Did you know that 99% of the reading public never post a review for a book?
At Rosie Amber’s Book Review Team (six years and going strong!), we often look at ways to encourage more people to review. This autumn, Rosie has planned a Review-A-Book Challenge, with a great list of books to choose from, all free of charge to anyone serious about writing a review for her blog – and possibly joining the review team, if you enjoy the process.
Each day for a week or so, she will feature articles on how to write simple reviews, on choosing a star rating, and many more. The challenge is open to all, from experienced reviewers to those who have never written one. If this has piqued your interest and you would like to take a look at the books on offer, please click here:
I know I don’t usually publish any posts on Wednesday, but I wanted to make sure you heard the news from me and were able to join in the challenge. Don’t delay! (Oh, and you might recognise some of the authors of the books on offer. Just saying).
I bring you a book difficult to classify (I like those) and one I’m sure will intrigue a lot of you.
Draca by Geoffrey Gudgion
‘A terrific and compelling story which highlights mental and physical challenges that many who have served will recognise.’General Sir Nick Parker, Commander British Forces Afghanistan 2010
Draca was a vintage sailing cutter, Old Eddie’s pride and joy. But now she’s beached, her varnish peeling. She’s dying, just like Eddie.
Eddie leaves Draca to his grandson Jack, a legacy that’s the final wedge between Jack and his father. Yet for Jack, the old boat is a lifeline. Medically discharged from the Marines, with his marriage on the rocks, the damaged veteran finds new purpose; Draca will sail again. Wonderful therapy for a wounded hero, people say.
Young Georgia ‘George’ Fenton, who runs the boatyard, has doubts. She saw changes in Old Eddie that were more sinister even than cancer. And by the time Draca tastes the sea again, the man she dares to love is going the same way. To George, Jack’s ‘purpose’ has become ‘possession’; the boat owns the man and her flawed hero is on a mission to self-destruct. As his controlling and disinherited father pushes him closer to the edge, she gives all she has to hold him back.
And between them all, there’s an old boat with dark secrets, and perhaps a mind of its own.
Geoffrey Gudgion served for over 10 years in the armed forces, and made his first attempts at writing fiction during quiet moments on deployment. He later stepped off the corporate ladder, in the midst of a career in marketing and general management, specifically to release time to write. Freelance consultancy paid the bills. His first novel, Saxon’s Bane, reached #1 in Kindle’s ‘Ghost’ category, and he now writes full time.
Gudgion’s second novel, Draca, will be released by Unbound on 14 May 2020. Draca is also a subtle ghost story; a veteran with PTSD is haunted by his past, or perhaps simply haunted.
When not crafting words Gudgion is an enthusiastic amateur equestrian and a very bad pianist.
I write this review as a member of Rosie’s Book Review Team (authors, if you are looking for reviews, check here), and I freely chose to review an ARC copy of this novel.
I didn’t know Geoffrey Gudgion before I read this novel, but the description and the cover called me (a bit worrying when I think about it after finishing the book), and my reward was a fantastic read that combines many elements likely to interest a large variety of readers. Draca, the vessel of the title, is a haunting presence throughout the book. Old Eddie, its owner, was fascinated by old Norse mythology and his Viking heritage, and there are fragments from the Saga of King Guthrum (c a AD 875) heading each new chapter and telling a fascinating story of the Vikings’ incursions into Britain and their battles with the Saxons. This mythological background and the story of King Guthrum and his son Jarl Harald moves apace with the adventures of Draca and Jack, Eddie’s grandson and new owner of the sailing cutter. There are adventures that will delight those who love sailing (but also those who don’t. I haven’t done any proper sailing but have a soft spot for books and movies set at sea, and I’m sure I’m not the only one. Let me clarify that although there is ample evidence of knowledge and research on the topic of sailing, no expertise is required to enjoy the novel). The characters and especially the relationship between the male members of the Ahlquist fmaily, make for fascinating reading, as we have parents and sons of different generations with complex love-hate relationships, and they relive their conflicts on and off the ship.
Other themes are also explored and add to the overall interest of the novel: Jack, the main protagonist of the story, was a decorated Royal Marine who was severely wounded during the war, and now suffers from PTSD and is finding it difficult to adjust to civilian life. His flashbacks and his account of his experiences are realistic and compelling (not surprising when we take into account the author’s background), and it makes him a particularly sympathetic character. We also have romance (although the two characters seemed made for each other from the beginning, and I’m sure most readers will enjoy it, considering the background of both characters it seemed a bit too perfect for me, especially if readers are expecting a standard horror story); a woman with a gift for healing and for sensing things about people; and a paranormal element that I felt worked very well.
I think the description offers more than enough information about the plot, and I want to avoid spoilers. I think this novel cuts across a few genres. There are very realistic elements, in particular those depicting the psychological state of the characters, PTSD and obsession; there are also mythological and fantastical elements; paranormal/horror elements; sailing adventures; family relationships (a family saga, to a point); and a romance (there is some sex, but it is pretty mild and not very explicit, and people who follow my review know I don’t like erotica, so…). If I had to choose, I enjoyed the mythological/fantastical aspects of the story, the sailing adventure, and the realistic aspects, especially the relationship between the men, the most.
I have mentioned some of the characters already. The story is narrated in the third person, each chapter usually following the point of view of one of the main characters (Harry, Old Eddie’s son and Jack’s father, not a particularly likeable character and not somebody who evolves much during the novel, but he is not all bad either; Jack; and George, the main female character, who runs the boatyard and seems to combine characteristics of the caring female who would do anything for her man, with an independent and wise woman who tries hard to keep trouble at bay), interspersed with the Saga of King Guthrum and also, especially at the beginning, with fragments of Eddie’s diary, which help us understand more about the man and about Draca. We also meet Charlotte (Charlie), Jack’s wife, who is a very intriguing character, but her story is not developed in a lot of detail (and we don’t see things from her point of view), not is that of Jack’s mother, who seems to be an old-fashioned housewife and hardly has a voice of her own. We don’t see enough of Tilly, Jack’s sister, for her to play a part in the story (other than being a hindrance at times).
The writing is excellent. There are beautiful descriptions of sailing, not only of the act of sailing but also of the emotions it creates, and as I’ve said already, the psychological experiences of the characters, particularly of Jack are rendered in such a way that we can’t help but feel as if we were there, sharing in his anguish and feelings. There are lyrical passages that made me reread them again, and this is a book that combines an absorbing story that makes you keep turning the pages with a style of writing that demands to be savoured and enjoyed. I’ve highlighted many fragments, but I thought I’d share a couple to give you some idea of what to expect:
When the tide was just on the ebb it sucked at the beach below the cottage, a soft susurration at the limit of hearing. In the pre-dawn darkness it sounded like whispering, so human that he strained to distinguish the words.
Draca was a bit like some men she’d met who were handsome on the outside and dangerous on the inside. In that way, Draca was the opposite of Jack. He was dangerous on the outside but probably dead gentle on the inside, like he was wearing a suit of armour, or a shell, like a crab.
The ending… I think the author has managed to pull quite a trick there, because all the different elements come to a satisfactory ending (no, I’m not saying happy), and I enjoyed it, for sure. And it does not leave us hanging, so people who don’t appreciate cliff-hangers don’t need to worry… much.
The author mentions his sources (people and books) in his acknowledgments, and I was particularly happy to learn about Unbound, the first crowdfunding publisher, which made the book possible. The book also includes a list of supporters and patrons, and I will try to keep track of their future projects.
In brief, a great read, that I’d recommend to people interested in male family relationships, PTSD, and who don’t mind a touch of the paranormal and romance. Fans of sailing stories and those who love Norse mythology and Old Saxon history will enjoy it even more. There are some chilling and eerie moments, but the horror, such as it is, is mostly psychological, so this should not put off people who usually avoid the genre. I won’t forget Draca in a long time, and I’m sure if you read it you won’t, either.
Thanks to the author, the publisher and to Rosie and her team, thanks to all of you for reading, and remember to like, share, comment, click, review, smile, and always keep safe.
Today I bring you a pretty special reading experience. Follow down the rabbit hole if you dare!
The Strange Book of Jacob Boyce by Tom Gillespie
A spiralling obsession. A missing wife. A terrifying secret. Will he find her before it’s too late?
When Dr Jacob Boyce’s wife goes missing, the police put it down to a simple marital dispute. Jacob, however, fears something darker. Following her trail to Spain, he becomes convinced that Ella’s disappearance is tied to a mysterious painting whose hidden geometric and numerical riddles he’s been obsessively trying to solve for months. Obscure, hallucinogenic clues, and bizarre, larger-than-life characters, guide an increasingly unhinged Jacob through a nightmarish Spanish landscape to an art forger’s studio in Madrid, where he comes face-to-face with a centuries-old horror, and the terrifying, mind-bending, truth about his wife.
Tom Gillespie grew up in a small town just outside Glasgow. After completing a Masters in English at Glasgow University, he spent the next ten years pursuing a musical career as a singer/songwriter, playing, recording and touring the UK and Europe with his band. He now lives in Bath with his wife, daughter and hyper-neurotic cat, where he works at the University as an academic English lecturer.
Tom writes long and short fiction. His stories have been published in a number of anthologies, magazines and e-zines, including Amazon Bestseller FEAR: A Modern Anthology Of Horror And Terror – Volume 2, Emdash Literary Magazine, and www.eastoftheweb.com He is also a regular contributor to fridayflash.org.
Tom’s writing has been described as terse, minimalist, hyper- realistic and ambiguous, where layers of meaning are conveyed using a concise and economical style.
