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#Bookreview EXIT WEST by Mohsin Hamid (@mohsin_hamid) #ManBookerPrize A novel not for everybody that everybody should read #migration

Hi all:

I bring you my review of another one of the novels that have made it into the Man-Booker Longlist. Here is it.

Exit West by Mohsin Hamid
Exit West by Mohsin Hamid

Exit West: Longlisted for the Man Booker Prize 2017 by Mohsin Hamid

Longlisted for the 2017 Man Booker Prize

“It was as if Hamid knew what was going to happen to America and the world, and gave us a road map to our future… At once terrifying and … oddly hopeful.” –Ayelet Waldman, The New York Times Book Review

“Moving, audacious, and indelibly human.” –Entertainment Weekly, “A” rating

“A breathtaking novel…[that] arrives at an urgent time.” –NPR.org
 
As featured in the Skimm, on Late Night with Seth Meyers, Fresh Air, PBS Newshour, the cover of the New York Times Book Review, and more, an astonishingly visionary love story that imagines the forces that drive ordinary people from their homes into the uncertain embrace of new lands.

In a country teetering on the brink of civil war, two young people meet—sensual, fiercely independent Nadia and gentle, restrained Saeed. They embark on a furtive love affair, and are soon cloistered in a premature intimacy by the unrest roiling their city. When it explodes, turning familiar streets into a patchwork of checkpoints and bomb blasts, they begin to hear whispers about doors—doors that can whisk people far away, if perilously and for a price. As the violence escalates, Nadia and Saeed decide that they no longer have a choice. Leaving their homeland and their old lives behind, they find a door and step through. . . .

Exit West follows these remarkable characters as they emerge into an alien and uncertain future, struggling to hold on to each other, to their past, to the very sense of who they are. Profoundly intimate and powerfully inventive, it tells an unforgettable story of love, loyalty, and courage that is both completely of our time and for all time.

Editorial Reviews

Amazon.com Review

An Amazon Best Book of March 2017: When Nadia and Saeed fall in love in a distant unnamed city, they are just like any other young couple. But soon bullets begin to fly, fighter jets streak the sky, and curfews fall. As the spell of violence spreads, they flee their country, leaving behind their loved ones. Early in Exit West, the author Mohsin Hamid explains that geography is destiny, and in the case of his two young lovers, geography dictates that they must leave. Hamid offers up a fantastical device to deliver his refugees to places: they pass through magic doors. Rather than unmooring the story from reality, this device, as well as a few other fantastical touches, makes the book more poignant and focused, pointing our attention to the emotions of exile rather than the mechanics. Surrounded by other refugees, Nadia and Saeed try to establish their places in the world, putting up different responses to their circumstances. The result is a novel that is personal, not pedantic, an intimate human story about an experience shared by countless people of the world, one that most Americans just witness on television. —Chris Schluep , The Amazon Book Review

Review

“Hamid exploits fiction’s capacity to elicit empathy and identification to imagine a better world. It is also a possible world. Exit West does not lead to utopia, but to a near future and the dim shapes of strangers that we can see through a distant doorway. All we have to do is step through it and meet them.” —Viet Thanh Nguyen, TheNew York Times Book Review (cover)

“In spare, crystalline prose, Hamid conveys the experience of living in a city under siege with sharp, stabbing immediacy. He shows just how swiftly ordinary life — with all its banal rituals and routines — can morph into the defensive crouch of life in a war zone. … [and] how insidiously violence alters the calculus of daily life. … By mixing the real and the surreal, and using old fairy-tale magic, Hamid has created a fictional universe that captures the global perils percolating beneath today’s headlines.” ––Michiko Kakutani, New York Times

“Lyrical and urgent, the globalist novel evokes the dreams and disillusionments that follow Saeed and Nadia….and peels away the dross of bigotry to expose the beauty of our common humanity.” —O, the Oprah Magazine

“A beautiful and very detailed look at what it means to be an immigrant…An incredible book.” –Sarah Jessica Parker on Read it Forward

