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#Bookreview RESERVOIR 13 by Jon McGregor (@jon_mcgregor) A contemplative look at the life of a village for those who love a different kind of writing. #Iamreading

Hi all:

I am on a mission to try and check at least some of the books that have made it into the Man Booker Prize longlist this year, and here is one of them.

Reservoir 13 by Jon McGregor
Reservoir 13 by Jon McGregor

Reservoir 13 by Jon McGrego

“A wonderful book. [Jon McGregor]’s an extraordinary writer, unlike anyone else.” ―Paula Hawkins, author of The Girl on the Train and Into the Water

LONGLISTED FOR THE MAN BOOKER PRIZE
A GUARDIAN NOTABLE BOOK OF 2017

From the award-winning author of If Nobody Speaks of Remarkable Things and Even the DogsReservoir 13 tells the story of many lives haunted by one family’s loss.

Midwinter in an English village. A teenage girl has gone missing. Everyone is called upon to join the search. The villagers fan out across the moors as the police set up roadblocks and a crowd of news reporters descends on what is usually a place of peace. Meanwhile, there is work that must still be done: cows milked, fences repaired, stone cut, pints poured, beds made, sermons written, a pantomime rehearsed.

As the seasons unfold and the search for the missing girl goes on, there are those who leave the village and those who are pulled back; those who come together and those who break apart. There are births and deaths; secrets kept and exposed; livelihoods made and lost; small kindnesses and unanticipated betrayals. An extraordinary novel of cumulative power and grace, Reservoir 13 explores the rhythms of the natural world and the repeated human gift for violence, unfolding over thirteen years as the aftershocks of a tragedy refuse to subside.

“A new novel from the absurdly gifted Jon McGregor, seven years after the IMPAC-winning Even the Dogs, Reservoir 13 is haunting and heartbreaking, the tale of a disappearance and its aftermath―his best yet.” ―The Guardian, “Fiction to look out for in 2017”

“Jon McGregor has been quietly building a reputation as one of the outstanding writers of his generation since 2002, when he became the youngest writer to be longlisted for the Booker prize… Reservoir 13 is an extraordinary achievement; a portrait of a community that leaves the reader with an abiding affection for its characters, because we recognise their follies and frailties and the small acts of kindness and courage that bind them together.” ―Observer (UK)

“Fascinating… McGregor is a writer with extraordinary control… Reservoir 13 is an enthralling and brilliant investigation of disturbing elements embedded deeply in our story tradition.” ―Tessa Hadley, The Guardian

https://www.amazon.com/Reservoir-13/dp/0008204861/

https://www.amazon.co.uk/Reservoir-13-LONGLISTED-BOOKER-PRIZE-ebook/dp/B01MDNI266/

Author Jon McGregor
Author Jon McGregor (Photo credit: Dan Sinclair)

About the author:

Jon McGregor is the author of four novels and a story collection. He is the
winner of the IMPAC Dublin Literature Prize, Betty Trask Prize, and Somerset
Maugham Award, and has twice been longlisted for the Man Booker Prize. He is Professor of Creative Writing at the University of Nottingham, where he edits The Letters Page, a literary journal in letters. He was born in Bermuda in 1976, grew up in Norfolk, and now lives in Nottingham.

Twitter: @jon_mcgregor
Website: www.jonmcgregor.com

https://www.amazon.co.uk/Jon-McGregor/e/B001IQXNGI/

My review:

Thanks to NetGalley and to Haper Collins UK Fourth State for offering me an ARC copy of this book that I freely chose to review.

I had never read one of Jon McGregor’s novels before but I was curious by the description of this novel and more curious when I saw it had been long-listed for the Man Booker Prize. The biography of the author intrigued me even more and I finally managed to read the book.

The book starts with the disappearance of a thirteen-year-old girl, a visitor holidaying, with her parents, to a village in Britain (not too distant from Manchester and also near enough to Leeds and Sheffield for those cities to make appearances, so probably in the general area where I live). Despite a large search party and much publicity and community effort, the girl does not appear. At first, everything is stopped: Council meetings, Christmas celebrations, the lives of her parents who remain in the village for a long time. Slowly, things go back to almost normal, with only the anniversary of her disappearance as a reminder that something tragic happened there. Life returns to its natural rhythms. There are births, deaths, people get married, separate, get new jobs, are made redundant, people move into the village and out, cricket matches are lost (mostly), the weather is very wet, and occasionally dry, the reservoirs are checked, the quarries exploited or not, there are pantomimes, well-dressing, Mischief nights, birds come and go, clocks go back and forth, foxes are born, bats hibernate, crimes are committed, crops harvested, farm animals looked after…

The novel (if it is a novel) is a slice of the life of the community of that village. The story is told in the third person from an omniscient point of view, and one that seems to be an objective observer that peeps into people’s heads (and observes animals) but without becoming over involved with feelings, just describing what people might think, but not going any further than that. The style of writing is peculiar, and perhaps not suited to everybody’s taste. There are very beautiful sentences and a particular rhythm to the paragraphs, which are not divided according to the different characters’ points of view or stories and can go from weather to animals to a person’s actions. Each anniversary of the girl’s disappearance marks a new year, but, otherwise, there is little to differentiate what happens, other than the chronology and the passing of time for the characters, the houses, and the village itself.

There are no individual characters that have a bigger share of the limelight. We have the youngsters, who had known the missing girl, and we follow them, but we also follow the female priest, the teachers at school, several farmers, a potter, the newspaper editor and his wife, the school keeper and his sister… We get to know a fair bit about each one of them but not at an emotional level, and we become observers too, rather than putting ourselves in the place of the characters to share their feelings and thoughts. It makes for a strange reading experience, and not one everybody will enjoy. It is as if we were supposed to let the words wash over us and explore a different way of reading, pretty much like the passing of life itself.