I write this review as a member of Rosie’s Book Review Team (authors, if you are looking for reviews, check here), and I freely chose to review an ARC copy of this novel. By the way, congratulations again on the 6th anniversary of the team! Keep going strong! In this case, I was sent an early paperback ARC copy, and I must say the cover is fantastic and the texture of the book is amazing as well. An experience in its own right.
This is the first novel by the author I’ve read, and I haven’t read any of his stories either, although I intend to check them out in the near future.
This is one of those books where the title truly suits the content. Yes, this is a strange book, a mighty strange book, and it is about Jacob Boyce. I don’t want to discuss the plot in detail (especially because I’m still trying to recover from its effect but also because I don’t want to spoil for everybody else), and I am not sure which genre it fits in. I started reading it and, at first, I thought it would be a book in the style of many recent novels, where there is a current mystery that somehow is linked to either an artwork, a book or another object that sends the main character traipsing along half the world chasing clues that in many cases are linked to the past (and History, in capital letters). The main character, the Jacob Boyce of the title, is a professor in Earth Sciences at Glasgow University who is researching his own theory, which he thinks will help predict earthquakes with more accuracy. So far, not so weird. But as we read, we discover that he has become obsessed by a painting, a baroque Spanish painting of uncertain origin (who the painter is, being the subject of some debate), which he somehow feels is connected to his theory. He becomes convinced that there is something peculiar about this painting, and it is to do with the application of a mathematical formula, which nowadays would be described as related to quantum physics. He becomes so obsessed by trying to find the links and the evidence to support his theory that he neglects everything else in his life: his job at the university, his marriage… And that results in his wife’s disappearance. He ends up in Spain, chasing both his wife and the painting, and there things get more and more bizarre. And I won’t say anything else about the plot. I’ve read some reviews that mention Vanilla Sky (I much rather the original Spanish movie, Abre los ojos [Open Your Eyes] by Alejandro Amenábar), Sliding Doors, and Shutter Island. Yes, I quite agree, and, if I had to describe it, I’d say that some part of it felt almost surreal and hallucinatory, a bit like if I had found myself falling down the rabbit hole, while in some other parts, the sparse style and factual narrative made it seem perfectly grounded and realistic. An unsettling (even ‘uncanny’ at times) combination. Mindboggling.
If I had to talk about themes, I’d mention: obsession (I know many people who dedicate themselves to research can become sucked in, and suddenly everything starts looking or feeling as if it is related to the topic you are studying and you see connections everywhere), guilt, loss, grief, the permeable and tenuous frontier between sanity and madness, between dedication and obsession, between anxiety and paranoia… And also the tenuous separation between reality and imagination, between real life and our dreams and nightmares.
The main character, as mentioned, is Jacob. Although the book is narrated in the third person, we spend most of the novel inside the protagonist’s head, we see things from his perspective, and he’s a fantastic example of the unreliable narrator. I tend to read mostly ebooks these days, and because this was a paper copy and I couldn’t read it as often as I would an ebook, it took me longer to read than would be the norm, and I confess I had forgotten the brief chapter (a kind of prologue) called ‘Inhale…’ which was from another character’s perspective. I later realised this was Sylvia, the mother of Jacob’s wife, Ella, and she comes back at the end as well (yes, the title of that chapter is ‘Exhale…’). Therefore, Sylvia’s point of view and story somehow frames the whole of the narrative, (a rather long and rarefied breath of air) but, as I said, most of the book is from Jacob’s point of view, and Jacob is the only character we get to know, although how well is subject to debate, but I won’t go into that either. He is not a dislikeable character, but like many protagonists who have become obsessed with a particular topic or search (think of Ahab in Moby Dick), their obsession can make them difficult to fully connect with. You either get entrapped in it and can’t help but follow them down that hole, or you wonder what the fuss is about. In this case, I found myself totally caught in it, and it’s one of those books where you end up having no idea what place is up or down, what is real or not, and don’t know if you can trust or believe in anything at all. There are other characters, but because we see them only (or mostly) through Jacob’s eyes, I didn’t feel as if I had a grasp of what they were like, and sometimes, due to the way the story is told, we get different versions of the same character, so, which one is (or might be) the real one, if any?
I’ve mentioned the third person point of view and the frame around the story as well. There are brief fragments in italics, which seem to be told from an omniscient point of view, between the main parts of the book, but these are short. The book is divided up into three parts. Part 1 and 3 take place in Glasgow, and part 2 in Spain, first in Barcelona and later in Madrid. The chronological order of events appears clear at first (although some of Jacob’s memories intrude into the narration), but… Well, I’ll let you read it to find out by yourselves. I’ve talked about the writer’s style before, and although I’ve marked a lot of the text, as I’m aware the book was due to go through more revisions and corrections before its release, I won’t share any specific quotes. There are parts of the text in Spanish, and I know some readers have wondered about that, worried that they might miss important aspects of the book, but let me tell you that, being Spanish, knowledge of Spanish is not required to understand the book. In my case, it kept sending me down wrong paths and making me question everything, so don’t worry. I’ve also seen people complaining about the use of mathematics and talks of formulae and proportions. Don’t worry about that either. I found the ideas challenging and fascinating, but it’s not necessary to be an expert on the subject to follow the book.
The ending manages to pull everything together, and it left me with the feeling (not uncommon with certain books and films, and I’m sure you know what I mean) that if I read it again, many things I found puzzling at the time would fit into the right place now, and I would be nodding my head all through the second read.
So, would I recommend it? If you enjoy being taken for a wild ride and falling into the depths of a complex mind trying to make sense of his life, then you should read it. This is not a standard mystery, and it has more in common with a psychological puzzle or even one of Freud’s case stories, where what is at stake is not what we might think at first. If you don’t mind experimenting and trying something new and are not looking for a straight and comforting read, I recommend you to dare to try this book. It won’t leave you indifferent.
Thanks to Rosie and her team for their support, thanks to the author for this opportunity, and thanks to all of you for reading, sharing, commenting, clicking, reviewing, and remember to keep safe and always keep smiling!
I bring you another book I’ve reviewed for Rosie Amber’s Book Review Team and loved it.
Season of Second Chances by Aimee Alexander
When leaving is just the beginning… The long-awaited novel of family, love and learning to be kind to yourself by award-winning, bestselling Irish author, Aimee Alexander.
Grace Sullivan flees Dublin with her two teenage children, returning to the sleepy West Cork village where she grew up. No one in Killrowan knows what Grace is running from – or that she’s even running. She’d like to keep it that way.
Taking over from her father, Des, as the village doctor offers a very real chance for Grace to begin again. But will she and the children adapt to life in a small rural community? Can she live up to the doctor her father was? And will she find the inner strength to face the past when it comes calling?
Season of Second Chances is Grace’s story. It’s also the story of a community that chooses the title “Young Doctor Sullivan” for her before she even arrives. It’s the story of Des, who served the villagers all his life and now feels a failure for developing Parkinson’s disease. And it’s the story of struggling teens, an intimidating receptionist, a handsome American novelist escaping his past, and a dog called Benji who needs a fresh start of his own.
Season of Second Chances is a heart-warming story of friendship, love and finding the inner strength to face a future that may bring back the past.
Perfect for fans of Call The Midwife, Virgin River, Doc Martin, The Durrells and All Creatures Great and Small. The villagers of Killrowan will steal into your heart and make you want to stay with them forever.
Aimee Alexander is the pen name of the award-winning, #1 Amazon best-selling, Irish author Denise Deegan. She writes contemporary family dramas about ordinary people who become extraordinary in crisis. Her novels have been published by Penguin Random House, Hachette and Lake Union Publishing.
Aimee lives in Dublin with her family where she regularly dreams of sunshine, a life without cooking and her novels being made into movies. She has a Masters in Public Relations and has been a college lecturer, nurse, china restorer, pharmaceutical sales rep, public relations executive and entrepreneur.
Join Aimee’s Newsletter to Receive:
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I write this review as a member of Rosie’s Book Review Team (authors, if you are looking for reviews, check here), and I freely chose to review an ARC copy of this novel.
This is another great find by Rosie and although I wasn’t familiar with the author (who also publishes under her real name, Denise Deegan), I’m convinced this won’t be the last time I read one of her books.
The description of the book does a good job of highlighting the main aspects of the plot: we have Grace, a woman escaping a difficult and dangerous marriage, with her teenage children, Jack and Holly, hopeful that returning back to the village where she grew up will offer them all a second chance. There awaits her father, Des, who is going through a major change in his life (he’s a recently retired family doctor suffering from early stages of Parkinson’s disease) and doesn’t know the ins and outs of Grace’s decision. Moving from Dublin to a small and sleepy village comes as a shock to Grace’s children, and she finds it difficult to confront the gossip and the expectations of having to step into her father’s shoes. But, this novel about second chances builds up slowly and we see that although not everything is ideal and there are misunderstandings and difficulties to be ironed out, Killrowan, the place and its community, is a place worth sticking with.
The novel touches on a variety of themes: abusive marriages and family relationships (and how difficult it is to walk out); starting over in a different place, picking up friendships and relationships, and rebuilding one’s life; the struggles of dealing with a chronic and debilitating illness; how much one’s self-identity can be enmeshed with our profession and our job; the differences between a big city and a small village; being a family doctor in a rural/village location; how teenagers feel when they have to move and be uprooted from school, friends…; the role animals play in helping us fit in a place and feel rooted; small community life, with hits highs and lows; and even a hint of possible romance(s). There are funny moments, plenty of heart-warming episodes, some scary and nasty shocks as well, some sad and touching stories, and even medical emergencies and action scenes thrown in. In her acknowledgements, the author highlights the process of her creation and her research and having read the novel, I can confirm that it has paid off. She manages to weave all the topics into a novel that brings the characters and the village to life, and I was delighted to read that she is thinking about a sequel. I’d love to go back to Killrowan and revisit the places and the characters that have also become my friends.
