Categories
Book review Book reviews

#Bookreview RETURN TO HIROSHIMA by Bob Van Laerhoven (@bobvanlaerhoven) An #ultra-noir novel for lovers of beautiful writing and dark subjects that probe the human psyche

Hi all:

I bring you a book by an author who’s already visited my blog and left a lasting impression. Here it is:

Book review of Return to Hiroshima by Bob Van Laerhoven
Return to Hiroshima by Bob Van Laerhoven

Return to Hiroshima by Bob Van Laerhoven

1995, Japan struggles with a severe economic crisis. Fate brings a number of people together in Hiroshima in a confrontation with dramatic consequences. Xavier Douterloigne, the son of a Belgian diplomat, returns to the city, where he spent his youth, to come to terms with the death of his sister. Inspector Takeda finds a deformed baby lying dead at the foot of the Peace Monument, a reminder of Hiroshima’s war history. A Yakuza-lord, rumored to be the incarnation of the Japanese demon Rokurobei, mercilessly defends his criminal empire against his daughter Mitsuko, whom he considers insane. And the punk author Reizo, obsessed by the ultra-nationalistic ideals of his literary idol Mishima, recoils at nothing to write the novel that will “overturn Japan’s foundations”…
Hiroshima’s indelible war-past simmers in the background of this ultra-noir novel. Clandestine experiments conducted by Japanese Secret Service Unit 731 during WWII become unveiled and leave a sinister stain on the reputation of the imperial family and the Japanese society as a whole.

PRAISE FOR RETURN TO HIROSHIMA:

Van Laerhoven’s Return to Hiroshima might well be the most complex Flemish crime novel ever written.
Fred Braekman, De Morgen, Belgium

A complex and grisly literary crime story which among other things refers to the effects of the nuclear attack on Japan.
Linda Asselbergs, Weekend, Belgium

Van Laerhoven skillfully creates the right atmosphere for this drama. As a consequence, the whole book is shrouded in a haze of doom. Is this due to Hiroshima itself, a place burdened with a terrible past? Or is the air of desperation typical for our modern society
Jan Haeverans, Focus Magazine, Belgium

Van Laerhoven won the Hercule Poirot Prize with Baudelaire’s Revenge. You’ll understand why after reading Return to Hiroshima
Eva Krap, Banger Sisters

Links:

https://www.amazon.co.uk/Return-Hiroshima-Bob-Van-Laerhoven-ebook/dp/B079NL7FNN/

https://www.amazon.com/Return-Hiroshima-Bob-Van-Laerhoven-ebook/dp/B079NL7FNN/

Author Bob Van Laerhoven
Author Bob Van Laerhoven

About the author:

Bob van Laerhoven was born on August 8th, 1953 in the sandy soil of Antwerp’s Kempen, a region in Flanders (Belgium), bordering to The Netherlands, where according to the cliché ‘pig-headed clodhoppers’ live. This perhaps explains why he started to write stories at a, particularly young age. A number of his stories were published in English, French, German, Spanish and Slovenian.

DEBUT
Van Laerhoven made his debut as a novelist in 1985 with “Nachtspel – Night Game.” He quickly became known for his ‘un-Flemish’ style: he writes colourful, kaleidoscopic novels in which the fate of the individual is closely related to broad social transformations. His style slowly evolved in his later novels to embrace more personal themes while continuing to branch out into the world at large. International flair has become his trademark.

AVID TRAVELLER

Bob Van Laerhoven became a full-time author in 1991. The context of his stories isn’t invented behind his desk, rather it is rooted in personal experience. As a freelance travel writer, for example, he explored conflicts and trouble-spots across the globe from the early 1990s to 2004. Echoes of his experiences on the road also trickle through in his novels. Somalia, Liberia, Sudan, Gaza, Iran, Mozambique, Burundi, Lebanon, Iraq, Myanmar… to name but a few.

MASS MURDERS

During the Bosnian war, Van Laerhoven spent part of 1992 in the besieged city of Sarajevo. Three years later he was working for MSF – Doctors without frontiers – in the Bosnian city of Tuzla during the NATO bombings. At that moment the refugees arrived from the Muslim enclave of Srebrenica. Van Laerhoven was the first writer from the Low Countries to be given the chance to speak to the refugees. His conversations resulted in a travel book: “Srebrenica. Getuigen van massamoord – Srebrenica. Testimony to a Mass Murder.” The book denounces the rape and torture of the Muslim population of this Bosnian-Serbian enclave and is based on first-hand testimonies. He also concludes that mass murders took place, an idea that was questioned at the time but later proven accurate.