“A little like the eerily significant Margaret Atwood novel, this love story amid the rubble of violence, uncertainty, and modernity feels at once otherworldly and all too real.” —New York Magazine’s The Strategist

“This is the best writing of Hamid’s career… Readers will find themselves going back and savoring each paragraph several times before moving on. He’s that good. … Breathtaking.” —NPR.org

“Nearly every page reflects the tangible impact of life during wartime—not just the blood and gunsmoke of daily bombardments, but the quieter collateral damage that seeps in. The true magic of [Exit West] is how it manages to render it all in a narrative so moving, audacious, and indelibly human.” –Entertainment Weekly, “A rating”

“Hamid rewrites the world as a place thoroughly, gorgeously, and permanently overrun by refugees and migrants. … But, still, he depicts the world as resolutely beautiful and, at its core, unchanged. The novel feels immediately canonical, so firm and unerring is Hamid’s understanding of our time and its most pressing questions.” —NewYorker.com

“No novel is really about the cliche called ‘the human condition,’ but good novels expose and interpret the particular condition of the humans in their charge, and this is what Hamid has achieved here. If in its physical and perilous immediacy Nadia and Saeed’s condition is alien to the mass of us, Exit West makes a final, certain declaration of affinity: ‘We are all migrants through time.’” —Washington Post

“Brilliant…Its intelligently deployed surreal elements are also the best examples I’ve seen lately of how the nonrealistic is sometimes the best way to depict how an experience feels, as opposed to just the facts of what it is.” –Vulture

“Skillful and panoramic from the outset… [A] meticulously crafted, ambitious story of many layers, many geopolitical realities, many lives and circumstances…Here is the world, he seems to be saying, the direction we’re hurtling in. How are we going to mitigate the damage we’ve done?” –The New York Review of Books

“Like the Lion, the Witch, and the Wardrobe, but set in the real world. You’ll be hearing about it, so get into it now.” —TheSkimm

“Spellbinding.” –Buzzfeed

“A short, urgent missive in which each detail gleams with authorial intent….Exit West is lit with hope. Hamid has said that “part of the great political crisis we face in the world today is a failure to imagine plausible desirable futures,” and that “fiction can imagine differently.” “Exit West” does so, and beautifully. May Hamid’s hopes turn out to be as prescient as his concerns already are.” –San Francisco Chronicle

“[An] ambitious and far-roaming tale of migration and adventure…which feels like something quite new.”  –The New Republic

“Hamid graphically explores a fundamental and important ontological question: Is it possible for us to conceive of ourselves at all, except in juxtaposition to an “other”?… What is remarkable about Hamid’s narrative is that war is not, in fact, able to marginalize the “precious mundanity” of everyday life. Instead — and herein lies Hamid’s genius as a storyteller — the mundanity, the minor joys of life, like bringing flowers to a lover, smoking a joint, and looking at stars, compete with the horrors of war.” –Los Angeles Times

“In an era when powerful ruling groups — often in the minority — are gripped by a sense of religious and ethnic nativism, Mohsin offers these two, the millions they represent, and us, comfort: that plausible, desirable futures can be imagined, that new tribes may be formed, and that life will go on…  If we are looking for the story of our time, one that can project a future that is both more bleak and more hopeful than that which we can yet envision, this novel is faultless.” –Boston Globe

“In gossamer-fine sentences, Exit West weaves a pulse-raising tale of menace and romance, a parable of our refugee crisis, and a poignant vignette of love won and lost… Let the word go forth: Hamid has written his most lyrical and piercing novel yet, destined to be one of this year’s landmark achievements.” –Minneapolis Star Tribune

“A remarkable accomplishment….not putting a human face on refugees so much as putting a refugee face on all of humankind….Hamid’s writing—elegant and fluid…—makes Exit West an absorbing read, but the ideas he expresses and the future he’s bold enough to imagine define it as an unmissable one.” –The Atlantic

