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#TuesdayBookBlog SHOOT THE MOON: AN ALTERNATIVE GAME OF HEARTS by Bella Cassidy (@BellaMoonShoot) Weddings, laughs, tears, romance and some hard-truths #RBRT

Hi all:

I bring you a bit of romance today. I don’t do that often, but I couldn’t resist this one. Blame Rosie.

Shoot the Moon by Bella Cassidy

Shoot the Moon: An alternative game of hearts by Bella Cassidy 

Tassie loves many things: her friends, her job, her garden. Even her first boyfriend. But there’s a kind of love she just can’t find.

Until, in losing everything, she sees what she needed most was there all along.

Sometimes it’s not the person you need to forget, but the person you need to forgive.

Shoot the Moon is the sweetest of bittersweet novels, combining two very different love stories. One of which will probably make you cry.

Tassie Morris is everyone’s favourite wedding photographer, famous for her photos of offbeat ceremonies and alternative brides. Yet commitment is proving impossible for Tassie herself, who cannot forget her first love.

When she’s sent to photograph a ceremony on Schiehallion – the Fairy Hill of the Scottish Caledonians – she meets Dan, who might be the one to make her forget her past. That is, until a family crisis begins a chain of events that threaten to destroy not only Tassie’s love life, but her entire career.

Set in a colourful world of extraordinary weddings, Shoot the Moon explores the complexities of different kinds of love: romantic love, mother love, friendship. And, ultimately, the importance of loving yourself.

“If there’s someone in your life whom you’ve never quite got over – perhaps this book could help explain one of the reasons why.”

 https://www.amazon.com//dp/B09D2DHZYG/

https://www.amazon.co.uk//dp/B09D2DHZYG/

https://www.amazon.es//dp/B09D2DHZYG/

Autor Bella Cassidy

About the author:

Bella Cassidy grew up in the West Country – reading contemporary romances, romances, historical novels, literary fiction… Just about anything she could lay her hands on. After a few years in London, working as a waitress and in PR and advertising, she went to Sussex to read English – despite admitting in her pre-interview that this rather sociable period in her life had seen her read only one book in six months: a Jilly Cooper.

She’s had an eclectic range of jobs: including in the world of finance; social housing fundraising; a stint at the Body Shop – working as Anita Roddick’s assistant; as a secondary school teacher, then teaching babies to swim: all over the world.

She’s done a lot of research for writing a weddings romance, having had two herself. For her first she was eight months pregnant – a whale in bright orange – and was married in a barn with wood fires burning. The second saw her in elegant Edwardian silk, crystals and lace, teamed with yellow wellies and a cardigan. Both were great fun; but it was lovely having her daughter alongside, rather than inside her at the second one.

https://www.amazon.com/Bella-Cassidy/e/B09D3CZX2M/

My review:

I write this as a member of Rosie’s Book Review Team (author, check here if you are interested in getting your book reviewed) and thank her and the author for this opportunity to read and review an early ARC copy of this romantic novel.

I am familiar with the name of the author but not being a big reader of romantic novels (I read the odd one and usually enjoy them, but in general prefer other genres and sometimes read them to take a break or when I need something different to my usual read) I hadn’t read one of hers yet. My mother is a big fan of shows about weddings and wedding dresses, and I thought the job of the protagonist promised some amusing adventures, and that was indeed the case, but there was much more to the novel than that.

The description of this novel is very accurate, and I think it gives a good indication of what readers can expect from it. This is a romantic novel, with a background in the world of wedding photos and wedding magazines (and it is eye-opening to realise how much insight a photographer can get into the lives and relationships of those she photographs), with some of the ceremonies taking place in wonderful settings all over the British Isles (or almost), from London, to Exeter, the Scottish Highlands, even New York (sort of), and with stops in Somerset and Shropshire, among other places. We also have wonderful contrasts between city and country life (managing a farm, cheese making, dog breeding… also make an appearance), and although most of the story is narrated in a chronological order (with some jumps forward in time) between 2014 and 2016, Tassie, the main protagonist, also remembers scenes from her youth and her recent past, and quite late in the book we get snippets of a diary set at a much earlier time (when Tassie was a very young child). I won’t go into a lot of detail, to avoid revealing too much, but there are secrets that help explain difficult family relationships and behaviours, and, most importantly, this is one of those novels that I would classify as an adult coming of age stories, because a character that seemed to have got stuck at a young age (much younger than their chronological age), finally gets to mature and grow up. Oh, and there is a touch of the spiritual/paranormal as well.