Alexander creates multi-dimensional characters easy to relate with. Grace doubts herself and is forever questioning her actions and doubting other people’s motive. Her self-confidence has suffered after years of being undermined and abused by her husband, and she feels guilty for uprooting her family, while at the same time experiencing the thrill of freedom. The novel is written in deep third person and allows us to see the action from different points of view. Grace’s point of view dominates the book, although we also see what her father, Des —another fantastic character who treads carefully and whose life suddenly regains a meaning when his daughter and grandchildren come to live with him— thinks and does, how both of Grace’s children, Jack and Holly, feel, faced with a completely different environment (Jack was the popular sporty type, while Holly had a hard time fitting in and had no friends other than her dog). We meet some fantastic characters in the community, like the scary (at least at first) receptionist at the doctor’s surgery; the butcher’s wife (a gossip with a big heart); Grace’s old pals, Alan (with some secrets of his own) and Ivonne; Benji, a wonderful dog that adopts the family; a handsome American writer; the wife of a local magnate (who reminds Grace of herself); Des’s old love; the local policeman; Grace’s partner at the doctor’s surgery and some of her patients, although not everybody is nice, don’t worry. We also get brief snippets of the events from some of the other character’s perspectives, not only the Sullivans, and that gives us access to privileged information at times. Although the different characters’ points of view aren’t separated by chapters, they are clearly differentiated, and I experienced no confusion while reading, quite the opposite. I enjoyed the opportunity to share in the bigger picture.
The writing style is fluid and flows well, without rushing us through the events, allowing us time to reflect upon events, enjoy the wonderful settings (the sea, the beach, the island, the pub…) and become acquainted with the location, the emotions, and the characters. The author knows well the area, and although Killrowan doesn’t exist (or, at least I couldn’t find it), it feels real (and some of the comments and attitudes Grace and her family experience reminded me of similar events I had witnessed in a small village I used to visit when I was younger) and it leaps from the pages. I confess to enjoying the style of the writing and feeling emotionally engaged with the story (I’d recommend having tissues handy). I’ve selected a couple of quotes to share, but as usual, readers might want to check a sample of the book to see if it suits their taste before purchasing it.
Here Grace is thinking about the family dog and how his death gave her the strength to finally leave her husband.
Benji was more than a dog. He was family. And her defender. Tiny little ball of fur rushing to the rescue. Or trying. Tiny little ball of fur that brought so much comfort to all three of them, Holly especially. Benji knew when they needed love and he gave it in spades.
Here Des is thinking about retirement.
What fool started the tradition of watches as retirement presents? Any thinking person would know that the last thing a man would want is to count all the time he now has on his hands.
Holly had just told her brother that their mother wanted to start over, and Grace realises her daughter is right.
Minutes ago, it had been to escape Simon, shake him off. But escaping Simon is still all about Simon. Grace sees that now. What she must do is start over. Because that is about Grace.
The ending is more than satisfying as well. Yes, not everything is settled and sorted in the end, but this is a book about new beginnings, and we leave the Sullivans and Killrowan to carry on merrily, getting to know each other and discovering what new changes and challenges life will bring. As I mentioned above, the author hints at a possible sequel, and I hope it comes to be.
This is a novel full of heart, friendship, a strong sense of community, and also heartache and personal growth. It is inspiring and comforting in these times when we have been obliged to live pretty enclosed lives. I agree with the TV series mentioned in the description (Call the Midwife one of my favourites), and I’m sure fans of any of those will enjoy this novel, which fits perfectly in the feel-good category, although that does not mean it hides from the most unsavoury aspects of life. There are menacing and dark moments, none too explicit, and I’d recommend it to anybody who enjoys stories with a heart, fond of Ireland and stories with an Irish background, and those who want a gentle read full of wonderful characters and a memorable community we’d all be happy to join.
Thanks to Rosie and all her team for their support, thanks to the author for her wonderful novel, thanks to all of you for reading and remember to like, share, comment, click, and keep reading, smiling, and always stay safe!
Miriam has one year to uncover Heachley Hall’s unimaginable past and a secret that only women can discover.
The life of a freelance illustrator will never rake in the millions so when twenty-eight-year-old Miriam discovers she’s the sole surviving heir to her great-aunt’s fortune, she can’t believe her luck. She dreams of selling her poky city flat and buying a studio.
But great fortune comes with an unbreakable contract. To earn her inheritance, Miriam must live a year and a day in the decaying Heachley Hall.
The fond memories of visiting the once grand Victorian mansion are all she has left of her parents and the million pound inheritance is enough of a temptation to encourage her to live there alone.
After all, a year’s not that long. So with the help of a local handyman, she begins to transform the house.
But the mystery remains. Why would loving Aunt Felicity do this to her?
Alone in the hall with her old life miles away, Miriam is desperate to discover the truth behind Felicity’s terms. Miriam believes the answer is hiding in her aunt’s last possession: a lost box. But delving into Felicity and Heachley’s long past is going to turn Miriam’s view of the world upside down.
Does she dare keep searching, and if she does, what if she finds something she wasn’t seeking?
Has something tragic happened at Heachley Hall?
Born in the Midlands, I grew up in East Anglia and am now firmly lodged in the North West of England. My first writing achievement was my Brownie badge and after that, I’ve never let go of the dream of becoming an author. Once a librarian and caretaker of books, I’m now a teller of tales and want to share with you the secrets that hide in the pages of my books.
Please stop by my website – rachelwalkley.com and find out more about my books in the making.
I write this review as a member of Rosie’s Book Review Team (authors, check here if you are looking for reviews) and thank her and the author for the ARC copy of the book, which I freely chose to review.
I love old mansions, old houses, and antiques, and that was one of the things that attracted me to this book, together with the mystery aspect of it. As I’m in the process of moving, and I’m dealing with a house sale, the topic felt timely, and I am pleased I decided to go with my gut feeling.
This book manages to combine quite a few elements that I love in stories. There is a lone female protagonist, Miriam, that has to face challenges (OK, she is not fighting with a sword, but she has to confront difficulties she has never had to deal with before) and she gets to learn plenty about herself in the process. There is an old mansion (there is more than a touch of the gothic novel) that hides mysteries and tragedies of old (there are rumours that it is haunted and… well, I’m trying not to include any spoilers in this review, so I’ll keep my peace). There are family secrets, both Miriam’s and those of previous occupants of the Hall, that Miriam feels compelled to investigate, to fully understand her legacy and her feelings about Heachley Hall. There is a small town with friendly folks (and some not so friendly) that help give the place a genuine feel. The struggles of Miriam to make a living as a self-employed illustrator of children’s stories made me feel particularly connected to the character. I also enjoyed the way her relationship with Ruth, an older woman, a client and now a friend, is portrayed. There is also an element of historical fiction, as later in the book Miriam has access to a document that covers past events in the house (again, I’m trying not to give too much away), and we get to experience the way time transforms the mansion and also see how much society has changed since the XIX century. Ah, and let’s not forget, there is also a very romantic love story. (And a paranormal element…)
Imagine getting stuck, alone, in a huge old house that is falling to bits, with hardly any money to make any renovations or even make it liveable, and having to stay there for one year and one day to receive your inheritance. Although money is initially a big draw for Miriam (she is not in a particularly good place and feels she should show people she can rise to the challenge), she is also intrigued about her aunt Felicity’s reasons for setting up such strange condition. She only remembers having visited her aunt a few times as a very young child, and it makes no sense. Like so many amateur detectives, she is like a dog with a bone and has to keep making enquiries, no matter how many times she seems to have hit a dead end.
I liked Miriam. Although she has suffered tragedy and losses as a young child, she has reached adulthood as a well-balanced individual. She does have insecurities and issues, but she does not allow any drawbacks to bring her down and keeps going. She becomes stronger and more determined as the book progresses, but she does not waste much time feeling sorry for herself (only a little bit). I enjoyed the rest of the female characters as well, and although we only learn about some in the retelling of their stories, the author manages to bring them to live and make us connect emotionally with them.
The story is mostly narrated in the first person by Miriam (apart from the document I mentioned before), and she is excellent at describing, not only people and places (she is an artist after all), but also her own feelings, doubts, and mental processes. Although I know not all readers are keen on first-person narratives, I think the author does an excellent job of creating an engaging and genuine character. She is no superheroine who can do everything as soon as she steps into the property (she gets some help with her project), and she gets distracted, forgets things, gets scared, but does not give up. The story ebbs and flows as the time passes and the mystery aspects kept me reading on, although this is not a fast-paced action novel. The writing is beautifully descriptive without going over the top, and although there are sad moments, there are also light and joyful moments its readers can enjoy.
The mystery aspect of the novel is well integrated into the narrative, and although I had my suspicions about what was going on, the story is beautifully constructed and precious, and it is very satisfying. If you are one of those readers who hate cliff-hangers and always feel that there is some explanation missing and you’d like to know a bit more, you’ll be over the moon when you read this novel.
I thoroughly enjoyed this novel, which combines so many of my favourite things, and I’d recommend it to people who enjoy gothic stories (it is not scary but it has some eerie moments), who love old mansions, mysteries without blood and guts (no explicit violence), who like to read a romance with a difference (no explicit sex either), and who like to make friends with the characters of a novel and feel at home with them. Although it does remind me of some books (Rebecca, Jane Eyre…) and movies, I don’t want to go into any detail to avoid spoiling the story for you. But do check it out if any of the things I’ve mentioned appeals. It’s a winner.