“Terrifying, hopeful, and all too relevant.” —People Magazine

“A thoughtful, beautifully crafted work that emphasizes above all the ordinariness and humanity of people who become refugees… Its language and ideas might have a particular resonance today, but they would be worth reading at any time.” —Vox

“It was as if Hamid knew what was going to happen to America and the world, and gave us a road map to our future… This book blew the top off my head. It’s at once terrifying and, in the end, oddly hopeful.” –Ayelet Waldman, New York Times Book Review

“Brilliant….[Hamid] highlights the stark reality of the refugee experience and the universal struggle of dislocation.” –Newsday

“If there is one book everyone should read ASAP, it is Mohsin Hamid’s Exit West…Short, unsentimental, deeply intimate, and so very powerful.” —Goop

“Spare and haunting, it’s magical realism meets the all-too-real.” –W Magazine

“With great empathy, Hamid skillfully chronicles the manic condition of involuntary migration… ‘Exit West’ rattles our perception of home.” St. Louis Post-Dispatch

“Taut but haunting.” –Vanity Fair

“Powerfully evokes the violence and anxiety of lives lived ‘under the drone-crossed sky.’” —Time Magazine

“Hamid’s timely and spare new novel confronts the inevitability of mass global immigration, the unbroken cycle of violence and the indomitable human will to connect and love.” —Huffington Post

“Hamid doesn’t avoid or sugarcoat the heartache and hurt accompanying contradiction and change, as people ‘all over the world were slipping away from where they had been.’ But he also has the courage to … see change as an opportunity.” — Milwaukee-Wisconsin Journal Sentinel

“A dark fable for our turbulent time, Exit West…portrays a world of transience, violence, and insecurity that rhymes with our world of porous borders and rabid tribalists.” – Dallas Morning News

“Reading Mohsin Hamid’s penetrating, prescient new novel feels like bearing witness to events that are unfolding before us in real time.” –Seattle Times

“I have not been this emotionally moved by a book in years… By the end … I was in tears and had to sit still for a bit to reflect. This timeless and timely love story is one we need; right now and forever.” –Sarah Bagby, KMUW Wichita

“A great romance that is also a story of refugees; this couldn’t be more timely.” —Flavorwire

Exit West is a compelling read that will make you think about the times we are living in right now.” –PopSugar

“A sly and intelligent book, written with Hamid’s extraordinary eye for character—their desires, hopes, grudges, and disappointments—all those ‘faulty human things’ that keep us alive and make us real. But what truly sets the book apart, both in Hamid’s oeuvre and contemporary fiction, is it’s warmth and generosity to its readers—something we need more of from books in our morally exhausting times.” –Guernica

“Timely and original.” –Business Insider

“Beautiful.” –The Rumpus

“Urgent and much needed… an antidote of sorts (one can only hope) in this moment of xenophobic fear and mistrust.” –Mother Jones

“Eerily prescient.” Joyce Carol Oates, The New Yorker.com

“Brilliant… If you’re numb to the unending talk relating to migration policy, the platitudes and the protest slogans, this book provides a way to reignite much-needed empathy because, above all, Hamid reminds us that no matter hard governments try, they can never really close doors.” –Toronto Star

“A commanding yet fanciful outlook on the current climate of global immigration and international xenophobia, as told through the poignant love story of those caught in between… A beautiful rendering of the lives hidden in the folds of war.” –AV Club

“Every so often, the right author, the right story, and the right moment converge for an altogether perfect reading experience— I’m happy to tell you Mohsin Hamid is that author, Exit West is that story, and this is the moment.” –Parnassus Musing

“While we’ve permitted ourselves to go soft, we can be thankful for the writers in the rest of the world who continue to write in the tradition of our greatest literary works. No surprise, then, that Mohsin Hamid belongs in that pattern… a writer celebrating the possibility of hope. That’s what makes his latest novel so profound.” –Counterpunch

“Political without being didactic and romantic without being maudlin… Exit West is a richly imaginative work with a firm grip on what is happening to someone somewhere right this minute.” –BookPage

