I bring you a book from Rosie’s Book Review Team, and one I read based on Terry Tyler‘s recommendation. You can’t go wrong with that.
I Jonathan, A Charleston Tale of the Rebellion by George WB Scott
Civil War Novel Sees Conflict Through New Eyes
“A deftly crafted, inherently engaging, and entertainingly riveting Civil War novel. Scott’s impressive flair for originality combined with an informative attention to historical detail, ‘I Jonathan, A Charleston Tale of the Rebellion’ is an especially and unreservedly recommended addition.” —Midwest Book Review
“Scott’s novel offers a spellbinding glimpse into Civil War Charleston, reminding us that the war touched those far removed from the battlefield.” —Caroline E. Janney, University of Virginia John L. Nau III Professor in the History of the American Civil War and author of Remembering the Civil War: Reunion and the Limits of Reconciliation
Civil War Novel about a young stranger from Boston marooned in Charleston just as the Civil War begins. His relationships with working men and women, slaves, merchants, planters, spies, inventors, soldiers, sweethearts and musicians tell the story of a dynamic culture undergoing its greatest challenge.
Jonathan’s adventures include the bombardment of Fort Sumter, the last great Charleston horse race, the Great Charleston Fire of 1861, the Battle of Secessionville, visits to the North Carolina mountain homes of wealthy Low Country planters, a run through the Federal Blockade, a visit to the raucous boomtowns of Nassau and Wilmington, battles of ironclads and monitors, the Battle of Battery Wagner (made famous in the movie ”Glory”) and an encounter with a Voo-Doo conjure man. His story documents the hopes and struggles of a young man making a new life in a strange land in a time of war and change.
About the author:
George WB Scott was born in Stuart, Florida where he lived until he went to college in North Carolina. He graduated from Appalachian State University and went into television news in Tennessee. He is now an independent video producer and lives in Knoxville with his wife Mary Leidig.
His childhood memoir “Growing Up In Eden” explores experiences of his youth and of Martin County during the 1960s and 1970s. It includes more than a hundred photographs, mostly taken by the author just before the 2004 hurricanes, and has a CD with a screensaver of photographs and music by Gatlinburg acoustic guitarist Bill Mize.
In autumn of 2020 he will release his first novel, “I Jonathan, a Charleston Tale of the Rebellion.” More information is available on my blog at www.southernrocket.net/i-jonathan
I write this review as a member of Rosie’s Book Review Team (author, check here if you are interested in getting your book reviewed) and thank her and the author for this opportunity.
I chose this book after reading a review by a fellow member of Rosie’s team, and, as usual, she was right. This is a great book.
As I’ve done some times before, I recommend readers to check the additional content at the end of the book. The bibliography will be of great use to anybody thinking about studying the Civil War Era in the American South, particularly in South Carolina and Charleston, but, I especially enjoyed reading the author’s note and acknowledgments, as they give a very clear idea of the process of creation of this book, and of how many people contributed to the final result. Illuminating.
I will not rehash the description of the novel, because the information that accompanies it is detailed enough, in my opinion, but I thought I’d add a few comments about the way the story is told, and what it made me think of. This is a framed story (well, a double-framed story), as the Jonathan of the story passed away in the early 1940s, and the novel is the result of the narration of his life story to a great-grand-nephew who goes to visit him to participate in the celebration of his centenary. Realising that the story should be told, and it is unlikely that Jonathan will live much longer, he decides to write it all down. Then, it seems that this written second-hand account falls into the hands of the editor of a small publishing house specialising in historical books (and/or historical fiction) and they decide to publish it. This structure made me think of Joseph Conrad’s Heart of Darkness, and that wasn’t the only similarity (one only needs to think about a young man getting exposed to a completely different way of life, habits, and customs alien to him), although, of course, the anti-war sentiment also brought to my mind Apocalypse Now, Coppola’s film that adapts that novel to the Vietnam War setting. The fact that the novel —which for me has a lot in common with a bildungsroman (coming-of-age story), as it focuses mostly on the early years of the character— is told by an old man recalling his early years, also reminded me of many classics, like Charles Dickens’ David Copperfield, Charlote Brönte’s Jane Eyre, or Herman Melville’s White Jacket, with the wonderful nuances of an old (or at least more mature) character looking back at his actions and recalling his feelings from youth, because there is always some nostalgia, but also reflection, self-deprecation, and even self-mockery at times. It is a way of telling a story that feels traditional but can work incredibly well, especially when the times have changed dramatically and so has the person. This is particularly well-done here, as Jonathan’s voice feels very real, his use of words and expressions of the period help give it authenticity, and his way of reporting other people’s stories and even episodes he never witnessed directly is engaging and endearing. So much for the advice to writers of always showing and never telling! In fact, Jonathan can make us feel as if we were there even when he is describing something somebody else narrated, but if you are totally opposed to telling, I’d recommend you check a sample of the novel before dismissing it. Oh, and before I forget, there are fragments of poems and songs peppered throughout the book as well (and the details of those are also provided at the back of the book).