MULTIFACETED OEUVRE

All these experiences contribute to Bob Van Laerhoven’s rich and commendable oeuvre, an oeuvre that typifies him as the versatile author of novels, travel stories, theatre pieces, biographies, non-fiction, letters, columns, articles… He is also a prize-winning author: in 2007 he won the Hercule Poirot Prize for best crime novel of the year with “De Wraak van Baudelaire – Baudelaire’s Revenge.” “Baudelaire’s Revenge” has been published in the USA, France, Canada, the Netherlands, Belgium. Russian and Italian translations are in the making. In 2014, a second French translation of one of his titles has been published in France and Canada. “Le Mensonge d’Alejandro” is set in a fictitious South-American dictatorship in the eighties. The “junta” in this novel is a symbol for the murderous dictatorships in South-America (Chile and Argentine, to mention two)during the seventies and beginning of the eighties. In The Netherlands and Belgium, his novel “De schaduw van de Mol” (The Shadow Of The Mole) was published in November 2015. The novel is set in the Argonne-region of France in 1916. An English translation of the novel will be available in the US in 2017.
“Baudelaire’s Revenge” is the winner of the USA BEST BOOK AWARDS 2014 in the category Fiction: mystery/suspense.
In April 2015 The Anaphora Literary Press published the collection of short stories “Dangerous Obsessions” in the US, Australia, the UK, and Canada, in paperback, e-book, and hardcover. “Dangerous Obsessions” was voted “best short story collection of 2015 in The San Diego Book Review. In May 2017, Месть Бодлерa, the Russian edition of “Baudelaire’s Revenge” was published. “Dangerous Obsessions” has been published in 2017 in Italian, Portuguese, and Swedish editions. Spanish and Chinese translations will follow in 2018.

 

My review:

Thanks to the author for providing me a paperback copy of the book that I freely chose to review.

I read and reviewed Baudelaire’s Revenge some time ago (you can check that review here) and I was fascinated and intrigued by it, so I did not think twice when the author told me he had published a new novel. Van Laerhoven’s work has won awards, been translated into several languages, and he has a unique voice that stays with the reader long after finishing the book. I don’t mean the stories and the plots of his books are not interesting (they are fascinating), but the way he writes about the historical period his stories are set in, and the characters he follows and analyses are distinct and unforgettable. His words are, at once, poetic and harsh, and they perfectly convey both, the utmost beauty and the extremes of cruelty and dejection that can be found in human beings.

When I reread my previous review, while I was preparing to write this one, I realised that much of what I had written there (apart from the specifics about the plot and the characters) applied also to this book. The author once more writes historical fiction, although this time it is closer to our era. The main action takes place in Japan in 1995, although, as the title might make us suspect, the story also goes back to 1945 (and even before) and towards the end of the book we have scenes set in that period, with all that involves.

The story is mostly narrated in the third person from the points of view of a variety of characters, a police inspector (who has to investigate the murder of a baby, a strange attack at a bank with a large number of casualties, and a bizarre assault on a tourist), a female photographer, a young man and a young woman members of a strange sect, a strange man/God/demon (who is more talked about than actually talking, although we get access to his memories at some point). There are also fragments narrated by a woman, who is in hiding when we first meet her, and whose identity and mental state will keep readers on tenterhooks.

Apart from the mystery elements and from the bizarre events, which at first seem disconnected but eventually end up by linking all the characters, I noticed some common themes. Families, family relationships, and in particular relationships between fathers and sons and daughters, take centre stage. The inspector’s search for his father and how that affects his life, the young woman’s relationship with her father, at the heart of the whole plot, the photographer’s relationship with her father, another famous photographer, and her attempts at finding her own identity as an artist… While some characters seem totally amoral (perhaps because they believe they are beyond usual morality), others are trying to deal with their guilt for things that they did or did not do. Some of the characters might feel too alien for readers to empathise with, but others experience emotions and feelings fully recognisable, and we feel sad for some of them at the end, but relieved for others. The claustrophobic and pressured atmosphere running against the background of the atomic bomb and its aftermath are perfectly rendered and help give the story an added layer of tension and depth.

This is a book of extremes and not an easy read. Although the language used is lyrical and breath-taking at times, there are harsh scenes and cruel behaviours described in detail (rape, drug use, torture, violence), so I would not recommend it to people who prefer to avoid such kinds of reading. I’ve seen it described as horror, and although it does not easily fit in that genre, in some ways it is far more unsettling and scarier than run-of-the-mill horror. This novel probes the depths of the human psyche and its darkest recesses, and you’ll follow the author there at your own peril.