“[A] thought experiment that pivots on the crucial figure of this century: the migrant… Hamid’s cautious, even fastidious prose makes the sudden flashes of social breakdown all the more affecting…Evading the lure of both the utopian and the dystopian, Exit West makes some rough early sketches of the world that must come if we (or is it ‘you’?) are to avoid walling out the rest of the human race.” –Financial Times

“[Q]uietly exquisite… A masterpiece of humanity and restraint, it is an antidote to the cruelty of a present in which those who leave the places of their birth seeking a better life are routinely demonized, imprisoned or left to die… There’s a lightness to the author’s lyricism, his every sentence fit to be whispered. It’s the language of daydreams, where the deeply desired intermingles with the plainly surreal.” –The Globe and Mail

“Hamid shows how determination cannot be crushed, that people have hope in desperation, and that their circumstances alter their lives immeasurably.” –Winnipeg Free Press

“Exit West operates on another plane… Beautiful and poetic even at its most devastating.” Book Riot

“Remarkably current and timeless … A haunting and heart-piercing novel that reminds us to be courageous and to handle our shared humanity with great care. This is required reading.” –Uli Beutter Cohen, Eye Level

“Raw, poetic, and frighteningly prescient.” BBC.com

“Spellbinding.” —Booklist (starred) 

“Timely and resonant.” Publisher’s Weekly, Top 10 Most-Anticipated Literary Fiction of 2017

“One of the most bittersweet love stories in modern memory…a book to savor.” Kirkus Reviews

“[H]eartbreakingly relevant.” Library Journal

 

https://www.amazon.com/Exit-West-Longlisted-Booker-Prize/dp/0241290090/ (I couldn’t find the e-book version in Amazon.com, the Dutch version kept coming up…)

https://www.amazon.co.uk/Exit-West-Longlisted-Booker-Prize-ebook/dp/B01LXKLSQ0/

Author Mohsin Hamid
Author Mohsin Hamid

About the author:

Mohsin Hamid is the author of three novels, MOTH SMOKE, THE RELUCTANT FUNDAMENTALIST, and HOW TO GET FILTHY RICH IN RISING ASIA, and a book of essays, DISCONTENT AND ITS CIVILIZATIONS.

His writing has been featured on bestseller lists, adapted for the cinema, shortlisted for the Man Booker Prize, selected as winner or finalist of twenty awards, and translated into more than thirty languages.

He was born in Lahore, Pakistan, and has spent about half his life there and much of the rest in London, New York, and California.

https://www.amazon.com/Mohsin-Hamid/e/B001J3MU1Y/

My review:

Thanks to NetGalley and to Penguin for offering me an ARC copy of this book that I freely chose to review.

This is another one of the books longlisted for the Man-Booker Prize (now I only have one left of the ones I discovered sitting on my list. I might even finish reading it before the short-list is announced, I believe on the 13th of September). In this case, like in a few of the previous ones, although the author, Mohsin Hamid, is fairly well-known, this is the first of his books I read. Some of the reviews compare it to his previous books, especially to The Reluctant Fundamentalist (I don’t know about the book, but I love the title, for sure), but I can’t comment on that. I can tell you that having read this book, I am curious to read more of his works.

This is another fairly peculiar book. Let me tell you beforehand that I really enjoyed it. Like many of the other books selected, the author seems to go out of his way to ignore most of the rules that those of us who read articles and books on writing are so familiar with. He tells a fair bit more than he shows (although there are some bits of showing that make up for it), he uses run-on sentences and paragraphs that sometimes go on and on (if you read it as an e-book, full pages). The punctuation of the said paragraphs is ‘alternative’ at best (quite a few reviewers have taken issue with the use of commas). And the genre is not well-defined.