There are many other themes that pop up in the novel, and some are explored in more detail than others (faith and loss; the difficulties a couple can face when trying to have children, miscarriages, and the toll that takes on the mental health; coming out (or not) to your traditional family; issues of trust; family relationships and the secrets families keep; toxic relationships and how to get free from them; second chances and living our dreams…) but it is far from simply a light and amusing read that will leave you with a smile on your face. There is that as well (yes, it is a proper romantic novel, and there is a happy ending, I can tell you that, although you’ll have to read the whole thing to see how it comes about, and “happy” might look quite different to what we think when we start reading the novel), but there are some important subjects explored in detail in the novel. I recommend readers to not skip the section of acknowledgments at the end, as it gives a good insight into the process of creation of the novel, and it also provides some extra resources to people wanting to explore further some of the issues that play an important part in the book.

The novel, which is narrated in the third person but from Tassie’s point of view, has a fabulous cast of secondary characters. To be totally honest, Tassie isn’t my favourite. Other than Alex, her long-term love interest, and a couple of the characters that appear fleetingly at some of the weddings, she was probably the character I liked the least at first. I didn’t hate her, but although I loved her friends (Syd and Oliver are fabulous, and so are their partners, and there are many other characters that appear only briefly, like the reverend and mother of one of the brides, or Syd’s witch aunt [well, Wiccan. She has an owl! How could I possibly not love her?] that I would have happily read whole books about), she was one of those people I felt like shaking and telling her to get her head out of the sand and start really looking at what was going on around her and in her own life. Perhaps because I’ve had friends with similar issues, I felt closer to those trying to advise her and getting frustrated because nothing seemed to make a difference than to her and because even the wonderful adventure she lives in Scotland with Dan (who is great. Yes, another favourite of mine) seems to follow the usual pattern. The fact that the story is narrated in the third person helps readers get a bit more perspective and perhaps puts them in a privileged position to get a clearer picture of what is at stake, although events that happen later help move things along. And perhaps, the whole point of the story is to make us see that certain things can only get solved when we are brave enough to confront them, no matter what the likely outcome or how painful the process might be. So, yes, although I didn’t feel I had much in common with Tassie, and she wasn’t my favourite character, to begin with, she grew on me, and I felt sorry to see her go at the end.

Although some of the subjects are emotional (and yes, be prepared from some tears), the writing is fluid and dynamic, combining wonderful descriptions of places, people, and situations (some quite hilarious), with quiet moments of reflection and introspection, and the odd touch of magic. There is romance, of course, and although there is passion, this is not an erotic novel full of “hot” sex scenes (much to my relief, as I am not a fan), and most of what goes on take place behind closed doors, so those who prefer to get graphic and detailed blow-by-blow accounts will be disappointed. On the other hand, you have romantic locations, descriptions of gardens and home vegetable patches rides on horses, helicopters, leaking boats, and quite an array of weddings. As usual, those who want to know if the writing will be suited to their taste, are advised to check a sample.

I’ve already mentioned the ending, and as I said, things are solved in what I felt was a very satisfying manner, and I am not talking only about Tassie’s love life, but also about some of the other difficult relationships she and those around her have to go through. Not that it is an easy process, but this is one of the many beauties of this book.