I wanted to share some samples I highlighted that should not provide any spoilers for those thinking about reading it:

Books protected me from reality. I remember them as a choir of pale shapes, sometimes hysterical, other times comforting, vividly prophetic, or disquieting, like a piano being played in the dark. I’ve always been convinced that stories influence the mind: they haunt regions of the brain where reason has lost its way.

This one I find particularly relevant to this book (and I think most writers would know perfectly well what it’s getting at):

“Writers are like God. They love their characters, but take pleasure in the suffering they put them through. They torment themselves through the puppets they create and in the midst of the torment they discover a sort of rage, the rage you need to create. There’s a lot of sadomasochism in the universe and literature has its own fair share.”

Here, one of the characters talks about how she feels when she is depressed:

Her malady gave her the impression that the buildings and the people she saw were nothing more than pixels of energy bundled together by an insane artist who could shift around the worlds inside him like pieces of chess.

This ‘ultra-noir’ novel, as the blurb aptly describes it, is an extraordinary read, but is not a book for somebody looking for a typical genre thriller with slightly twisted characters. This is far darker than most of the thrillers I’ve read. But don’t let that put you off. As I said in my previous review of another one of the author’s novels, ‘if you’re looking for a complex and challenging historical novel and don´t shrink from dark subjects, this is a pretty unique book.’

Thanks to the author for his book, thanks to all of you for reading and remember to like, share, comment, click, review, and keep smiling!

Categories
Book review Book reviews

#TuesdayBookBlog A MONK’S GUIDE TO A CLEAN HOUSE AND MIND by Shoukei Matsumoto (@PenguinUKBooks). A guide to dusting your heart and clearing out your soul. Simple and beautiful #Bookreview #Zen

Hi all:
This one is a peculiar choice for me but, here it is.

A Monk's Guide to a Clean House and Mind by Shoukei Matsumoto
A Monk’s Guide to a Clean House and Mind by Shoukei Matsumoto

A Monk’s Guide to a Clean House and Mind by Shoukei Matsumoto

Cleanliness is next to enlightenment. In this Japanese bestseller, a Buddhist monk explains the traditional cleaning techniques that will help cleanse not only your house – but your soul.

‘We remove dust to sweep away our worldly desires. We scrub dirt to free ourselves of attachments. We live simply and take time to contemplate the self, mindfully living each moment. It’s not just monks that need to live this way. Everyone in today’s busy world today needs it.

The Zen sect of Buddhism is renowned for the cleanliness of its monks, but cleaning is greatly valued in Japanese Buddhism in general as a way to cultivate the mind. In this book, I introduce everyday cleaning methods typically employed in temples, while sharing what it’s like to be a monk in training.

This book will improve the condition not just of your own mind, but also the people around you. I hope readers will discover that cleanliness is an opportunity to contemplate oneself.’

https://www.amazon.co.uk/Monks-Guide-Clean-House-Mind-ebook/dp/B073W2K7HT/

https://www.amazon.com/Monks-Guide-Clean-House-Mind-ebook/dp/B073W2K7HT/

Press Review

The most unusual self-help book of 2018 … There is something surprisingly calming about just reading the book, hearing Matsumoto’s simple instructions and admiring the clean pen drawings of Japanese sandals and brooms (Jane Fryer Daily Mail)

Shoukei Matsumoto
Shoukei Matsumoto

About the Author

Shoukei Matsumoto is a Buddhist monk at the Komyoji Temple in Tokyo, Japan. Since entering the Temple in 2003, his days begin with cleaning. Cleaning is greatly valued in Japanese Buddhism as a way to cultivate the mind. In this book, a bestseller in Japan and Europe, Shoukei Matsumoto offers up the cleaning practices of Buddhist monks, to help us all live simply and mindfully in each moment.

Here an article on Shoukei Matsumoto that you might find interesting:

https://www.japantimes.co.jp/life/2016/06/29/lifestyle/armed-mba-buddhist-monk-sets-transform-future-temple/

My review:

Thanks to NetGalley and to Penguin UK for providing me an ARC copy of this book that I freely chose to review.

Sometimes I read the title and the description of a book in one of my favourite genres and it is intriguing enough or it has something that makes me want to read it. But sometimes I see a book that is completely different to what I normally read but still, it seems to call me and this is one of those books.