The novel seemingly starts as a love story between two young characters, Nadia and Saeed, who live in an undetermined Middle-Eastern country. He is shyer, more serious, and has certain religious beliefs (although he is not obsessed or particularly orthodox). She wears a long, black robe, possibly as a protection (although her explanation of it varies throughout the story) but never prays. He comes from a happy and learned family; hers was well-off but not particularly supportive. They meet at a time when the political situation of their country is getting complicated, they almost lose each other and eventually, due to a tragedy, end up together, but never formally so. At some point, life becomes so precarious and dangerous that they decide they must leave.

The story, told in the third-person, that most of the time shares the point of view of one of the two protagonists (and briefly that of Saeed’s father), at times becomes omniscient, interspersing short interludes, which sometimes are full stories and sometimes merely vignettes, of characters that appear extraneous to the story. (And they are, although perhaps not).

The story up to that point, apart from these strange interludes, appears fairly realistic, if somewhat general (no specifics are shared about the country, and the narration is mostly circumscribed to the everyday experiences of the characters). Then, the characters start to hear rumours about some ‘doors’ that allow those who cross them to arrive at a different country. There is no explanation for this. It simply is. Is this fantasy, science-fiction (but as I said, there is no scientific explanation or otherwise, although the setting appears to be an alternative future, but very similar to our present. Extremely similar), or perhaps, in my opinion, a touch of magic realism?

People start migrating en masse, using the doors, most to remove themselves from dangerous situations, and despite attempts from the richest nations to control it, more and more doors are appearing and more and more people are going through them, and that changes everything. Many of the western nations end up full of people from other places, squatting in empty houses (like the protagonists do in London, Chelsea and Kensington to be precise), setting up camps, and the political situation worsens, with confrontations between the natives and the new arrivals, before a sort of equilibrium is reached. The two main characters move several times, and their relationship develops and changes too. (I am not sure I could share true spoilers, but I’d leave it to you to decide if you want to read it or not, rather than tell you the whole story).

The book deals with a subject that is very relevant, although it has been criticised for using the allegory of the doors to avoid discussing and describing one of the most harrowing (sometimes lethal) aspects of the experience of illegal immigrants, the passage. Nonetheless, this novel sets up a fascinating hypothetical situation, where there are no true barriers to the movement of people between countries and where all frontiers have effectively disappeared. What would actually happen if people were not waiting outside to come in, waiting for governments to decide what to do with them, but suddenly found a back door, and were here, there, and everywhere? What if they refused to leave? What would happen then?

I enjoyed some of the interspersed stories, some magical, some of discovering amazing possibilities, some nostalgic. I also loved the language and some of the more generalised reflections about life, people, and identity (like the different groups of people who claimed to being ‘native’ in the USA, for example). We observe the characters from a certain distance at times, but we are also allowed to peek into their inner thoughts and experiences at other times. Although we might not have much in common with either of them, we can easily relate to them and put ourselves in their shoes. We don’t get to know much about some of the other characters, but there is enough for the readers to imagine the rest and fill in the gaps.

The book meanders and at times seems to stay still, just observing the new normality, as if it was trying to tell us that life, even in the most extreme circumstances, is made of the small everyday things. A few quotations from the book:

Nadia had taken one look at Saeed’s father and felt him like a father, for he was so gentle, and evoked in her a protective caring, as if for one’s own child, or for a puppy, or for a beautiful memory one knows has already commenced to fade.

Every time a couple moves they begin, if their attention is still drawn to one another, to see each other differently, for personalities are not a single immutable colour, like white or blue, but rather illuminated screens, and the shades we reflect depend much on what is around us.

…and when she went out it seemed to her that she too had migrated, that everyone migrates, even if we stay in the same houses our whole lives, because we can’t help it. We are all migrants through time.

…the apocalypse appeared to have arrived and yet it was not apocalyptic, which is to say that while the changes were jarring they were not the end, and life went on, and people found things to do and ways to be and people to be with, and plausible desirable futures began to emerge, unimaginable previously, but not unimaginable now, and the result was something not unlike relief.