There is no resolution (there isn’t in life either) and I have read quite a few reviews where readers were disappointed as they kept reading waiting for some sort of final reveal that never comes. We are used to classic narratives with beginning, middle, and end, and being confronted by a different kind of structure can make us uncomfortable. This novel reminded me, in some ways, of the film The Tree of Life directed by Terrence Malick, although in that case, the story was more circumscribed and here it is more choral (and less involved).  Reviewers who know McGregor’s previous work are not in agreement about this novel, as some feel it shows a development of his style and is the best of his yet, whilst others prefer some of his earlier work. My advice to those who have never read him would be to check a sample of the novel and see how they feel (although, remember that the earlier focus on the search for the girl dies down later). This is not a spoiler as the author has said saw in quite a few interviews and it is clear from the description that this is not a mystery novel.

In sum, this is a novel for people interested in new and post-modern writing, rather than for those looking for a conventional story. If you are annoyed by head hopping and strange writing techniques and like to find a clear ending, then stay away from it. If you enjoy meditation and savouring every moment and are prepared for a different type of reading, you might be in for a treat.

Thanks so much to NetGalley, Harper Collins UK Fourth State and the author, thanks to all of you for reading, and remember to like, share, comment, click and REVIEW!

By OlgaNunez

I was born in Barcelona and after living in the UK for many years have now returned home. I teach English, volunteer at Sants 3 Ràdio, a local radio station, I'm a writer, translator (English-Spanish and vice-versa) and I'm a medical doctor and worked in Forensic Psychiatry many years. I also have a BA and a PhD in American Literature and Film, and a Masters in Criminology. I've always loved books and apart from writing them I review them often.
I write a bit of everything, check my books for more information and my about page for links.
My blog is bilingual, English and Spanish.

16 replies on “#Bookreview RESERVOIR 13 by Jon McGregor (@jon_mcgregor) A contemplative look at the life of a village for those who love a different kind of writing. #Iamreading”

Olga, your commentary was fascinating. But they lost me with the initial description of heartbreaking. I admit my failing — I want to be entertained and made happy, not broken. 🙂
I still enjoyed the review. Hugs.

Thanks, Teagan. The novel is a bit like life itself. There are sad and happy moments although we don’t participate fully (we oversee. It made me think of the work of a British sculptor called Anthony Gormley and his work called ‘Field’ (there were several versions of it but it is a fascinating project. I saw it at the Tate Gallery in Liverpool and it’s a very strange sensation to be looking down on all those tiny little people… http://www.tate.org.uk/whats-on/tate-liverpool/exhibition/antony-gormley-field)
Have a good Thursday.

Great review, Olga. I think I’m going to be in for a treat! As a rule I tend to steer clear of things like head hopping and experimental techniques, but there’s something about Jon McGregor’s writing that absolutely works for me. I adored his first two books.

Thanks, Wendy. I’ve missed his previous two novels but there is something very compelling about his style of writing (it makes me think of meditation) and it is beautifully observed. I hope you enjoy it!

Sometimes, such novels can not only have an impact at the time, but can be looked at later as a moment when conventional style and content changed, and took literature down a different path. This often happens with films, so your comparison with Malick is very apt. However, I am not sure that I am ready for such style in a book myself. I am not a fan of stories with no conclusion, anymore than films with no satisfactory ending. Life does not always have a defined story, I agree. But it always ends, whether we like it or not. I have always felt that good literature should entertain to some degree, as well as educate and inform. A large part of any good novel is up to the imagination of the reader, so some interpretation must be left open of course. But books written for the writer to display his or her style or talent always face the danger of becoming too personal, or self-indulgent. So, I am on the fence with this one, Olga.
Best wishes, Pete.

Thanks, Pete. I see your point and don’t disagree. I guess there are different kinds of readers and of reading experiences (and even moments. I love fiction and stories but sometimes I enjoy other kinds of books. Of course, there is an end to life, at least depending on what one believes in, but it does not leave all the strands tied up and everything explained that is what most readers, I included, want). There is something to be said for books that are different even if that might mean that they will never get tonnes of readers. This is not a crowd pleaser for sure, but not all books are.

I’m rather of the same mind as you, Pete, especially as I still have a problem with another style-changer by the name of Woolf! But as Teagan says, your reviews are never less than interesting.

Thanks, Sarah. Thankfully, we cannot complain of lack of choice, although sometimes it is good to explore what people are trying. And he writes very well, that is true.

Fascinating. It sounds like this book does everything we are told should not be done in a novel, although I presume this is considered literary, which I understand is more about form and style than content.
I have to say it isn’t my type of read, I like a story with a resolution – a traditional novel.
Thanks for the review, always helpful to know what not to try, as well as what to rush out and buy.

Thanks, Deborah. Yes, indeed. I try and be as detailed as possible because I know that taste is very individual and the reason I dislike a novel or a book might be the reason why somebody else loves it. He writes very well, for sure. I think part of the problem might be that people kept expecting to know what had happened to the girl, expecting it to be a thriller and is nothing of the sort.

I could cope with it not being a thriller, but not with it having no real resolution – I would feel as annoyed as I do when I find a cliff hanger at the end after I’ve invested time in what I expect to be a satisfying story.
I can understand if a reader enjoys just reading for the sake of appreciating the writing, but that is definitely not me!

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