Thanks to Rosie Amber and to her whole team for their continued support, thanks to the author for her book, thanks to all of you for reading and remember to like, share, comment, click and REVIEW!
This is the second part (although it should be the first) of the post I published last week. Oh well, this is me we’re talking about, after all.
The Dry: The Sunday Times Crime Book of the Year 2017 by Jane Harper
‘One of the most stunning debuts I’ve ever read…Read it!’ David Baldacci
WINNER OF THE CWA GOLD DAGGER AWARD 2017 AMAZON.COM’S #1 PICK FOR BEST MYSTERY & THRILLER OF THE YEAR 2017 The Gold Australian Book Industry Award for Book of the Year Australian Book Industry Award for Fiction Book of the Year
WATERSTONES THRILLER OF THE MONTH
THE SIMON MAYO RADIO 2 BOOK CLUB CHOICE
SUNDAY TIMES CRIME THRILLER OF THE MONTH
‘Packed with sneaky moves and teasing possibilities that keep the reader guessing…The Dry is a breathless page-turner’ Janet Maslin, New York Times
WHO REALLY KILLED THE HADLER FAMILY?
I just can’t understand how someone like him could do something like that.
Amid the worst drought to ravage Australia in a century, it hasn’t rained in small country town Kiewarra for two years. Tensions in the community become unbearable when three members of the Hadler family are brutally murdered. Everyone thinks Luke Hadler, who committed suicide after slaughtering his wife and six-year-old son, is guilty.
Policeman Aaron Falk returns to the town of his youth for the funeral of his childhood best friend, and is unwillingly drawn into the investigation. As questions mount and suspicion spreads through the town, Falk is forced to confront the community that rejected him twenty years earlier. Because Falk and Luke Hadler shared a secret, one which Luke’s death threatens to unearth. And as Falk probes deeper into the killings, secrets from his past and why he left home bubble to the surface as he questions the truth of his friend’s crime.
And if you loved The Dry, don’t miss Jane Harper’s second novel Force of Nature, now available
It is hard to believe that this accomplished piece of writing, which returns again and again to the savage beauty of the landscape, is Harper’s first novel – Sunday Times, Crime Book of the Month January 2017
Wonderfully atmospheric, The Dry is both a riveting murder mystery and a beautifully wrought picture of a rural community under extreme pressure – Mail on Sunday Thriller of the Week, January 2017
The writing is fantastic, and the plot – where many mystery/thrillers fall short these days – was completely unpredictable in the best ways possible… Aaron Falk, returns to his hometown in Australia to mourn, and inevitably investigate, his best friend’s apparent suicide. What comes next is a series of twists and turns that will keep you guessing all the way until the end. I repeatedly found myself shocked and pulled in by Harper’s fast paced and engrossing writing. Truly a fantastic read and hopefully the first of many to come from Ms. Harper – An Amazon Best Book of January 2017, Amazon.com
One of the most assured crime debuts I’ve encountered in many years . . . It grips like a vice from first paragraph to last, atmospherically evoking the small town of Kiewarra . . . Told with heart-breaking precision and emotional power . . . If you read only one crime novel this year make it this one – Daily Mail
Solid storytelling that, despite a plethora of flashbacks, never loses momentum, strong characterization and a sense of place so vivid that you can almost feel the blistering heat add up to a remarkably assured debut – Laura Wilson, Guardian
A sad, beautifully told tale of lives regretted – The Times
‘Jane Harper’s fleet novel about a triple killing is packed with sneaky moves and teasing possibilities that keep the reader guessing…hard to believe this is her first novel… The Dry is a breathless page-turner…The dryness that gives the book its eerie title looms large in the novel’s finale, when certain kinds of weapons become even more terrible than those used to butcher the Hadlers. And a book with a secret on every page now has threats blooming everywhere, too. The Dry has caught the attention of Reese Witherspoon, who has a solid track record for spotting novels with strong movie potential. (Want some evidence? Gone Girl.) But Ms Hadler has made her own major mark long before any film version comes along – Janet Maslin, New York Times
Like True Detective set in the Australian outback…Amid the worst drought in a century, the tension and stifling heat running through the small town of Kiewarra crackle off the pages – Stylist magazine, this month’s most exciting new novels
Set in a small Australian town during a blistering drought, this creepy and tightly woven tale about a detective investigating a brutal triple-murder is getting huge global attention for all the right reasons – it’s brilliant! – Heat magazine
Pulse-thumping suspense… Building from the first page, rammed with atmosphere, suspicions, lies and tension, this is a first-class crime debut’ – Fanny Blake’s Great Reads, Woman & Home
Settle in a comfy chair and read . . . The Dry by Jane Harper. This gripping novel charts a policeman’s unwilling participation in the investigation of a terrible murder in the town of his youth, and is set to be the biggest crime release of 2017 – GQ magazine
Tipped to be one of the biggest novels of the year . . . a gripping read – Hello magazine
Jane Harper creates an atmosphere of simmering tension right from the off. Her version of High Noon in the Outback flickers between past and present to slowly reveal what actually happened between characters who are far more engaging than the cogs usually found in clockwork thrillers . . . A more than promising debut – Evening Standard
One of the most stunning debuts I’ve ever read. I could feel the searing heat of the Australia setting. Every word is near perfect. The story builds like a wave seeking the purchase of earth before it crashes down and wipes out everything you might have thought about this enthralling tale. Read it! – David Baldacci
One of the best crime debuts of 2017 – literary Broadchurch meets Top of the Lake – Joseph Knox, author of Sirens
There is something about isolated communities and secrets and lies that just really intrigues me and this is one heck of a thriller with all of those things and more . . . [this thriller] slowly bubbles like a pan on a stove and you think you can guess the moment when the pan lid is just going to explode. But it’s only been a little while since the water started to bubble, it’ll be ages yet…..then BOOM. I had my eye on that pan lid from the start and I didn’t guess what would happen. My heart is still beating like mad days after finishing the book – The Book Trail (via NetGalley)
You can almost feel the searing heat of the Australian drought in this intense, gripping, atmospheric tale. A compulsive read. – Kate Hamer, bestselling author of The Girl in the Red Coat
Put up your tray table, buckle your seatbelt, and sit back: you’ve found the right book for this flight. Set in the flash-ready tinder of a town going under, The Dry is a cracking good read that will have you hoping the pilot decides to circle the airport before landing. A hit by land or air. – Laura McBride, author of We Are Called to Rise
You will feel the heat, taste the dust and blink into the glare. The Dry is a wonderful crime novel that shines a light into the darkest corner of a sunburnt country – Michael Robotham, CWA Gold Dagger Winner, bestselling author of Life or Death
Every so often a debut novel arrives that is so tightly woven and compelling it seems the work of a novelist in her prime. That’s what Jane Harper has given us with The Dry, a story so true to setting and tone it seemed I fell asleep in Virginia only to wake in Australian heat. It’s rare, that sense of transportation, and I loved every minute of it – John Hart, New York Times bestselling author of Redemption Road
Terrific characters, unique and evocative setting, knockout plot construction. This book has it all – John Lescroart, New York Times bestselling author of The Fall
Every now and then an Australian crime novel comes along to stop your breath and haunt your dreams…There is about The Dry something mythic and valiant. This a story about heroism, the sins of the past, and the struggle to atone – Sydney Morning Herald
[A] devastating debut…From the ominous opening paragraphs, all the more chilling for their matter-of-factness, Harper …spins a suspenseful tale of sound and fury as riveting as it is horrific – Publishers Weekly, starred review
A mystery that starts with a sad homecoming quickly turns into a nail-biting thriller about family, friends, and forensic accounting. Debut author Harper plots this novel with laser precision, keeping suspects in play while dropping in flashbacks that offer readers a full understanding of what really happened. The setting adds layers of meaning. Kiewarra is suffering an epic drought, and Luke’s suicide could easily be explained by the failure of his farm. The risk of wildfire, especially in a broken community rife with poverty and alcoholism, keeps nerves strung taut… A chilling story set under a blistering sun, this fine debut will keep readers on edge and awake long past bedtime – Kirkus, starred review
A stunner…It’s a small-town, big-secrets page-turner with a shocker of an ending. .. – Booklist, starred review
The Dry is one of the most talked-about debuts of the new year….Harper’s story is tightly plotted and moves briskly, the tension as brittle and incendiary as the dried-out crops on the Kiewarra farms. But it is the beautifully evoked landscape and the portrayal of a gloomy outpost on the edge of a desert that are the stars of the show – BookPage
A firecracker debut . . . Journalist Jane Harper proves literary is often mysterious, with her thriller The Dry capturing readers’ attention both for its final twist and its depiction of a hostile small Australian town beset by drought – West Australian
It’s extremely rare and exciting to read a debut that enthralls from the very first page and then absolutely sticks the landing. Told with heart and guts and an authentic sense of place that simply cannot be faked, The Dry is the debut of the year – C.J. Box, #1 New York Times bestselling author of Off The Grid
A razor-sharp crime yarn dripping in the sights, sounds and smells of the Australian bush…The storytelling is accomplished, with a bald sparseness to the writing that draws you in and characterization that rings resoundingly true…as the action twists and turns, the pace build[s] to a fantastic finale that will leave you breathless – Australian Women’s Weekly
A tightly plotted page-turner that kept me reading well into the night…Harper shines a light on the highs and lows of rural life – the loyalty born of collective endurance in adversity, as well as the loneliness and isolation, and the havoc wrought by small-town gossip. She also explores the nature of guilt and regret, and the impact of the past on the present. In this cracker of a book Harper maintains the suspense, with the momentum picking up as it draws to its nerve-wracking conclusion – Australian Financial Review
In this exhilarating debut (which won the Victorian Premier’s Literary Award for an unpublished manuscript), Falk goes back to a town ravaged by feelings of resentment and distrust that are exacerbated by drought . . . A community psychologically and socially damaged, Kiewarra resembles Henry Lawson’s bush. Australian novelists such as Harper, in a small and select company, are exploring disquieting, imaginative territories, far from the littoral or metropolis – Weekend Australian
In Jane Harper’s debut The Dry, long-held grudges are thrown in the mix to make for an absolute tinderbox – and a cracking read. Harper has delivered a tense, evocative thriller that paints a stark picture of what desperate times can do to a community. She slowly reveals the deep-worn tensions between characters in the small town, and it’s this that makes The Dry such a good read . . . tension crackles . . . It’s not surprising that Reese Witherspoon’s production company, Pacific Standard, has already snapped up film rights for The Dry. It has some decidedly Australian aspects but Harper’s basic point – about the desperate things people will do in desperate times – is universal – Adeleide Advertiser
Atmospheric and riveting, this remarkable debut announces a significant new talent – Morning Star
Jane Harper is the author of The Dry, winner of various awards including the 2015 Victorian Premier’s Literary Award for an Unpublished Manuscript, the 2017 Indie Award Book of the Year, the 2017 Australian Book Industry Awards Book of the Year Award and the CWA Gold Dagger Award for the best crime novel of 2017. Rights have been sold in 27 territories worldwide, and film rights optioned to Reese Witherspoon and Bruna Papandrea. Jane worked as a print journalist for thirteen years both in Australia and the UK and lives in Melbourne.