As I am about to move (houses and countries), I thought a book about cleaning (not only our houses but also our minds) might be an asset. And, oh boy, was I right!

This book does what it says on the tin. I can’t guarantee you that you’ll end up cleaning more if you read it, but I’d be surprised if it doesn’t make you think about the process.

Photo by Jennifer Burk on Unsplash
Photo by Jennifer Burk on Unsplash

I don’t know how accurate a translation of the original this is, but I loved the simple style of writing. Although the sentences are not elaborate or complex, and the ideas it contains seem extremely simple, they are beautiful in their simplicity and unassuming. This is not a book of advice that will quote analytics, statistics, and numbers of followers. It just explains what life for Zen monks living at a temple is like, and explains their philosophy.

I am not very house-proud and I can’t claim to spend a lot of time cleaning (and even less thinking about cleaning), but there are some chores that I do enjoy, and some whose mechanics can free my mind and make me forget the things around me. Although this is not what the book is about (it is a way of life and it is very specific and ordered), I think most of us will identify with some of the thoughts behind it.

The book highlights the importance of respecting nature, our bodies, our possessions (and we don’t need many), all life, and each other. It is a short book and it is also a relaxing read that will make you look at things differently and give you some pause. And, as I said, you don’t need to be big on cleaning to enjoy it.

Photo by Pawel Nolbert on Unsplash
Photo by Pawel Nolbert on Unsplash

I thought I’d share some examples of passages I highlighted from the book, so you can get an idea of what to expect:

I hope you enjoy applying the cleaning techniques introduced here in your home. There’s nothing complicated about them. All you need is a will to sweep the dust off our heart.

‘Zengosaidan’ is a Zen expression meaning that we must put all our efforts into each day so we have no regrets, and that we must not grieve for the past or worry about the future.

It goes without saying that dust will accumulate in a home that is never cleaned. Just as you have finished raking the leaves, more are sure to fall. It is the same with your mind. Right when you think you have cleaned out all the cobwebs, more begin to form. Adherence to the past and misgivings about the future will fill your head, wresting your mind from the present. This is why we monks pour ourselves heart and soul into polishing floors. Cleaning is training for staying in the now. Therein lies the reason for being particular about cleanliness.

I hate ironing. I must say that after reading this I know what I’ll think about when I have to iron something from now on:

How to Iron. When ironing, visualize yourself ironing out the wrinkles in your heart.

Photo by Filip Mroz on Unsplash
Photo by Filip Mroz on Unsplash

By letting go of everything, you can open up a universe of unlimited possibilities.

A lovely book, a deep book, and a simple book. I kept thinking of friends and relatives who might enjoy/benefit from it (and I don’ t mean because of the state their houses are in!). And I am sure many of you would enjoy it too. Just try it and see.

Thanks to the author and translator, to NetGalley, and to Penguin UK for the book, thanks to all of you for reading, and remember to like, share, comment, click, and REVIEW! 

[amazon_link asins=’0943015537,1590308492,B00KK0PICK,0767903323,0767903692,1856753697,B074ZKHG4K,B0117QI7RS’ template=’ProductCarousel’ store=’wwwauthortran-20′ marketplace=’US’ link_id=’05639075-febb-11e7-9a49-638a440dbdd7′]

Categories
Book review Book reviews

#Bookreview Surviving the Death Railway: A Pow’s Memoir and Letters from Home by Hilary Custance Green (@HilaryCustanceG) A touching reminder of the people behind the history books and a well-deserved memorial

Hi all:

As I told you I’ve accumulated a lot of reviews that I haven’t had a chance to share yet. Today, I bring you a book I read recently (I’m afraid there won’t be a lot of order on how I share the reviews either). A fellow blogger (Hilary Custance Green) contacted me to ask me if I would be interested in reviewing a non-fiction book. As you know, I read and review mostly fiction books, but I’ve read many non-fiction books in my life, for my studies or personal interest, and when she explained her project, I couldn’t resist. Through her book, I got in contact with a very interesting publishing company from Barnsley, South Yorkshire, a stone throw away from where I live and with a great and varied catalogue. They kindly sent me a hardback copy of the book and I read it on my recent trip to Paris. Although I don’t mention it on the review, the book (that’s also available in digital copy) is filled with maps, photos of the letters, and pictures of the people it talks about, so a paper copy is a good investment.

