I bring you a new book by an author who’s become one of my new favourites in recent times. I’m sure you’ll remember her and her books. I met her through Rosie’s group, and she is another great discover.
The Lost Blackbird: Based on Real Events by Liza Perrat
A powerful story of sisters cruelly torn apart by a shameful event in British-Australian history. Clare Flynn, author of The Pearl of Penang
London 1962. A strict and loveless English children’s home, or the promise of Australian sunshine, sandy beaches and eating fruit straight from the tree. Which would you choose?
Ten-year-old Lucy Rivers and her five-year-old sister Charly are thrilled when a child migrant scheme offers them the chance to escape their miserable past.
But on arrival in Sydney, the girls discover their fantasy future is more nightmare than dream.
Lucy’s lot is near-slavery at Seabreeze Farm where living conditions are inhuman, the flies and heat unbearable and the owner a sadistic bully. What must she do to survive?
Meanwhile Charly, adopted by the nurturing and privileged Ashwood family, gradually senses that her new parents are hiding something. When the truth emerges, the whole family crumbles. Can Charly recover from this bittersweet deception?
Will the sisters, stranded miles apart in a strange country, ever find each other again?
A poignant testament to child migrants who suffered unforgivable evil, The Lost Blackbird explores the power of family bonds and our desire to know who we are.
About the author:
Liza grew up in Wollongong, Australia, where she worked as a general nurse and midwife for fifteen years.
When she met her French husband on a Bangkok bus, she moved to France, where she has been living with her husband and three children for twenty-seven years. She works part-time as a French-English medical translator, and as a novelist.
Several of her short stories have won awards, notably the Writers Bureau annual competition of 2004 and her stories have been published widely in anthologies and small press magazines. Her articles on French culture and tradition have been published in international magazines such as France Magazine and France Today.
Spirit of Lost Angels is the first in the historical “The Bone Angel” series set against a backdrop of rural France during the French Revolution. The second in the series, Wolfsangel, set during the WWII German Occupation of France, was published in October, 2013. The third in the series, Blood Rose Angel, set during the 14th century Black Plague years was published in November, 2015.
The Silent Kookaburra, a domestic noir, psychological suspense novel set in 1970s Australia, was published in November, 2016. The second in this Australian family drama series, The Swooping Magpie, was published in October, 2018. The third in the series, The Lost Blackbird, was published in August, 2020.
Friends & Other Strangers is a collection of award-winning short stories from Downunder.
Liza is available for virtual book club visits (via Skype) upon request.
I write this review as a member of Rosie’s Book Review Team (author, check here if you are interested in getting your book reviewed) and was provided with an ARC copy of this book that I freely chose to review.
Liza Perrat has quickly become one of my favourite authors. I read the Silent Kookaburra at the time of its publication, four years ago, and I’ve read all her novels since, both those in the Australia series (set in Australia in the fairly recent past) and also those in her historical series “The Bone Angel”, set in France over the centuries. They all have female protagonists and centre on the lives, difficulties, and challenges women have had to face throughout history. Although the novels are thematically related, they are fully independent and readers can pick any of them and enjoy them without worrying about not having read the rest (although I’d challenge anybody to read one of these novels and not feel compelled to explore the rest).
This novel —quite close thematically to The Swooping Magpie in many ways— offers readers an insight into a shameful and horrific event in recent British-Australian history, which those familiar with the work of the Child Migrant Trust and/or who have watched or read the story behind the film Oranges and Sunshine (the book was originally called Empty Cradles and written by Margaret Humphreys) will be aware of. If The Swooping Magpie talked about forced adoptions, here we go a step further, and children were not only adopted under false pretenses, but also sent to the other end of the world (near enough), so they were completely severed from their relatives and all they were familiar with, in some cases to be adopted, but in others to became forced labour and had to undergo terrible abuse in many cases.
Perrat’s fictionalised account takes as its protagonists two sisters from London, whose short lives (Lucy is 10 and Charly 5 when we meet them) had already seen much hardship and suffering, and then a traumatic event results in them ending up in care, and things only take a turn for the worse from then on. The chapters alternate between the point of view of the two sisters (Lucy’s chapters narrated in the first person and Charly’s in the third), although we have a few from the point of view of Annie, their mother (in the third person, present tense). This works very well because although initially, we get different versions of the same events, which help readers get to know the two sisters and their outlook in life, later on, when they reach Australia, they are separated (despite the guarantees to the contrary they had been given) and we get to share in their two very different experiences. Although neither of them is as promised or expected, the challenges the two sisters have to face are miles apart. While the younger one gets her identity all but completely erased, the older sister is systematically abused, worked to the bone, and has to experience so many losses that she is almost destroyed in the process.
The story is not an easy read, and it deals with harsh truths and with difficult topics beyond the main historical subject (domestic violence, the institutional care system both in the UK and Australia, forced adoptions and child labour, drug abuse, alcohol abuse, prostitution, poverty, post-natal depression, pathological grief…) so although this is a compelling book, readers must be prepared to be confronted with some ugly truths. I’ve read novels that are much more explicit than this one; don’t get me wrong, but because of the degree of attachment to the characters, the nasty events hit hard.
The characters are well-drawn and believable. Both girls, Lucy and Charly, have their own distinct personalities, with Charly being quiet, a reader, and a deep thinker, and Lucy more of an action girl. She fiercely loves her mother and her little sister but finds it impossible to keep her mouth shut and keeps getting into trouble, mostly for trying to help or defend others. She learns to be tough and to present a hard front to the world, but that also makes her resentful and unwilling to ask for help. She is mistrustful but also naïve at times, and her stubbornness sometimes works against her. There are moments when her extreme behaviour makes her difficult to like, but her reactions are quite understandable, and her circumstances are such that we can’t help but wonder if we would have done any better. The rest of the girls and boys they meet through their journey, and also their ersatz families are memorable, and some of the scenes that take place have become engrained in my brain and will keep playing there for a long time.
Perrat’s writing is flawless, as usual. She is particularly adept at making us share in her characters’ experiences, and we can see, hear, smell, taste, and almost touch, everything around them: bird songs and cries, food, clothes, the oppressive heat, the sting of mosquitoes, the joy of the first swim in the sea, the luxury of the big cruiser ship… Her depiction of the character’s mental state, their ruminations, the intrusive memories and flashbacks, are also excellent and there is plenty of action, secrets, mystery, and intrigue to keep us turning the pages. The book is also full of Australian and English expressions that will delight lovers of vernacular and casual expressions, and I’ve learned the origins of quite a few expressions I had heard and learned some new ones (blackbirding anyone?)
The ending, as the author comments on her acknowledgements at the end of the book, might not be the norm in many real cases, but it is very satisfying, and I enjoyed it (although throughout the novel we also get to see some pretty different outcomes). The author shares her sources and also thanks those who have contributed to this well researched and accomplished novel in the final pages of the book, and I advise people interested in the topic to read until the very end for further information.
I recommend this novel, and all of this author’s novels, to readers interested in books about the female experience, and also, in this case, about the forced migration of thousands of British children to Australia and other Commonwealth countries over the years (this practice was only stopped in 1970). Because of the subject matter, this is not an easy read and can be heart-wrenching at times, but it is a compelling fictionalised account of an episode of history that everybody should know about. It is wonderfully written, well-researched, and its characters are likely to remain with readers long after they close the book. A must-read. (Remember that you can always try a sample of the book if you want to get a taster and check if it’s for you).
Thanks to the author and to Rosie and her team, thanks to all of you for reading and remember to like, share, comment, click, review, and always keep safe. And keep smiling.