This is a bit of a peculiar situation. After reading great things about this novel and requesting the author’s second novel Force of Nature (you can check my review here) from NetGalley, I had to read it quickly to take part on a blog tour. When I looked at other reviews, there were so many comparisons to the first novel (although it can be read as a standalone) that I felt I should read the first novel to make my own mind up. That means I will be comparing the first novel to the second, rather than the other way around. Sorry. Why do things the easy way when one can complicate matters?
There is no doubt that Harper knows how to set a story and how to take full advantage of the landscape, atmosphere, and characteristics of the place and the people. She sets the story during a terrible drought in Australia, specifically in Kiewarra, and has the main protagonist (who is also the main character in Force, Aaron Falk, a police detective specializing on fraud and financial crimes) return to his place of birth, twenty years after having left in unfortunate circumstances. The story is also told in the third person, mostly from Falk’s point of view, although we also have fragments, that are differentiated from the rest of the story by being written in italics, that go back to the events that happened many years back (the events that made Falk and his father leave town when he was an adolescent), and also to the more recent deaths. These fragments, also written in the third person, are told from a variety of points of views, although it is not difficult to know which character’s point of view we are sharing. (Some readers enjoy the style and others don’t, so I’d recommend checking a sample of the book before making a decision).
In this story, Falk is called to attend the funeral of his childhood friend, Luke, who has seemingly killed his wife and young son, and then committed suicide, only leaving his baby daughter (13 months old) alive. Luke’s parents are convinced that their son has not killed his family and himself, and ask for Falk’s help. The current killings bring back memories of the death of a young girl who was Falk and Luke’s friend and with it the suspicions of his possible involvement.
The mystery has some elements of the police procedural (as Falk joins forces with the new police Sergeant, Raco), also of the domestic noir (there are many secrets, mostly family secrets buried deep, and relationships that are not what they seem to be at first sight), and there are plenty of suspects, clues, red herrings, to keep us guessing. But the book does not follow a straight linear narrative, as I mentioned; it does go into plenty of detail about things that do not seem to be always relevant to the murders, and its pace is not what we are used to in more formulaic thrillers. It is slow and contemplative at times, and the past weighs heavily on the investigation (especially on those who have matters pending). Although most of the violence takes place outside the page, and this is by no means the most explicitly violent novel I’ve read (I’m difficult to shock, though), there is violence and it deals in pretty dark subjects, so be warned. Whilst in some crime novels, even very dark ones, there are light and humorous moments that help release tension; there is hardly any of that here. What we have are insightful and contemplative moments, which go beyond the usual snarky comments by the cynical detective.
As an example, a particularly touching comment by Barb, Luke’s mother, talking about the aftermath of her son’s death:
‘No-one tells you this is how it’s going to be, do they? Oh yes, they’re all so sorry for your loss, all so keen to pop round and get the gossip when it happens, but no-one mentions having to go through your dead son’s drawers and return their library books, do they? No one tells you how to cope with that.’
I thought the small town was realistically portrayed. The envies, the resentment, the discomfort of knowing that everybody is aware of everybody else’s business, and the prejudices and the tensions in a place where nobody can hide, and where you are never given the benefit of the doubt, felt true to life. Although I’ve never visited Australia, the dynamics of the place and its inhabitants, subject to major tensions due to the uncertainty the drought had brought to the local economy, create an atmosphere that is tense and oppressive, even if the story is not fast-paced.
The characters, in my opinion, are somewhat more clearly divided down morality lines in this novel than in the second, although it is not so evident in the beginning. Whilst in Force none of the characters come out of the book unscathed, and most of them are morally suspect, here there are good characters (although they might not appear to be) and some truly bad ones. Most of the characters (at least the good ones) carry a burden of guilt (in most cases for things they are not truly responsible for), whilst the bad characters seem unable/unwilling to take responsibility for their actions, no matter how cruel. As is the case for many investigators, Falk is also investigating his own past, and that is why he finds it so difficult to resolve the case. This process of rediscovery and personal digging will continue in the next novel. I would not say Falk is an immediately likeable character. I found him more consistent and easy to understand in the second book (of course, by then he had survived to the events of this novel, which would have had an impact on him), although he seems to come alive in some of his interactions with others (particularly Luke’s mother, a great character).
Overall, I felt the mystery part of the story is more intriguing and well-resolved here (even though the past case keeps interfering with the present; there are not as many loose ends and red-herrings here), although I did not mind that aspect of the second novel (that I found more morally complex). For me, this one is more of a novel for mystery lovers, especially for those who prefer to take their time and enjoy a different setting to the usual urban thriller. The second novel in the series pays more attention to how the story is told and to the characters themselves. But there is no doubt that Harper is a great writer and I’m sure we’ll keep reading her and about her in the future.
Ah, don’t miss this post with a recommendation of a book that people who have enjoyed The Dry might like (and I could not agree more. I love The Silent Kookaburra by Liza Perrat. You can read my own review, here).
Thanks to the author, to Cathy for her recommendation, to all of you for reading, and remember to like, share, comment, click and REVIEW!
‘I didn’t know danger was floating behind us on the breeze as we walked along the beach, seeping in through the windows of our picture postcard life.’
The year is 2024. A new social networking site bursts onto the scene. Private Life promises total privacy, with freebies and financial incentives for all. Across the world, a record number of users sign up.
A deadly virus is discovered in a little known African province, and it’s spreading—fast. The UK announces a countrywide vaccination programme. Members of underground group Unicorn believe the disease to be man-made, and that the people are being fed lies driven by a vast conspiracy.
Vicky Keating’s boyfriend, Dex, is working for Unicorn over two hundred miles away when the first UK outbreak is detected in her home town of Shipden, on the Norfolk coast. The town is placed under military controlled quarantine and, despite official assurances that there is no need for panic, within days the virus is unstoppable.
In London, Travis begins to question the nature of the top secret data analysis project he is working on, while in Newcastle there are scores to be settled…
This is the first book in the Project Renova series; the second, Lindisfarne, is due to be published in September 2017, with the final instalment in the middle of 2018. A collection of outtake short stories, Patient Zero, is in progress, and should be available around December 2017.
Terry Tyler is the author of fourteen books on Amazon, the latest being ‘Tipping Point’, the first book in her new post apocalyptic series. She is proud to be self-published, is an avid reader and book reviewer, and a member of Rosie Amber’s Book Review Team.
Her next book, ‘Lindisfarne’, the sequel to ‘Tipping Point’, should be available in September 2017. She would love to have a list of fascinating and unusual hobbies to include in her bio, but is too busy writing to do much apart from read and flop in front of Netflix when the document is saved for the day. Terry is a Walking Dead addict, and writes for one of their main fansites. She lives in the north east of England with her husband, and is still trying to learn Geordie.
Thanks to the author who kindly offered me an ARC copy of this novel that I freely chose to review.
I’ve known Terry Tyler, the author of this book, for a while, mostly through her reviews of other writer’s books (we seem to share a similar taste in novels and she’s partly responsible for my starting to read more historical fiction), but although I’ve been aware of her books for some time, and I’ve read very good reviews of them, I found it difficult to decide which one of them to read first. When she offered me a copy of her new novel, the first in a trilogy (and there is a story arc that develops through it, so no, you should not expect a conventional ending if you read this novel, and you should read the series in order if you want to fully understand the story), I took her up on the offer, as I could kill two birds with one stone. I’d read a novel that sounded very intriguing and I would also have read a work by an author I’d wanted to check out for quite a while.