In summary, I recommend this novel to anybody who enjoys romantic novels and is not looking for “hot” or erotic stories but prefers stories exploring complex relationship issues and providing good psychological insights into relevant topics. Fans of weddings and romances set in Scotland (the Scottish Highlands and the Isle of Sky, real towns and spots) will particularly enjoy this novel, and for those who like some extras, the author is promising a tour of the locations (on Facebook and Instagram).

Thanks to the author for this wonderful book, thanks to Rosie and her team for all the support, and thanks to all of you, of course, for reading, sharing, commenting, and please, keep safe and keep smiling!

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#Bookreview #RBRT THE SILENT KOOKABURRA by Liza Perrat (@LizaPerrat) Australia from the point of view of a child with an edge of creepiness and intrigue #TuesdayBookBlog

Hi all:

As you know, apart from my own reading and the books that authors kindly offer me for review, I review for some groups. Today I bring you one of the books I’ve reviewed for Rosie’s Book Review Team. If you’re a reviewer, I recommend you check her out as she always gets fantastic books and she’s very well organised.

Here it is:

Cover of the Silent Kookaburra by Liza Perrat
The Silent Kookaburra by Liza Perrat

The Silent Kookaburra by Liza Perrat
All eleven-year-old Tanya Randall wants is a happy family. But Mum does nothing besides housework, Dad’s always down the pub and Nanna Purvis moans at everyone except her dog. Then Shelley arrives –– the miracle baby who fuses the Randall family in love for their little gumnut blossom.

Tanya’s life gets even better when she meets an uncle she didn’t know she had. He tells her she’s beautiful and could be a model. Her family refuses to talk about him. But that’s okay, it’s their little secret.

Then one blistering summer day tragedy strikes, and the surrounding mystery and suspicion tear apart this fragile family web.

Embracing the social changes of 1970s Australia, against a backdrop of native fauna and flora, The Silent Kookaburra is a haunting exploration of the blessings, curses and tyranny of memory.

Unsettling psychological suspense blending the intensity of Wally Lamb with the atmosphere of Peter James, this story will get under your skin.

My review:

I write this review as a member of Rosie’s Book Review Team and I was provided with an ARC copy that I voluntarily chose to review.

The story —set in an Australia richly brought to life by the writing that describes landscape, animals, trees, food, furniture, cars, lifestyle and social mores— is told in the first person by Tanya Randall. Adult Tanya is back in her childhood cottage and a newspaper cutting from 1973, which her grandmother kept, makes her remember that time when she was only eleven. The story of adult Tanya frames that of her childhood memories, which take up most of the book (I had almost forgotten that fact until the very end of the story).

Young Tanya is quite innocent (of course, she doesn’t think so), overweight (she eats compulsively, seemingly to comfort herself when the situation gets difficult at home, when they call her names, when she has any upsets or… most of the time. There are long lists of biscuits and other foods she consumes at an alarming pace, well-researched for the period, although I’m not familiar with them), and loves her mother, father, cat (that she insists on walking as if it were a dog, even if that brings her even more unwanted attention), dog, true crime magazines, and her friend Angelina, although not so much her grandmother, Nanna Purvis.

Seeing (or reading) things from a child’s point of view is a good way to reflect on how adult behaviour might appear to children and how difficult certain things might be to process and understand. Her mother’s miscarriages and depression (that keeps getting missed until very late in the novel), her secret uncle’s devious behaviour (it’s hard to read the scenes of Tanya with her uncle, as she’s clearly craving for attention and we know from early on where things are headed, but Tanya doesn’t and she finds it more and more difficult to extricate herself from the situation). The author is excellent at making us share her point of view and her thought processes that create an atmosphere of dread and impending disaster. The dualistic life view of young children, for whom everything is black or white is reflected perfectly in Tanya’s reactions to her grandmother (whom at first she doesn’t like at all but later, as she realises she’s the only one to stick by her, goes on to become complicit with) and to her uncle, who goes from being perfect to being a monster (although the novel suggests that he had also been a victim).

