), and then we only get to hear from the rest of the members as they join the band or meet the other characters. For me, Pete, Eddie and Warren were not distinctive enough. Yes, Eddie always seemed to have issues with Billy and didn’t like his style of leading the band. Pete had a girlfriend in the East and he would phone her often, and Warren was the drum player, but other than that I’m not sure I got a strong impression of who they were, and when later in the book one of them wanted to leave the band, I realised that I must have been told two of them were brothers already, but because that hadn’t feature prominently anywhere (after all, the interview is about the band, their tours, and their records, and the questions asked are mostly about the time they spent together), it had not registered with me. Camila is talked about a lot, because many of Billy’s songs are about her, and although she seems to represent an old-fashioned model of femininity, the staying-at-home Mom, she gets involved at crucial points, and she has a more important role than one might think when the story starts. I did feel that the female characters were the strongest, and although that did not make them immediately sympathetic and likeable, I thought they were the more complex and the ones I most enjoyed. I liked Karen (I’m not a musician, but I did feel a connection with her) the keyboard player, as well, and she is, perhaps, my favourite character. And I quite liked Daisy’s friend, Simone, also, although she is mostly portrayed as her friend, rather than being an individual in her own right, and that comes in part from her telling Daisy’s story and her role in it rather than giving us much insight into her own character. Although Daisy marries at some point, Simone is more of a steadying influence for her, like Camila is for Billy, than any of the men she meets and talks about in the book. But I agree, the way the story is told does not make for fully rounded characters, although many of the situations will feel familiar to people who have read a lot of biographies of rock & roll bands.

Some reviewers were disappointed by the ending, that perhaps feels more like a whimper than a bang, but I thought it made perfect sense, and yes, there is something I’ve seen described as a twist, that is perhaps not truly a twist, but it helps join everything together and adds a nice touch.

I am not an expert on music, and not a big follower of bands. I have not been to many concerts, although even with that, it is difficult not to have heard or read about the use of drugs, wild parties, hotel rooms trashed by bands on tour, groupies following bands from city to city, and the paraphernalia around the 1970s world of rock & roll music scene. There is plenty of that here, and also of envies, of fights, of creative differences, of the process of composing, creating, and editing an album, down to the shooting of the cover, that will delight people who really love the period and reading about it. Even I, who am not knowledgeable about it, enjoyed it, particularly learning more about the process of creation, although it might not sound authentic to people who truly know it. The writer gives the different characters (at least the main ones) distinct voices, and the lyrics of the songs, that are also included in full at the end, fit perfectly in with the band and its themes, and it made me keen on reading more of the author’s novels.

There is more than R & R to the book, or perhaps some of the themes seem inherently related to it, like drug addiction, family relations, alcoholism, abortion, fatherhood, bringing up children, the role of men and women in the family, child neglect and abuse… Although some of them are only mentioned in passing, we get a fuller picture of others (Daisy is very young when she leaves her parents and starts visiting bars, taking drugs, and engaging in behaviours that would be considered risky at a much older age, and drug and alcohol addiction and its consequences are discussed in detail), and readers must be cautious if they find those subjects upsetting.

I have talked a bit about the characters and said which my favourites are. In some ways, Billy and Graham are the most sympathetic to begin with. Their father abandon them when they are very young, and they work very hard, are talented, and support each other through thick and thin. However, when Billy becomes addicted to drugs and then gets sober and becomes the head of the band, he puts himself and his family first and is not always likeable (even if creatively he sounds interesting). Daisy, on the other hand, sounds at first like a rich-spoiled girl, but her family pays no attention to her, and she is in fact neglected. She is selfish and egotistical as well, but she has no role models or understanding. I liked her attitude, but not her in particular, at least at first, and her behaviour will be alien to most people (although typical of the image we might have in our head about what a rock star would be like). However, the way the story is told gives us the opportunity to read her later reflections and the way she now sees things and how she evaluates much of what she did at the time. And although I didn’t particularly like the Daisy of the period (she is described as a magnet to everybody who met her, but I never had the feeling I would have liked it if I had known her), I came to appreciate the older Daisy and her take on things.

What did I think of the book? I really enjoyed it. It panders to most of our standard images of what the life of a rock & roll band would have been like at that time, but it gives an insight into parts of the process that I found interesting. It also creates some credible female characters that have made their own decisions and fought their own fights, and in the world of music that is not always easy to find. The way of telling the story worked for me, although I know it won’t work for everybody. I highlighted a lot of the story. I share a few examples here, but I’d recommend possible readers to check a sample and get a sense of the narrative style.

Warren: Let me sum up that early tour for you: I was getting laid, Graham was getting high, Eddie was getting drunk, Karen was getting fed up, Pete was getting on the phone to his girl back home, and Billy was all five, at once.

Camila: I think you have to have faith in people before they earn it. Otherwise it’s not faith, right?

Daisy talking about being cornered by a man called Hank: When you’re in a situation like that, when you have a man looming over you, it’s as if every decision you made to lead to that moment —alone with a man you don’t trust— flashes before your eyes. Something tells me men don’t do that same thing. When they are standing there, threatening a woman, I doubt they count every wrong step they made to become the asshole they are. But they should.

Daisy: I used to care when men called me difficult. I really did. Then I stopped. This way is better.

Billy: And Daisy didn’t actually have confidence. She was always good. Confidence is OK being bad, not being okay being good.

Does it deserve the hype? Well, perhaps not for me, but it’s a good read and I can see why it will captivate some readers more than it did me. Oh, and for those who love audiobooks, I’ve read very good reviews of the audio version, and I understand that there is a full cast of narrators and each character is voiced by a different person, so it is worth considering.

If you are a rock & roll fan and enjoy trips down memory lane, especially to the 1970s, I’d recommend this book. And I hope to explore further novels written by the same author.

Thanks to author, publisher, NetGalley, and especially to all of you for reading. If you’ve enjoyed it, remember to like, share, comment, click, review, keep reading and keep smiling!

By OlgaNunez

I was born in Barcelona and after living in the UK for many years have now returned home. I teach English, volunteer at Sants 3 Ràdio, a local radio station, I'm a writer, translator (English-Spanish and vice-versa) and I'm a medical doctor and worked in Forensic Psychiatry many years. I also have a BA and a PhD in American Literature and Film, and a Masters in Criminology. I've always loved books and apart from writing them I review them often.
I write a bit of everything, check my books for more information and my about page for links.
My blog is bilingual, English and Spanish.

16 replies on “#TuesdayBookBlog DAISY JONES AND THE SIX #daisyjonesandthesix by Taylor Jenkins Reid (@tjenkinsreid) Recommended to lovers of Rock & Roll, music, and the 1970s rock scene.”

Thanks, Debby. I requested it a while back and then it seems to turn up everywhere (New York Times, Goodreads, Bookbub recommendations), so it was a good reminder to read it. I think most rock and roll fans will enjoy it. It’s very quotable as well. Have a great Tuesday!

This certainly sounds different, Olga. Not sure it is my sort of thing, though the ‘interview’ style does actually appeal to me.
Best wishes, Pete.

I’m currently reading, “Just Kids’ by Patti Smith. She’s brilliant. She describes the same era, when counter-cultural tribes evolved around different genres of music. In 1975-77, we had Donna Summer, Glam Rock, the Eagles, the Sex Pistols, the Bee Gees, the Talking Heads, Devo, and Richard Hell and the Voidoids. It was a great time for music.

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