This book is a post-apocalyptic novel set in the near future (2024 to be precise) in the UK. Although some of the specific locations are fictional, the author explains in a note at the end where the original inspiration for some of them came from, and indeed, some are real. The setting is one of the great achievements of the novel. For those of us who live in the UK, it is all too real and familiar (with the shops, facilities, political and social organisation, TV programmes, food, language, and even typical behaviours of the population) and that makes it, in many ways, scarier than novels that are set either in imaginary locations, or in vague settings, that in their attempt at representing everywhere sometimes become too unfamiliar and alienating. Another one of the things that differentiate this novel from others in the genre (and I’m aware that the author writes in many different genres and is mostly interested in the stories rather than the labels attached to them) is its attention to characters. Whilst many post-apocalyptic novels spend a lot of the time, either on the cause and the development of the said apocalypse or on descriptions of the new world and post-apocalyptic society, sometimes the characters are little more than superheroes that had not discovered yet they had special survival skills, and spend most of the novel demonstrating us their awesomeness. Although I am not an expert in post-apocalyptic novels, I have read some (the one I best remember in recent times is Station Eleven by Emily St. John Mandel) and I’d dare to say that some readers who might not usually read novels in this genre would enjoy this one.
The time frame of the story is somewhat fragmented. The novel starts plunging us in the middle of the action, as the two main characters, Vicky and her teenage daughter Lottie, are escaping from their town and the enforced isolation and transportation its inhabitants face due to the epidemic. The novel (mostly narrated in the first person by Vicky) then goes back to explain how the situation reached the ‘tipping point’ of the title. The first person narration makes us experience the story close and personal, whilst at the same time limiting the amount of information we get to what Vicky can get hold of. Although her partner, Dex, was well-informed and had been warning her about the world governments attempts at gathering information about the population through social media with shady intent, she always dismissed his concerns and now realises he might have been right all along. (As I have included the description of the novel and want to avoid spoilers, I won’t discuss the whole plot in detail, but let’s say population control is taken to the extreme).
As I have commented more than once regarding first-person narrations, there are readers who like them more than others, and often it depends on how we feel about the narrator. I must confess that on many occasions I found Vicky very annoying, especially at the beginning of the story. She refuses to believe anything that falls outside of her comfort zone, as if she was wearing blinkers; she is uncritical of official versions of the truth, despite her partner’s attempts at enlightening her. She has little confidence in herself (even when she acknowledges that she has brought up her daughter alone and has achieved much despite her difficult circumstances), and places a lot of responsibility and trust in Dex (although she does not share his ideas or even listen to him at times), her partner for the last six years. He is a fair bit older than her, savvier, and seems to be the one who has to make the decisions and who is expected to come up with answers and solutions to all the problems. (I thought the fact that when they moved they only kept a car, and now he’s the only one to drive and she has lost confidence in her driving seems to encapsulate their relationship). Of course, we do not know him directly, as we only have Vicky’s memories of him, and we learn later those might have been rose-tinted. From the little snippets we get, I found their relationship a bit difficult to understand, as they don’t seem to have much in common (as some of the other characters note, including her daughter) and we learn that she was quite naïve about him. But she grows and matures through the novel, and although, thankfully, she does not become Wonder Woman, she proves herself resourceful and capable, she dares to try new things and does whatever is necessary to ensure her survival and that of her daughter. I am curious to see how the character will develop in the coming books and also to find out what role she will ultimately end up playing (as the narration seems to be addressed at the readers at times, rather than just being something she is writing exclusively for herself).
I really liked Lottie. She is a credible teenager, determined where her mother is hesitant, flexible and adaptable while remaining a teenager, naïve at times, eager to discover who she is and what she likes, and to fight for her individuality and independence. She brings much of the humour to the story and the relationship mother-daughter is a joy to read (apocalypse or not).
There are some chapters told in the third-person by an omniscient narrator who gets into the head of different characters, some that will evidently play a part in future instalments of the series, and others that provide a clearer background and explanation of how and why everything developed.
The writing is fluid and flows well. The first-person narration is convincing and the reported speech patterns of the different characters are distinctive and help create a clear picture in the reader’s mind. The pacing is steady, at times faster (especially when there is an acute threat to deal with) but at others it slows down to allow for some moments of contemplation and reflection.
Although I said before that the story is not focused on the science behind the illness or on a blow-by-blow account of the spread of the epidemic, that does not mean we do not gain insight into the destruction the virus causes or how it results in a collapse of the usual niceties of civilisation, but rather that we see these on a small scale and from a human-sized perspective, that, if anything, makes it scarier, as it is easier to visualise how this could happen around us. And, as quite a few readers have commented, one feels very tempted to withdraw completely from social media after reading this book, so convincing its plot is.
This first novel in the Renova trilogy sets up the characters and the background situation for the rest of the series. I am intrigued by the number of diverse characters who are set to come together at Lindisfarne. Holy Island, a place I have visited, is fascinating, but not very large for such a crew of people, and it is not somewhere where one can easily hide or even escape from. The confluence of so many people with such different expectations and agendas is bound to be explosive, and I can’t wait for the next book, that luckily should be out in September 2017.
I recommend this novel not only to readers of post-apocalyptic literature, but also to those who enjoy stories that question our beliefs, our society, our values, and that are interested in people, their relationships, and the way they see themselves and others. I am sure this series will go from strength to strength and I look forward to the next two books.
Thanks very much to Terry for the book, thanks to all of you for reading, and remember to like, share, comment, click, and of course, if you read any books, REVIEW!
Today I have another one of the reviews I’ve written for Rosie’s Book Review Team. Don’t forget to check her blog and if you’re authors or reviewers, you might be even more interested and want to share your books or join the team. I know you’ll love this one.
“I swore that I would never go home,
but in the end, I had no choice.
I had to confront what happened.
And them too.
It was going be icky. And totally scary.”
Carol Prentice left Wheatley Fields to attend university in Manchester and not once did she return in four years. Her beloved father visited her whenever he could, but then he passed away and it was up to her to sort his affairs.
She could have done this from a distance, but a woman can run to the far corners of the earth, but, in the end, she can never escape herself.
She had to come home: There was no other choice.
Taking a job at a bookshop for the duration, she befriends Steve – an older man who looks like a wizard and who knows everything in the world.
Carol quickly encounters the demons that forced her to leave in the first place – including Toby, the raffish local villain, with whom she shares the most horrifying of secrets and whose very existence means evil and mayhem for everyone around. Especially the lovable Steve.
Carol finds herself in the middle of a war between the two men:
A war which can only have one victor.
Soon, she wishes she had never come home.
But by then it was too late.
Much too late.
Bio: Mark Barry is a multi-genre writer and novelist. His work includes the minor cult hit Ultra Violence about football hooligans at a small Midlands football club and Carla, a quirky, dark, acclaimed romance with shades of Wuthering Heights.
He is the co-designer of the innovative Brilliant Books project aimed at engaging the many, many reluctant readers amongst young people… He has one son, Matt, on the brink of University, with whom he shares a passion for Notts County Football Club.
Fast food, comics, music, reading, his friends on the Independent scene, and horse racing keep him interested and he detests the English Premier League, selfish, narcissistic people and bullies of all kinds.
I write this review as a member of Rosie’s Book Review Team and I was provided with an ARC copy of the novel I freely chose to review.
Although I had heard about the author and read quite a few reviews of his previous books, this is the first of his novels I have read so I can’t compare it to his previous work. I know from his comments in the book that it links to another one of his novels, Carla (I won’t mention how, first, because I haven’t read the other novel, so I can’t comment on how well or badly that works, and second, because I’m going to try very hard not to reveal any spoilers) but I can put at rest the minds of all readers who are in the same circumstances as me. This book can be read as a stand-alone, although I suspect you’ll feel as curious as I am about Carla once you finish reading this novel.
This novel is narrated in the first person by the eponymous Carol Prentice of the title. And yes, we get to know what the shiny coin means, but again, I’m not going to tell you. She’s a young woman; she’s just finished her degree at Manchester University and has to go back to her hometown because her father has passed away. She had avoided the town for several years (for good reasons as you’ll learn when you read the book) but she comes back to renovate the house and because the time has finally arrived to put her plan into practice. Of course, we don’t get to know about the plan until much later in the novel, but we have some hints throughout. She gets a job at a bookshop (so there are some interesting discussions about literature, mostly initiated by her boss, Steve, who is a connoisseur, not only of books but also of ales and many other things) and it’s not long before ghosts from her past come knocking. What at first appears to be a snotty and spoilt young man’s tantrum turns into a black hole sucking in everything and everybody. Almost.
The novel has some meta-fictional aspects. I’ve already mentioned the conversations about literature, psychology concepts (like the halo effect, perceptual closure), Steve was an author years ago back but did not make it and has strong opinions about popular literature and bestsellers (if you love James Patterson or Fifty Shades, look away now), and the author of this novel, Mark Barry, also makes a cameo appearance in it. As I said before, I haven’t read any of his other works but from some of the reviews, I get the sense that he has appeared in some others. He does not have a big part, and it reminded me of Hitchcock’s appearances in his movies (although Barry’s is a bit more significant than that).
As the novel is narrated in the first-person, we get a close look into the functioning of Carol’s mind and we get to know her better than other characters. She seems to focus a lot of her attention on how people smell (and it’s not always pleasant), what clothes they wear, and how they look. She has some annoying speech habits. There are plenty of ‘like’, ‘I so’, ‘totally’… Those appear not only when she’s talking to others but also when she’s thinking, despite the fact that she’s fairly articulate and perceptive in other ways. It might be funny for some readers and perhaps somewhat annoying for others, but it keeps her real and the story will hook everybody in and will make you keep reading no matter what. Carol says quite a few times that she cannot feel, that she observes things but does not feel them, and when we’ve gone over half the novel she eventually tells Steve why. I had my suspicions but the truth is worse. From her description of the events (that of course, I won’t reveal either) it becomes clear that she was experiencing them she tried to focus on anything but what was happening. She concentrated and observed objects, smells, décor, and it seems her current focus on describing things is a defence mechanism to keep events and people at bay, a way of remaining in control of what is happening as she felt powerless at the time. After her confession to Steve, the floodgates open and she starts feeling again, including acknowledging her complex feelings for Steve, that is difficult to know if they are projected from her need to have support as he becomes some sort of a father figure, or are genuine. She herself is not so sure.
