Book review Book reviews

#Bookreview ANATOMY OF A SCANDAL by Sara Vaughan (@SVaughanAuthor) A great courtroom drama/psychological thriller that will keep you thinking #MeToo

Hi, all:

This is a book that I’d recommend to those of you who prefer non-seasonal reads this time of the year. The book kept me thinking, and I’ve decided to add a reflection that I did not think belonged in the review (I know my reviews are legendary for their length, but there have to be limits!) beforehand, that will give you a bit more background into some of my comments at the very end.

First I’ll share the cover. I don’t want to keep the mystery for too long….

Anatomy of a Scandal by Sarah Vaughan
Anatomy of a Scandal by Sarah Vaughan

The truth is a tricky issue. Rightly or wrongly, adversarial advocacy is not really an inquiry into the truth’…’Advocacy is about being more persuasive than your opponent… You can win even if the evidence is stacked against you provided that you argue better. And it’s all about winning, of course.’

This quote, early on in the book, belongs to Kate, who remembers something one of her teachers at Law School told her. This got me thinking and reminded me of something I knew but I learned more about when I studied Crimonology and the Criminal Justice System. (Yes, I have an MSc in Criminology, in case you’re wondering). There are different types of Criminal Justice Systems, and while the UK and the US have an adversarial system, as the quote mentions, other countries, like Spain, have an inquisitorial one, where the judge is supposed to gather evidence to establish the truth. (Although trial by jury is being introduced in some cases, the system is different in spirit, if nothing else). If you are curious about what that would look like, I recommend a fantastic Argentinian movie that won the Oscar to the best foreign movie a few years back (and I think was going to get an English language version, but please, stick to the original), El secreto de sus ojos (The Secret in Their Eyes). This reflection is also relevant to my comment at the end of the review about a case that has horrified people in Spain and shows how important defining certain types of crimes (in this case sex crimes), and updating the law, can be. You might have heard of La manada and the case. If you haven’t, you can check here, but a word of warning, you are likely to get upset if not enraged.

And now, let’s resume our usual programme…

Here is the description of the book:

‘People are calling this the new Apple Tree Yard, but I’d beg to differ – fast, pacy and with enough twists and turns to keep you gripped right to the end, I’d argue its infinitely better’ The Pool
‘Well-written, pacy and full of twists and turns’  Independent
‘Gripping. A savage indictment of class, privilege and toxic masculinity in Britain … Almost impossible to put down’ Louise O’Neill
‘Deftly plotted … with an eerie relevance to the current debate surrounding the attitudes to and experiences of women in Westminster, Hollywood and beyond’ Laura Barnett
‘The best courtroom drama since Apple Tree Yard … sensational’ Clare Mackintosh

A high-profile marriage thrust into the spotlight. A wife, determined to keep her family safe, must face a prosecutor who believes justice has been a long time coming. A scandal that will rock Westminster. And the women caught at the heart of it. 

Anatomy of a Scandal centres on a high-profile marriage that begins to unravel when the husband is accused of a terrible crime. Sophie is sure her husband, James, is innocent and desperately hopes to protect her precious family from the lies which might ruin them. Kate is the barrister who will prosecute the case – she is equally certain that James is guilty and determined he will pay for his crimes.

‘A compulsive read with completely layered characters. Superb’ John Boyne
‘I love it when a book lives up the hype – and this one does. It is quite shockingly good’ Sun
‘This page-turning novel reveals the precarious nature of existence as the seemingly perfect lives of Sophie and her husband James unravel… The author anatomises in gripping fashion the inner workings of the corridors of power, as well as the hidden recesses of the mind and heart’ Anita Sethi, The Observer
‘This clever plot raises many issues of the moment” – Marcel Berlins, The Times
‘Once the trial of MP James Whitehouse starts, you could not have prised the book from hands for love or money’ Jake Kerridge, Sunday Express 
‘A plot that is so deftly constructed, you’ll feel as if you’re on a roller coaster wearing a blindfold. It’s an absolute masterpiece – prepare to be very impressed’ heat
‘A lot of reviews claim that a novel has them ‘hooked from the start’ – but with this story, it’s painfully true … The thorny issue of consent is tackled sensitively, while exploring the consequences of the case on both women and the past demons it exposes’ Grazia
‘One of the best books you’ll read this year’ Closer
‘Sarah Vaughan drip feeds revelations while exploring the power and privilege of political elite’ Good Housekeeping
‘Think last year’s drama Liar with a dash of Apple Tree Yard’ Sunday Mirror: Notebook
‘A timely thriller about marriage, but also about power, who wields it, and how that affects who we believe’ Stylist


Author Sarah Vaughan
Author Sarah Vaughan

About the author:

Sarah Vaughan read English at Oxford and went on to become a journalist. She spent eleven years at the Guardian as a news reporter, health correspondent, and political correspondent. She left to freelance and began writing fiction the week she turned forty. Her debut novel, The Art of Baking Blind, published by Hodder & Stoughton, St. Martin’s Press, and in seven other languages, was the result. The Farm at the Edge of the World was published in June 2016 and will be published in Germany and France. Sarah lives in Cambridge with her husband and two children.