And no more blah, blah, blah…

Surviving the Death Railway. A PlW's Memoir and Letters from Home Edited by HIlary Custance Green
Surviving the Death Railway. A PlW’s Memoir and Letters from Home Edited by Hilary Custance Green

Surviving the Death Railway: A Pow’s Memoir and Letters from Home by Hilary Custance Green

The ordeals of the POWs put to slave labour by their Japanese masters on the ‘Burma Railway’ have been well documented yet never cease to shock. It is impossible not to be horrified and moved by their stoic courage in the face of inhuman brutality, appalling hardship and ever-present death. While Barry Custance Baker was enduring his 1000 days of captivity, his young wife Phyllis was attempting to correspond with him and the families of Barry’s unit. Fortunately, these moving letters have been preserved and appear, edited by their daughter Hilary, in this book along with Barry’s graphic memoir written after the War. Surviving the Death Railway’s combination of first-hand account, correspondence and comment provide a unique insight into the long nightmare experienced by those in the Far East and at home. The result is a powerful and inspiring account of one of the most shameful chapters in the history of mankind which makes for compelling reading.

This is the link to the hardback copy in Amazon.co.uk:

https://www.amazon.co.uk/d/Books/Surviving-Death-Railway-Pows-Memoir-Letters-Home/1473870003/

This to the digital one:

https://www.amazon.co.uk/Surviving-Death-Railway-Memoir-Letters-ebook/dp/B01ICYJNQW/

Here in Amazon.com:

https://www.amazon.com/Surviving-Death-Railway-Memoir-Letters-ebook/dp/B01ICYJNQW/

In my review, I share the publisher’s site, where you can also get a copy:

Thanks to Hilary Custance Green (who edited part of her family history and that of many others) and to Katie Eaton from Pen & Sword Books Limited  (www.pen-and-sword.co.uk) for sending me a paperback copy of this book that I freely choose to review.

As a reader, when it comes to stories about the war, I’ve always been more interested in the individuals (both in the front and back home) than in the way the battles were fought. I had heard, read, and mostly watched TV programmes and movies about Japanese war camps (I won’t forget Tenko in a hurry).  Probably lots of people have. This book provides the personal experience of a family whose lives were affected and transformed by the war. We get to know Barton (Barry) Custance Baker, born in Malaya, before the war; we later learn of his marriage to Phyllis and then we follow him all the way back to Malaya and read on as he becomes father and prisoner of war. We also read (thanks to the correspondence of the period, some that reached its destination and some that didn’t) about Phyllis’s life, the thoughts of those left back home and the way they tried to hang on to hope.

The book combines letters from Barry to Phyllis about his life in the East, most of the time not sure if any of them would make it to his wife, letters from Phyllis to Barry, trying to keep up his spirits with news about their son, Robin, and his family, and the diary Barry wrote, containing more details about his time abroad, although always trying to emphasise the positive and understate the difficulties. The combination of these narratives creates a complex and complementary testimony of the varied experiences of the war for those on both sides of the conflict, such as the difficulty of being away and separated from those you love for years, missing the early years of a son you hardly know and worrying that you might no longer know your partner when you go back (or when they come back), and contrasting the often mistaken ideas and thoughts about what the other party might be enduring.

Barry’s parents thought he would be bored as a PoW, never imagining he would be building a railway line, the Thailand-Burma railway, appropriately called Death Railway, as it cost so many lives (not only British). That he, as an officer, might be engaged in heavy labouring work, starved and ill did not enter their imagination.

Barry also had little concept of life back home and did not have news of his parents’ move to San Francisco to help with radio transmissions in Malayan or later, of the death of his younger brother, John. He imagines there might be some restrictions and even danger, but not how unsettling the lack of news was.

Barry’s efforts trying to ensure he kept track of his men and that he did all he could to keep them safe were echoed by those made by Phyllis, who tried her hardest to create a network of information to share any news between the relatives and friends of the men in her husband’s unit, sending encouraging letters, and even creating a dossier with as much data as possible about all the men, to facilitate the task of the War Office in identifying and reporting their fate.

The book is extraordinary too because it clearly shows the tireless efforts they all made to try and keep in touch at a time when communication with each other wasn’t only a click away, and when sometimes years might pass without any news of the other person (and in the best case scenario the news might be years old by the time they get it). Forget about 140 characters on Twitter. The rules of their communication kept changing and at some point they could only send 25 words to their loved one, and that included the date. And the best they could hope for was a prewritten card with only a few words added by hand.