Steve is the other character we get to know in detail, although of course always from Carol’s point of view and this is biased. She likes him from the beginning and he seems a genuinely nice man, much older than her, who’s tried many things and seems to have settled into a quiet life. He is not one for talking much about his feelings (he talks about everything else, though) and he is a recognisable and multi-dimensional character, with a strong sense of moral, that gets caught in a situation not of his making, but doesn’t seem willing or able to extricate himself from it.
Other than Carol and Steve, there aren’t many characters we get to know through the novel. There’s Toby, the baddy, a handsome and rich young man and a bully who believes rules and laws don’t apply to him; there’s also his father, and some other characters that only appear briefly (like the chief of police) but they aren’t as well developed. They only play a minor part in the drama and don’t hold that much of the narrator’s attention. By contrast, the town becomes quite a recognisable character in its own right, with its social mores, its politics and its royalty (so to speak).
The novel is written in a very colloquial way as pertains to the character narrating it (I’ve already mentioned the characteristics of Carol’s language) and there are plenty of references and words very local that might be a bit obscure to readers from outside the UK (or even the region) but that is part of what makes it so distinctive and vivid.
The novel offers quite a few surprises and reveals them slowly. I think most readers will have a variety of hypothesis about what’s going to happen, what the baddies will do next and what the plan is. I’m not sure many people will guess right and is an interesting and effective twist. This is a novel of revenge and just deserts that highlights the fact that there is always a price to pay. We might feel we need to exact revenge to be at peace but things are never quite as easy. With regards to what sets off what Carol describes as ‘the war’ it is pretty banal but, as she acknowledges, it’s not really about that and unfortunately other people get in the middle and end up becoming ‘collateral damage’. It did make me think of Hannah Arendt and her concept of ‘the banality of evil’. In this case not only about the evil person but about what sets it all off. It does not take much for some people to ruin a person’s life, just because they can… I’ve already mentioned the ending but I wanted to add that the ending is also a beginning.
I know I’ve been a bit cryptic about this novel but I had to be. I recommend it to those who like stories with psychologically complex characters, where the how is as important as the what, and to readers who’re looking for an author with a distinctive voice and style. (There is some violence, some talk about sex and disturbing content but none of it is extremely explicit or gore. It is more what we feel at the time of reading it than what is on the page.)
Thanks so much to Rosie and to the author, thanks to all of you for reading and remember to like, share, comment and CLICK!
Rich Marcello, the author of this novel, got in touch with me asking for a review. As the book sounded well-wroth a read but I was buried under a mountain of books, I agreed to review when I could and also made some suggestions as to other venues for reviews. Finally, I’m pleased to say I’ve read it.
Here, the novel, including the press release that the author kindly sent me.
The Beauty of the Fall by Rich Marcello
A TECHNOLOGY EXECUTIVE CHARTS A HIGH-RISK, UNCONVENTIONAL PATH WHILE GRIEVING THE LOSS OF HIS SON
Dan Underlight, a divorced, workaholic technology executive, suffers lingering grief over the death of his ten-year-old son, Zack. When Dan’s longtime friend and boss fires Dan from RadioRadio, the company that he helped create, he crashes and isolates himself.
Willow, a poet and domestic violence survivor, helps Dan regain his footing. With her support, Dan ventures on a pilgrimage of sorts, visiting Fortune 500 companies to flesh out a software start-up idea. He then recruits three former RadioRadio colleagues and starts Conversationworks, a company he believes will be at the vanguard of social change.
Guided by Dan’s leadership, Conversationworks enjoys some early successes, but its existence is soon threatened on multiple fronts. Will Dan survive the ensuing corporate battles and realize the potential of his company? Or will he be defeated by his enemies and consumed by his grief?
The Beauty of the Fall takes Readers on Intriguing Journey
In Rich Marcello’s new novel, The Beauty of the Fall, Dan Underlight, a divorced, workaholic technology executive, suffers lingering grief over the death of his ten-year- old son, Zack. When Dan’s longtime friend and boss fires Dan from RadioRadio, the company that he helped create, he crashes and isolates himself.
Willow, a poet and domestic violence survivor and advocate, helps Dan regain his footing. With her support, Dan ventures on a pilgrimage of sorts, visiting Fortune 500 companies to flesh out a software start-up idea.
When Dan returns home with a fully formed vision, he recruits the help of three former RadioRadio colleagues and starts Conversationworks, a company he believes will be at the vanguard of social change. Guided by Dan’s generative leadership, Conversationworks enjoys some early successes, but its existence is soon threatened on multiple fronts. Will Dan survive the ensuing corporate battles and realize the potential of his company? Or will he be defeated by his enemies and consumed by his grief?
This captivating, idea-driven novel appeals to readers who are interested in exploring a technology based solution to many of our current social problems, and to readers who are interested in father-son relationships, gender equality, and working through grief.
About the Author
Rich is a poet, a songwriter and musician, a creative writing teacher, and the author of three novels, The Color of Home, The Big Wide Calm, and The Beauty of the Fall.
As anyone who has read Rich’s work can tell you, his books deal with life’s big questions: love, loss, creativity, community, aging, self-discovery. His novels are rich with characters and ideas, crafted by a natural storyteller, with the eye and the ear of a poet.
For Rich, writing and art making is about connection, or as he says, about making a difference to a least one other person in the world, something he has clearly achieved many times over, both as an artist and a teacher.
“Few novels are as intelligent and relevant as The Beauty of the Fall. Almost none is as eloquent, compelling, heartbreaking, and ultimately, uplifting.” — Mark Spencer,
Faulkner Award winner and author of Ghostwalking
“Rich Marcello’s The Beauty of the Fall takes the reader on two intriguing journeys: the exciting coffee-fueled rise of a high-tech start-up and the emotional near-collapse of the man behind the revolutionary company, his personal journey through grief and healing.”
––Jessamyn Hope, author of Safekeeping
“Rich Marcello’s third novel, The Beauty of the Fall, intermixes poetry and prose fluidly throughout the manuscript, and in fact, incorporates poetry as one of its major themes. As a practicing poet, I was swept away by the lyrical language, the characters, and the unexpected twists and turns in the plot. Overall, a great and inspiring read!” — Rebecca Givens Rolland, author of The Wreck of Birds
I received an ARC copy of this book that I voluntarily review as a member of Rosie’s Book Review Team.
This beautifully written novel touches on many subjects that are important at different levels: some, like loss (be it the death of a child, a divorce, the loss of not only a job but also a life-project) can be felt (and there are heart-wrenching moments in the novel) understood and managed at a very personal level, others, like the role of communications technology (who must control it? Should it remain neutral or become involved in the big issues? Should it ally itself with governments or be creatively independent?) or domestic and gender-related violence, although no doubt having a personal component, also seem to require global solutions. This ambitious novel tries to give answers to many of these questions and it does so through a first person narrative interspersed with poetry.
The novel is narrated by Dan Underlight, whom we meet at a particularly difficult time in his life. His son died a couple of years earlier and he feels guilty about it (we learn the details quite late in the novel), he is divorced, and now, the technology company he helped to create, and by extension his business partner and the woman he’d been closer to than almost anybody else for many years, fires him. His job, the only thing that had kept him going, is taken away from him. He has no financial worries. He has a good severance pay, a huge house, two cars, but his life is empty. Through the novel, Dan, who still sees his son, has conversations with him and wants to start a project in his memory, meets many people. Most of them are enablers. He has known Willow, a woman who works helping women victims of domestic violence, and herself a survivor (although she doesn’t talk much about it, at least with Dan) for some time and eventually, their friendship turns into a romantic relationship for a while. He has also been attending therapy with Nessa, a very special therapist (as a psychiatrist I was very curious about her techniques, but working in the NHS in the UK I must admit I’d never even heard of a Buddha board) since his son’s death, and during his peculiar pilgrimage, he gets ideas, encouragement, and a few brushes with reality too.
Much of the rest of the novel is taken up by Dan’s creation of a new company, based on his idea that if people could converse about important subjects and all these conversations could be combined, they would reach agreements and solve important problems. As conversations and true communication in real life amount to more than just verbal exchanges, there are technical problems to be solved, funding, etc. I found this part of the novel engaging at a different level and not having much knowledge on the subject didn’t detract from my interest, although I found it highly idealistic and utopian (not so much the technical part of it, but the faith in the capacity of people to reach consensual agreements and for those to be later enforced), and I also enjoyed the underhand dealings of the woman who had been his friend but seemed somehow to have become his enemy. (I wasn’t sure that her character came across as consistent, but due to the subjective nature of the narration, this might have more to do with Dan’s point of view than with Olivia herself).
Dan makes mistakes and does things that morally don’t fit in with the code he creates for his company, or with the ideals he tries to live by (he is human, after all) and things unravel somewhat as life has a few more surprises for him, but, without wanting to offer any spoilers, let’s say that there are many lessons he has learned along the way.
As I said before, the language is beautiful, and the poems, most of which are supposedly written by Willow, provide also breathing space and moments to stop, think and savour both the action and the writing style.
First of all, let me confess I was very taken by this novel and I couldn’t stop reading it and even debating the points with myself (I live alone, so, that was the best I could do). I was also touched by both the emotions expressed and the language used. As a sensorial reading experience, it’s wonderful.
Now, if I had to put on my analysing cap, and after reading some of the reviews on Goodreads, I thought I should try and summarise the issues some readers have with the novel.
