I bring you a book that I’ve enjoyed by an acclaimed author I hadn’t had a chance to read yet but has now become a favourite.
The Glass House by Eve Chase
PRE-ORDER THE STUNNING NEW MYSTERY ABOUT OLD FAMILY SECRETS FROM THE AUTHOR OF BLACK RABBIT HALL AND THE VANISHING OF AUDREY WILDE
‘A captivating mystery: beautifully written, with a rich sense of place, a cast of memorable characters, and lots of deep, dark secrets’ Kate Morton, bestselling author of The Clockmaker’s Daughter
Outside a remote manor house in an idyllic wood, a baby girl is found.
The Harrington family takes her in and disbelief quickly turns to joy. They’re grieving a terrible tragedy of their own and the beautiful baby fills them with hope, lighting up the house’s dark, dusty corners.
Desperate not to lose her to the authorities, they keep her secret, suspended in a blissful summer world where normal rules of behaviour – and the law – don’t seem to apply.
But within days a body will lie dead in the grounds.
And their dreams of a perfect family will shatter like glass.
Years later, the truth will need to be put back together again, piece by piece . . .
From the author of Black Rabbit Hall, The Glass House is an emotional, thrilling book about family secrets and belonging – and how we find ourselves when we are most lost.
‘I adored this beautifully-written, riveting mystery’ Rosie Walsh, bestselling author of The Man Who Didn’t Call
‘Absolutely her best yet’ Lisa Jewell, bestselling author of The Family Upstairs
‘So beautifully and insightfully written, with characters I grew to love. A compelling, moving story that kept me turning the pages right to the very last’ Katherine Webb, author of The Legacy
Praise for Eve Chase
‘Enthralling’ Kate Morton
‘Simply stunning’ Dinah Jefferies
‘The most beautiful book you will read this year’ Lisa Jewell
About the author:
I’m an author who writes rich suspenseful novels about families – dysfunctional, passionate – and the sort of explosive secrets that can rip them apart. I write stories that I’d love to read. Mysteries. Page-turners. Worlds you can lose yourself in. Reading time is so precious: I try to make my books worthy of that sweet spot.
My office is a garden studio/shed. There are roses outside. I live in Oxford with my three children, husband, and a ridiculously hairy golden retriever, Harry.
Do say hello. Wave! Tweet me! I love hearing from readers. I’m on Twitter and Instagram @EvePollyChase and on Facebook, eve.chase.author.
Thanks to Penguin UK – Michael Joseph and NetGalley for providing me an ARC copy of this book that I freely chose to review. This is the first time I’ve read one of Eve Chase’s novels, and I’m sure it won’t be the last one as I found it a totally immersing and wonderful experience.
The plot has something of the fairy tale (or of several fairy tales), as this is a dual-timeline story where we read about some events that took place in the early 1970s —although that part of the action (in fact, the whole book) has something timeless about it— and then others that are taking place in the present. The story is told from three different points of view, those of Rita (told in a deep third person, as readers are privy to her feelings and thoughts), a very tall nanny (they call her ‘Big Rita’) with a tragic past; Hera, one of her charges, an intelligent and troubled child (almost a teen), who is more aware of what is truly going on around her than the adults realise; and Sylvia, a recently separated woman, mother of an eighteen-year-old girl, Annie, and trying to get used to an independent lifestyle again. Both, Hera and Sylvia, tell the story in the first person, and the chapters alternate between the three narrators and the two timelines. Rita and Hera’s narratives start in the 1970s and are intrinsically linked, telling the story of the Harrington family and of a summer holiday in the family home in the Forest of Dean, intended as a therapeutic break for the mother of the family, which turns up to be anything but. Most readers will imagine that Sylvia’s story, set in the present, must be related to that of the other two women, but it is not immediately evident how. There are secrets, mysteries, adultery, murders, lost and found babies, romance, tragedy, accidents, terraria (or terrariums, like the lovely one in the cover of the book), cruelty, fire… The book is classed under Gothic fiction (and in many ways it has many of the elements we’d expect from a Victorian Gothic novel, or a fairy tale, as I said), and also as a domestic thriller, and yes, it also fits in that category, but with a lot more symbolism than is usual in that genre, a house in the forest rather than a suburban or a city home, and some characters that are larger than life.
Loss, grief, identity (how we define ourselves and how we are marked by family tradition and the stories we are told growing up), the relationship between mothers and daughters, and what makes a family a family are among the themes running through the novel, as are memory and the different ways people try to cope with trauma and painful past events.
I’ve mentioned the characters in passing, and although some of them might sound familiar when we start reading about them (Rita, the shy woman, too tall and scarred to be considered attractive, who seeks refuge in other people’s family; Hera, the young girl growing in a wealthy family with a mother who has mental health problems and a largely absent father; and Sylvia, a woman in her forties suddenly confronted with having to truly become an adult when both, her mother and her daughter need her), there is more to them than meets the eye, and they all grow and evolve during the novel, having to confront some painful truths in the process. I liked Rita and Sylvia from the beginning, even though I don’t have much in common with either of them, and felt sorry for Hera. Although the events and the story require a degree of suspension of disbelief greater than in other novels, the characters, their emotions, and their reactions are understandable and feel real within the remit of the story, and it would be difficult to read it and not feel for them.
I loved the style that offers a good mix of descriptive writing (especially vivid when dealing with the setting of the story, the forest, Devon, and the terrarium) and more symbolic and lyrical writing when dealing with the emotions and the state of mind of the characters. At times, we can almost physically share in their experiences, hear the noises in the woods, or smell the sea breeze. This is not a rushed story, and although the action and the plot move along at a reasonable pace, there is enough time to stop to contemplate and marvel at a fern, the feel of a baby’s skin, or the music from a guitar. This is not a frantic thriller but a rather precious story, and it won’t suit people looking for constant action and a fast pace. I’ve read some reviews where readers complained about feeling confused by the dual timelines and the different narrators, although I didn’t find it confusing as each chapter is clearly marked and labelled (both with mention of the time and the character whose point of view we are reading). I recommend anybody thinking about reading the book to check a sample first, to see if it is a good fit for their taste.
The ending… I’m going to avoid spoilers, as usual, but I liked the way everything comes together and fits in. Did I work out what was going on? Some of the revelations happen quite early, but some of the details don’t come to light until much later, and the author is masterful in the way she drops clues that we might miss and obscures/hides information until the right moment. I guessed some of the points, others I only realised quite close to the actual ending, but, in any case, I loved how it all came together, like in a fairy tale, only even better.
This is a novel for readers who don’t mind letting their imagination fly and who are not looking for a totally realistic novel based on fact. With wonderful characters, magnificent settings, many elements that will make readers think of fairy tales, and a Gothic feel, this is a great novel and an author whose work I look forward to reading again in the near future.
Thanks to the publisher, NetGalley, and the author, thanks to all of you for reading and remember to like, share, comment, click, review, and always keep smiling. And keep safe!