I have mentioned the anti-war theme of this novel. This is the strongest message, and the focus is on the American Civil War, although other wars are mentioned as well. It is true that due to the use of increasingly more sophisticated weapons (we all know wars tend to push research and industry forward if nothing else), the improvements in technology (the novel mentions ironclad vessels; an early version of a submarine; and one of Jonathan’s friends, Charles, is an inventor working on all kinds of long-distance weapons), and the length of the conflict, the death toll was very high, and all the more shocking because of that. But this is not an anti-South book, as the author explains. It is a book that paints a complex picture of what the United States South, South Carolina, and Charleston, in particular, were like in that era. Although many of the events narrated are episodes of the war, battles, or the destruction brought by it to the inhabitants of the city, there are also other moments that give an idea of what peace life must have been like: the last horse racing event before the war, several big parties in the city, how the business of importing luxury goods worked (and that gets more interesting as the war advances, including a visit to Nassau as well), the lives of freed black men and their participation in business and social life (down to having their own fire-brigade), musical entertainment (of the hand of Abe, a Jewish performer with an impossible love story), voodoo, the less savoury aspects of life, the different rhythm of life in the properties and plantations in the mountains and that of the big city, and much more. All together they create a sense of what life was like, probably more effectively because the story is narrated from an outsider’s perspective, but one who is accepted and adopted into that world.
Jonathan is a northerner who ends up, due to a conjunction of strange circumstances, stranded in Charleston, and rather than going back to Boston, where he feels there is nothing for him, he stays in the South, barely surviving, at first, but later getting to the point where others even think he was a hero of the war (on the Confederate side). Jonathan never fights, though, and he abhors slavery, although he comes to appreciate many things and people he meets through his adventures. He is a bit of a Hamlet, though. He is forever hesitant, wondering what he should do, avoiding direct conflict when he can, and although he dislikes some of the things he sees around him (especially slavery, although the bad aspects of slavery are only mentioned and never discussed in much detail. For example, he helps transport some slaves being sold when their owners decided to leave the Charleston area towards the end of the war; he takes a free black to help him, but never even gives a thought to liberating them, and we never hear their stories), he lets things happen or come to him, rather than stepping forward to meet any challenges or take any firm decisions. He discovers, a bit late, that if you wait too long, the decision can be taken off your hands for good. That does apply to his personal life as well, but I won’t go into too much detail to avoid spoilers. He is very naïve when he arrives in Charleston and suffers a terrible loss and a disappointment, but he grows and matures, and even the character observes, quite late in the novel, that only four years have passed since his arrival, and it still feels like a lifetime. He can be witty and ready to play a prank as well, though, and there were events that reminded me of Mark Twain and some of his amusing tales as well.
Apart from Jonathan, who is at first lost, undecided, and passive, we meet a fascinating catalogue of characters during the novel: wealthy and high-class families, poor construction workers, freed black men happy with their lifestyle (and others not so happy), a slave that ends up in charge of the whole property (although still a slave), inventors, tragic romantic figures, true heroes, women hiding from a terrible fate, ship captains adept at avoiding a blockade, rogue deserters, nurses (Clare Barton makes a fleeting appearance), there are surreal moments brought on by a voodoo man, and even interesting animals (perhaps).
The writing, as I have mentioned, is compelling. It is one of those stories that would keep you sitting by the campsite long into the night, and by the time you checked your watch, you wouldn’t believe how long you’d spent there. Because although this is a fairly long book, and it can be meandering at times, there is magic in the images conjured up by Jonathan’s narration, the good ones (despite the dominance of the war episodes, there are beautiful moments as well), and especially some of the battles and the desolation brought to the people and the city (the description of the Battle of Battery Wagner, and yes, I do remember Glory, is unforgettable and one of the best depictions of the never-ending madness of war I’ve come across) that makes us keep turning the pages, hoping to know how it all ends (not the war, but the life), and at the same time wishing the story would keep going and we could carry on reading.
What happens after the war is given relatively little space in the book, although there are some surprises to come, some good and some open to interpretation (I am not sure I agree with the main character’s take on a late reveal about the fate of one of the characters, but you’ll have to read the novel to know what I am talking about), but overall, I thought the ending worked very well, and there is a very touching detail that I hadn’t paid much attention to and made me like the character even more.
I would recommend this book to anybody interested in historical fiction set around the American Civil War, how it affected the South, South Carolina, and Charleston in particular. It offers an interesting perspective, friendly towards some aspects of southern culture, but critical of others. The main character is not a standard hero (rather the opposite for much of the novel), and he spends a lot of time listening to others as well, incorporating their stories into his. Perhaps I missed more of an insight into the minds of the female characters (they are interesting, strong, and stoic, but we hear very little directly from them), and I have mentioned some other minor issues before. Overall, though, this is a great novel, and one that I am sure will make many readers grab their history books and learn more about the period. I look forward to seeing what this author, new to me, will publish in the future.
In case you want to read a bit more about the author’s thoughts on his own book, you can check his own review on Goodreads, here:
Thanks to Rosie, to Terry, and to the author for the book, thanks to all of you for reading, and remember to like, share, comment, click, review, and above all, keep safe and keep smiling.