 

This is a book that questions notions of identity, beliefs, nationhood, family, community, race… It is dark at times, full of light at others, sad sometimes, and sometimes funny, and it is hopeful and perhaps even utopic (not something very common these days). I am not sure everybody would define the ending as happy (definitely is not the HEA romance novels have us accustomed to) but perhaps we need to challenge our imagination a bit more than traditional storytelling allows.

This is another novel that is not for everybody but perhaps everybody should read. If you are prepared to cross the door of possibility you might be amazed by what you find on the other side.

Thanks very much to NetGalley, to the author and to the publisher for this opportunity, thanks to all of you for reading, and remember to like, share, comment, click and REVIEW!

Categories
Guest author post

Seumas Gallacher. A star author and a king of social networking, Scottish style!

Hi all:

As you know on Fridays I bring you guest authors and new books. I have been spending plenty of time recently getting to know a bit better other bloggers, and although I have shared some of their blogs before, it occurred to me that many of the people whose blogs I read religiously are also authors but I had yet to bring them here. So it’s never too late and here I bring you one of them.

Seumas Gallacher. 

Seumas Gallacher. Blogger and writer extraordineur
Seumas Gallacher. Blogger and writer extraordineur

SEUMAS GALLACHER escaped from the world of finance five years ago, after a career spanning three continents and five decades.

As the self-professed ‘oldest computer Jurassic on the planet’ his headlong immersion into the dizzy world of eBook publishing opened his eyes, mind, and pleasure to the joys of self-publishing. As a former businessman, he rapidly understood the concept of a writer’s need to ‘build the platform’, and from a standing start began to develop a social networking outreach, which now tops 15,000 direct contacts.

His first two crime-thrillers, THE VIOLIN MAN’S LEGACY and VENGEANCE WEARS BLACK blew his mind with more than 75,000 e-link downloads to date. The third in what has become the ‘Jack Calder’ series, SAVAGE PAYBACK, was launched late 2013.

He started a humorous, informative, self-publishers blog less than two years ago, never having heard of a ‘blog’ prior to that, was voted ‘Blogger of the Year 2013’ and now has a loyal blog following on his networks. He says the novels contain his ‘Author’s Voice’, while the blog carries his ‘Author’s Brand’. And he’s LUVVIN IT!

Before I forget, here is his blog. It’s unmissable:

http://seumasgallacher.com/

The Violin Man's Legacy
The Violin Man’s Legacy

 

The violin man’s legacy

Thriller with bloody twists and turns as ruthless killers meet their match in a former SAS hit squad.

Jack Calder is an ex-SAS soldier working with former colleagues at ISP, a specialist security firm. He is sent to investigate a murderous diamond heist in Holland, but swiftly learns that there is a very strong Far East connection. He then travels to Hong Kong where he meets the glamorous chief of ISP’s local bureau, May-Ling.

Together they begin to unravel a complex web of corruption. The twin spiders at the centre of this web are the Chan brothers, leaders of one of Hong Kong’s most ruthless and powerful triad gangs.

The trail of death and mayhem coils across Europe, Hong Kong and South America until all the scores are settled.

http://www.amazon.com/Violin-Mans-Legacy-seumas-gallacher-ebook/dp/B005D7JNCQ/

Vengeance Wears Black
Vengeance Wears Black

Vengeance Wears Black

Jack Calder and his former SAS colleagues at ISP, a specialist security firm, are saved from certain death when an ex-Gurkha is killed smothering a deadly grenade thrown into a lunchtime Chinese restaurant in the West End of London. They learn that murderous turf wars are raging between Asian Triads and Eastern European mobsters vying for control of international fiefdoms of drug smuggling, people trafficking, prostitution and money laundering.

An unexpected visit from the highest levels of international law enforcement offers Jack and the ISP team a means to use their black operations skills to wreak a ruthless retaliation against the drug lords.