If physically the experiences are very different (although not full of gross details, we get a clear sense of the trials and suffering the men had to endure), mentally, the toll of the lack of information, of the separation and the impotence is clear on both sides. And those letters of mothers, girlfriends, uncles, asking for information about their loved ones, sharing the good and bad news, but always trying to encourage the other person, no matter what their lot has been, are impossible to forget. Even the replies to Phyllis request for particulars about the men convey so much more than what is written. It is amazing how a few words to describe somebody can be so full of feeling and be so touching, and how much they say about unspoken emotions.

As readers, we can but share in the feelings, and are touched by the hopes, anxieties, and stress of the situation. We are given an extraordinary insight into the lives of people whom we might have known, and who could have been our neighbours, friends, or family. We read about their joy at the impending reunion and their wish to get to know each other (and the worry that they might no longer recognise or like the persons they have become). Barry and Phyllis become our ersatz family and we’re happy to learn they had more children and lived happy and fulfilling lives. I was particularly moved by a moment towards the end of Barry’s life when he’s ill in hospital and for a moment believes he’s back at the camp. When his daughter (Hilary) explains to him what has happened since and he realises he’s ill and dying but has lived a full life he says ‘I’ll settle for that’. I hope we all can say that when our time comes.

Hilary Custance Green, the editor of the book, and Barry and Phyllis’s daughter has found the way of letting the letters and the diary tell the story, with very little explanation or unnecessary interference, other than minimal clarifications or explanations when needed. The material is powerful enough in its own right. She has done a great job and the book is a great memorial not only to her parents but also to all the men and women who went through the experience. At the end of the book, there is a call to anybody who might have information about families of members of the Men of 27 Line Section to get in touch with the editor. Don’t forget to pass the message on if you know anybody connected to the men or with contacts who might have more information.

In summary, this is a fantastic book for those interested in World War II, both from the point of view of war action and of the home front, those interested in stories about PoW, tales of human bravery, valour, endurance and the heroism of extraordinary ‘ordinary’ people. Don’t miss this book and don’t forget to pass it on to anybody who might have known a member of the unit.

Here a bit about the editor of this fantastic book:

Author, editor Hilary Custance Green
Author, editor Hilary Custance Green

Hilary Custance Green was born in England, but had a European childhood, including two years at the top of the rock of Gibraltar and four years in a Belgian convent. She studied languages at school but was determined to become a sculptor. After her first degree, in Fine Arts at UEA, she went to St Martins in London and pursued her dream, working as a sculptor for twenty years while also getting married and having children.

She became fascinated by the brain and studied Psychology at the Open University, followed by a PhD at Cambridge University looking at Attention mechanisms in the brain. It was during this period that she started writing fiction. She found the contrast between the direct, clean arguments of academic writing and the rich, sensation-laden prose of fiction highly enjoyable.

Hilary aims to write entertaining, read-in-bed fiction, yet her books also look honestly and realistically at how individuals cope with what life throws at them. In 2003 Hilary’s first novel, A Small Rain, was published. She was interested in the way our social life is scattered, so you might practise music with one set of friends, take Spanish lessons with another and the confusion that can result when these groups meet. A Small Rain also looked at the way grief disrupts life and music and poetry can act as consolations.

Unseen Unsung was published in 2008 (with the eBook version appearing in July 2014). This opens in the ruins of a building and looks at the courage of ordinary individuals in extraordinary circumstances. In this book, Hilary allowed her passion for music free rein but always making it accessible to non-musicians.

In December 2014 her latest novel, Border Line, will come out in both print and eBook format. This is a love story set in Slovenia, yet it also explores the dilemmas of living with guilt and choosing suicide and the vexed subject of assisted dying.

Hilary is also working on an exciting non-fiction project about Far East POWs in WWII. She has hundreds of letters written during WWII between a young couple and also from the wives and mothers of men imprisoned in the Far East. She wants to tell, using their own words, the story of separation and survival, hope and heartbreak that so many of our parents and grandparents lived through.

To see more about Hilary go to her website at www.hilarycustancegreen.com or visit her blog at www.greenwritingroom.com

I asked the author/editor, in case any of the readers knew somebody who might have information about the Men of 27 Line Section and she suggested it might be worth checking this post on her blog for more information. And don’t forget her website.

Thanks so much to Hilary Custance Green and to Pen and Sword Books Limited for this opportunity, thanks to all of you for reading and remember to like, share, comment and CLICK!

GET MY FREE BOOKS
%d bloggers like this:
x Logo: Shield Security
This Site Is Protected By
Shield Security