The themes touched are important and most people will feel able to relate to some if not all of them. Regarding the characters and their lifestyle, those might be very far from the usual experience of a lot of readers. Although we have a handful of characters who are not big cheeses in technology companies, those only play a minor part in the book. The rapid expansion of the technology and how it is used in the book is a best case scenario and might give readers some pause. Personally, I could imagine how big companies could save money using such technology, but charitable organisations, schools or libraries, unless very well-funded, in the current financial times when official funding has become very meagre, would have problems being able to afford it all, and that only in theoretically rich countries. (The issue of world expansion is referred to early on in the project but they decide to limit their ambitions for the time being).
Also, the fact that issues to be discussed and championed were decided by a few enlightened individuals (although there is some debate about the matter) could raise issues of paternalism and hint at a view of the world extremely western-centred (something again hinted at in the novel). Evidently, this is a novel and not a socio-political treatise and its emphasis on changing the US laws to enforce legislation protecting equality, women’s rights and defending women against violence brings those matters the attention and focus that’s well-deserved.
For me, the novel, where everything that happens and every character that appears is there to either assist, hinder, or inspire Dan (it is a subjective narrative and one where the main character is desperately searching for meaning) works as a fable or perhaps better a parable, where the feelings and the teachings are more important than the minute details or how we get there. It is not meant to be taken as an instructions manual but it will be inspirational to many who read it.
In summary, although some readers might find it overly didactic (at times it seems to over-elaborate the point and a word to the wise…) and might miss more variety and diversity in the characters, it is a beautifully written book that will make people think and induce debate. This is not a book I’d recommend to readers that like a lot of action and complex plots, but to those who enjoy a personal journey that will ring true with many. It is a touching and engaging read to be savoured by those who enjoy books that challenge our opinions and ideas.
Thanks to the author and to Rosie, thanks to all of you for reading and remember to like, share, comment and CLICK!
Today is Friday and usually (although I’m not sure anything is usual anymore) I bring you new books on Friday. Today, I bring you a thriller by a writer I know better as a reviewer (very sharp and I follow her recommendations to the letter), Terry Tyler. Although I’m very intrigued by her work, so far I haven’t managed to read any of her books, but when I read about her new novel, I was sure you’d be interested. Here it is:
The Devil You Know by Terry Tyler
Every serial killer is someone’s friend, spouse, lover or child….
Young women are being murdered in the Lincolnshire town of Lyndford, where five people fear someone close to them might be the monster the police are searching for.
One of them is right.
Juliet sees an expert’s profile of the average serial killer and realises that her abusive husband, Paul, ticks all the boxes.
Maisie thinks her mum’s new boyfriend seems too good to be true. Is she the only person who can see through Gary’s friendly, sensitive façade?
Tamsin is besotted with her office crush, Jake. Then love turns to suspicion…
Steve is used to his childhood friend, Dan, being a loud mouthed Lothario with little respect for the truth. But is a new influence in his life leading him down a more sinister path?
Dorothy’s beloved son, Orlando, is keeping a secret from her—a chilling discovery forces her to confront her worst fears.
When you read a new Terry Tyler novel, the only thing you can count on is that you can’t count on anything. I can think of very few other authors who change and mix genres so regularly that it’s become their definition. Her latest novel, The Devil You Know, is no exception.
The book opens with a prologue as a young woman named Dora flashes back to the heartbreaking steps leading to her realization that she’s about to be murdered. Chapter One then goes back in time to a year earlier, as the news breaks of a body—the third one in six months—found in the local river Lynden in South Lincolnshire, England. Slowly, local residents realize that one of them, perhaps someone they know, is a murderer, one who will most probably strike again.
At this point in the usual detective series, the search for a serial killer would belong to a damaged detective (probably Swedish, with a drinking problem and a history of failed personal relationships). Or perhaps it would be a beautiful young woman, torn between two love interests as she’s stalked by the killer. Or the detective could even be an old lady (bonus points if she knits), or a quirky heroine with a quirky best friend (probably gay)—but either way, cupcakes and cats would certainly be involved.
Oh, wait—this is a Terry Tyler book. That means that there are only two things you can be sure of: it will be character driven, and those characters will steadfastly refuse to be trapped in genre tropes. She starts with the premise: what if there are several reasonable people who have looked at the evidence—the generic composite drawing, the opportunity, the motive—and realize that it all points to someone in their own life? How long will they resist that knowledge, knowing that delay might mean more deaths?
One thing many detective stories have in common—a staple, in fact, of the police procedural—is the bit where they talk about all the nut cases who call in “tips” after hearing about the crime. But in fact, the reality is that many crimes are solved by those closest to the criminal. Ted Kaczynski, the Unabomber, was a brilliant murderer who successfully eluded police until named by his brother David, who later wrote: “It was a feeling of being trapped – trapped in this brother relationship, trapped in this dilemma in which people’s lives were at stake either way. One way, if we did nothing, another bomb might go off and more people might die. The other way, I turned Ted in and he would be executed.”—David Kaczynski for The Guardian
Thus the book’s chapters will each be owned by a specific character. Juliet is a middle-aged housewife whose bullying husband beats and demeans her, even as she tries to hide her shame from her sons and the world. Steve is a shy young man who has always depended on his best friend, Dan, despite his growing concern about Dan’s new friends and their criminal ties. Tamsin is a young professional in love with a colleague who she realizes has taken advantage of her. Dorothy is an older woman, a single mother who has raised her beloved son with humor and grace, but who discovers he’s keeping a big part of his life secret from her. Maisie is the teenager who is so close to real life girls I’ve known (and been) that it’s almost eerie. She’s a mix of self-centered, generous, loving, selfish, wildly imaginative, and naive—convinced that she knows so much about the world, but mystified about the way it really works.
And in between, we get glimpses of the other two main groups of actors: the victims, and the baffled police. But the story doesn’t belong to them; it actually lives inside the heads of each of the amateur detectives. And that’s where Terry Tyler shines. As we share each of their chapters, we see the logic building to each one of their conclusions that the killer is the person so central to their lives. And, in a unique touch, we see the aftermath of that decision for each character.
One of the most difficult things a writer can do is convincingly switch point of view, changing voice and pace and world view for each character. To then show each and every one of these characters—as they change and develop, as they fight the realization of what speaking up might mean, and as they grow toward their own personal moment of truth—is the sign of a master writer. To do it with flawless command and ownership—inviting the reader to try to guess which door hides a killer and which is just a mirror of the character’s own fears—is a unique and incredible feat. And even more, to make all that seem so natural that the reader doesn’t really question each character’s chain of logic or stop to second guess the plot? That is Terry Tyler’s particular brand of genius.
Oh my! I just don’t know where to start. I suppose at the beginning. I love Terry’s books and I am one of her Twitter stalkers too – in a good way! I am just so glad that I have found her. An absolutely lovely lady and an absolute gem of a writer. The Devil You Know had me at page 1. The story delves into the various lives of different people and it keeps you guessing from the beginning. I love and feel the poor and downtrodden Julia. For goodness sake, woman, do something about your life! I just want to inject her with a backbone. Does she find one? Steve seems quite a lonely and laid back character. Will he have a happy ending? Is there more to him than there seems? The book just comes to life with all of the side stories whilst not losing the essence of the plot. I totally love Terry’s music references that pop up in her books – Nik Kershaw lol! Wonderful. If you want an amazingly good read about murder, prostitution and intrigue and to love/hate lots of well written characters, please buy this book today. No, I’m not on commission but yes, don’t miss out. ⭐️⭐️⭐️⭐️⭐️
Dora had been promised a job in England but her brother knew better. He pleaded with Dora not to trust the man who made the promises but she laughed off his concerns, believing she was in control of the situation and not in any danger. Dora found out to her cost her brother had been right. She paid the ultimate price for her naiveté.
Twelve months earlier and a third body has been discovered in Lyndford raising the possibility of a serial killer at large. The story is driven by the characters, told from several perspectives and very cleverly woven together.
Juliet is an abused wife who believes her husband, Paul, lies to her about his evenings out, and after listening to an expert on the news report describe common personality traits of serial killers, she realises most of them could apply to Paul.
Steve has doubts about Dan, his childhood friend, who seems to have changed, and not for the better, since he’s become thick as thieves with AJ. Steve is suspicious of AJ and believes he brings out Dan’s worst characteristics.
Tamsin, who works for the Lynford Echo, has become fixated with Jake after a one night stand. Unreciprocated feelings lead to retaliation in the form of questionable implications.
Teenager Maisie dislikes and distrusts her mother’s new boyfriend. He’s too ingratiating by far and she doesn’t believes the excuses he comes up with to cover his absences.
Dorothy is a single mother. She and her adult son, Orlando, are very close but Dorothy suspects Orlando is keeping something from her. Her conflicting emotions prompt her to do something that, under normal circumstances, she would never even have dreamt of. But these are not normal circumstances.
Meanwhile more murders are being committed.
I love Terry Tyler’s books, she always manages to add a different slant on a theme, and make me feel for her characters. This story is definitely no exception. A psychological, serial killer drama with the distinctive, complex characterisation and skilful, engaging writing this author excels at. The narrative is dark and the plot very well executed, building up to a dramatic conclusion – which I didn’t guess because by the end I’d laid the blame on every one of the suspects. And then, just when you think it’s all over….
The story incorporates elements of power, jealousy and love, among other things, and shows Terry Tyler’s spot on grasp and understanding of people and situations. The composition of the story works really well, with each segment building the suspense and anticipation. A refreshing and compelling interpretation of a serial killer story.
My review is based on an advance copy from the author/publisher. This does not affect my opinion or the review content.
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