The novel is not easy to classify, although it comes under the thriller label, but it is a psychological exploration of childhood, memory, tragedy, the lies we tell ourselves, and also a work of historical (albeit recent history) fiction, as it beautifully recreates the time and place (down details such as hit songs, records of the era, bicycles, toys, cars, magazines, foodstuffs, clothing and hairdos) and even historical events, like the opening of the Sidney Opera House. There is something of a twist at the end, and plenty of secrets, like in most domestic noir novels, but for me, the strong points are the way the story is told, and some of the characters. Nanna Purvis (who is a fantastic character and proves that grandmothers are almost always right) has old-fashioned ideas about relationships, sexuality, religion and race, but manages to surprise us and has good insight into her own family. Tanya reminded me of myself at her age (although I read other types of books, I was also overweight and wasn’t the most popular girl at school, and we also lived with my mother’s mother, although thankfully my home circumstances were not as tragic) and she tries hard to keep her family together. Her point of view and her understanding are limited, and her actions and frame of mind repetitive at times (she munches through countless packets of biscuits, pulls at her cowlick often, bemoans the unattractive shape of her ears, wonders if she’s adopted) as it befits a character of her age and historical period (so close but yet so far. No internet, no social media, no easy way to access information). Real life is not a succession of exciting events; even at times of crisis, most of our lives are taken up by routine actions and everyday tasks. Her mother’s sinking into depression and her bizarre behaviour, which is sadly misunderstood and left untreated for far too long, rang a chord with me as a psychiatrist. It is an accurate portrayal of such conditions, of the effect the illness can have not only on the sufferers but also on the family, and of the reactions of the society to such illnesses (especially at the time). Uncle Blackie is also a fascinating character but I won’t say anything else as I want to avoid spoilers. Although the setting and the atmosphere are very different, it brought to my mind some of Henry James’s stories, in particular, What Maisie Knew and The Turn of the Screw.

This is a great novel that I recommend to those who are interested in accurate psychological portrayals, reflections on the nature of memory, and books with a strong sense of setting and historical period, rather than fast action and an ever changing plot. A word of warning: it will be difficult to read for those with a low tolerance for stories about child abuse and bullying. If you’re a fan of good writing that submerges you into a time and place and plunges you inside of a character’s head, with an edge of creepiness and intrigue, this is your book.

Links:

https://www.amazon.co.uk/dp/B01MTV05MN/

https://www.amazon.com/dp/B01MTV05MN/

And here a bit about the author:

Author Liza Perrat
Author Liza Perrat

Liza Perrat

Liza grew up in Wollongong, Australia, where she worked as a general nurse and midwife for fifteen years.
When she met her French husband on a Bangkok bus, she moved to France, where she has been living with her husband and three children for twenty years. She works part-time as a French-English medical translator, and as a novelist.
Several of her short stories have won awards, notably the Writers Bureau annual competition of 2004 and her stories have been published widely in anthologies and small press magazines. Her articles on French culture and tradition have been published in international magazines such as France Magazine and France Today.

Spirit of Lost Angels is the first in the historical “The Bone Angel” series set against a backdrop of rural France during the French Revolution. The second in the series, Wolfsangel, set during the WWII German Occupation of France, was published in October, 2013. The third in the series, Blood Rose Angel, set during the 14th century Black Plague years was published in November, 2015.

The Silent Kookaburra, a dark psychological suspense novel set in 1970s Australia, was published in November, 2016.

Friends, Family and Other Strangers From Downunder is a collection of 14 humorous, horrific and entertaining short stories set in Australia, for readers everywhere.

Liza is a co-founder and member of Triskele Books, an independent writers’ collective with a commitment to quality and a strong sense of place, and also reviews books for Bookmuse.

Liza is available for virtual book club visits (via Skype) upon request.

Amazon author page:

https://www.amazon.com/Liza-Perrat/e/B008385OF2/

Thanks to the author and to Rosie Amber for this opportunity, to you all for reading and remember to like, share, comment and CLICK! Happy reading!

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