Unlikely partners emerge in their onslaught against the gangs as the warring criminal factions threaten an unholy alliance to repel them. The pursuit spins across Europe, Turkey and North Africa before a final reckoning.

http://www.amazon.com/VENGEANCE-WEARS-BLACK-seumas-gallacher-ebook/dp/B008H45KJC/

Savage Payback
Savage Payback

 

Savage Payback

A series of coordinated lethal bomb attacks on a dozen jewelry stores in London’s West End drag former SAS officer, Jack Calder and his specialist security firm, International Security Partners, into a deadly mesh of murder and international drug running.

A black ops explosives expert, an ex-colleague turned renegade mercenary with a twisted lust for revenge, emerges from the past to join forces with a powerful and dangerous drug baron from Eastern Europe.

A major cocaine trafficker from South America compounds the threats as competitive turf issues straddle international territories.

Attacks close to home heighten the urgency for Calder and his team to find and deal with each of the three sinister adversaries in a final savage payback.

http://www.amazon.com/SAVAGE-PAYBACK-Seumas-Gallacher-ebook/dp/B00G00GZEO/

Self-publishing steps to successful sales
Self-publishing steps to successful sales

Self-publishing Steps to Successful Sales

A self-publisher with over 75,000 sales/downloads explains in simple steps how he uses the social networks and ePublishing to enhance sales of his books on the Web and in hard copy.

http://www.amazon.com/Self-Publishing-Steps-Successful-Seumas-Gallacher-ebook/dp/B00JBL6K80/

And now, for a very good cause, Seumas has also taken part in a wonderful project.

Shadows and Light
Shadows and Light

Shadows and Light: To Benefit Women’s Aid

Product Description

37 stories from authors around the world. Coming together to aid the key UK charity Women’s Aid. Stories from some of the best in indie publishing around the world today, as well as a couple of big names. The tales within range from horror, noir, crime to a bit of Sci Fi and romance thrown in, all for your entertainment while helping make a difference and furthering the awareness of domestic abuse.

SHADOWS & LIGHT
A Ballard Tale
Andrew Scorah

Placebo
ANDREW VACHSS

The Battered Wife
Graham Masterton

QUITS.
SEUMAS GALLACHER

THE VALLEY OF THE SHADOW
DAVID EDGERLEY GATES

Daylight.
Kevin Holton

THE SAME OLD STORY
by Keith Dixon

WILLIAMS OF THE YARD
IN THE FOXBOROUGH CASE
By Andrew Peters

The Deaths of Andrea Ford
By
David Monk

Across the River
A Story by Samuel Dickens

THE DARE
By
Juliet B Madison

THE OTHER WIFE
~ By Absolutely*Kate

The Last Girl on Earth.
K.A. Hambly

The Summer of Penny Walsh
By Frank Sonderborg

Finding The Phoenix
By
Caitlin O’Connor

Black-Eyed Susan
By Thomas Pluck

The Blues Detective
The Affair of the Precious Packages
Andrew Peters

All Mine
By George Beck

Ruby Pendant
By Melissa Dougherty

Emily’s Valentine
Gerry McCullough

Killing in the Name of
Aidan Thorn

The Princess
The Fox & The Crow
William Rose

The Scent of Pancakes
By Tina Bausinger

The Man Behind the Curtain
By
Paul D Brazill

Doreen’s Tomorrows
by Gay Ingram

East Meets West
By
Jane Morris

THE VISIT

by Dana Wright

Heaven’s Scar
By
Caitlin O’Connor

Jane Unbound
By Kerry E.B. Black

Ellie
By Marie Bishop

LITTLE BROTHER
By
Cath Bore

Almost Christmas
by
Rayna L. Stiner

Floorboard Hoofbeats
By
Cass McMain

AN IRISH STORY
By
Roderick Craig Low

Accounts Payable
By
Hector Duarte Jr.

Through Two Unblackened Eyes
Linda Bonney Olin

http://www.amazon.com/Shadows-Light-Benefit-Womens-Aid-ebook/dp/B00MCY6CYK/

Thanks so much to Seumas for being such a sport, for his ongoing support of fellow authors and for his visit, thanks very much for reading, and you know what to do, like, share, comment, and of course, CLICK!

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