My review:

Thanks to NetGalley and to Simon & Schuster UK for providing me an ARC copy of this book that I freely chose to review.

I got a copy of this book a while back, but I must confess it got buried under tonnes of other books at a time when there were many things on my mind. I kept seeing the book here and there but wasn’t even sure I had a copy any longer. Eventually, as it always happens at the end of the year, I saw a list with recommended reads for the year that ends, with this novel featured prominently, and it was the push I needed to start reading it. I apologise for the delay because it was well worth a read.

The book opens up the 2nd of December 2016, is set in the UK, and is mostly narrated chronologically by a collection of characters. Kate, a QC (the prosecution lawyer in other countries) working in London tells of her experience in court, prosecuting sexual crimes, in the first person. The rest of the characters’ perspectives we get are narrated on the third person, and include those of Ali, a friend Kate met while she was a college student; Sophie, the wife of a junior conservative minister, James, and now stay at home Mum; James himself, the only male account, an upper-class man who always knew his future was golden, and Holly, whose narration starts in 1992, in Oxford. She is a fish out of the water, a young girl from the North, from a modest family, who has managed to get into an Oxford College to study English with a grant, and she suffers a cultural shock at first, although later things seem to look up until… (No spoilers here). It takes a while for all the strands of the story to fit together, although we soon realise there are some coincidences, and some of the people whose narrations appeared disconnected at first, had crossed paths years back.

The author, who as a political journalist has more insight than most people into what goes on in political office and in the government, provides a detailed and totally immersing account of the life of privilege of those who seem destined for “better things” from the very start, and creates very credible and nuanced characters. Vaughan is skilled at describing the atmosphere of the government corridors and of the Old Bailey, and as skilled at shining a light on the characters and their motivations. We have those who feel entitled to everything; characters who keep lying to themselves because they feel they got what they wanted and should now be happy with it, even if it has turned out to be far less ideal than they had always thought; the survivors who reinvented themselves and paid the price of never being completely at ease in their skins, and we have big areas of grey. (I think this book would be ideal for a book club, as there is much to discuss and plenty of controversial topics to keep the conversation going). What is a relationship and what is not? What is love and what is only lust? And central to the whole book, a big question, what is consent? Is it a matter of opinion? Although the definition of the crime seems very clear, when it comes to what people think or “know” in their heads at the time, is anything but.

Although the book is told from different perspectives, it is not confusing to read. Each chapter is headed by the name of the character and the date, and we soon get to know who is who, because their narration and their personalities are very different. That does not mean there aren’t plenty of surprises in the book, and although some we might suspect or expect, the story is well paced, the revelations are drip-fed and make the tension increase, and with the exception of one of the characters (hopefully!), it is not difficult to empathise and share in the thoughts and the moral and ethical doubts of most of the characters. We might think we know better and we would do the right thing but determining what the right thing is can be tough in some cases. And we all compromise sometimes, although there are limits.

I have read some reviews complaining about the amount of detail in the book and they also say that it is slow and nothing much happens. The book is beautifully observed, and the way it explains the ins-and-outs of the trial feels realistic. Perhaps the problem is that we are used to books and movies where everything takes place at lightning speed, and there isn’t a moment to contemplate or observe what is truly happening, beyond the action. This is a thinking book, and there are not big action pieces; that much is true. I have mentioned there are surprises. Secrets are revealed as well, but they surface through digging into people’s memories, or getting them to recognise the truth, not with a gun or a punch. The way we connect with the characters and the layers upon layers of stories and emotions make for a gripping reading experience but not a light one. I have sometimes read books or watched movies that have such a frenzied pace that I always come out at the other end with the feeling that I’ve missed something, some gap or hole in the plot that I would be able to discover if only I were given some time to breathe and think, but that is not the case here. Even the turns of events you might not have expected are fully grounded and make perfect sense, both action-wise and according to the personality of the protagonists. No big flights of fancy here.

This is a book for those who love psychological thrillers, and courtroom dramas that go beyond the standard formula. Although it is a book with strong roots in England, the British Criminal Justice System and the country’s politics, it is so well-written that it will make readers from everywhere think and will inevitably bring to mind cases and well-known characters at a national and international level. Now that I live in Spain, I could not help but keep thinking about the infamous case of “La manada”, where definitions of sexual crimes have become a hot political potato, for very good reason. The debate that the #MeToo has generated should be kept alive, and anything that contributes to that is useful, and if it is a great book, all the better.

I know it is silly, but I was happy to discover that I had finished reading the book on exactly the same date when the book comes to an end, 7th of December 2018. I take that as a sign and look forward to reading many more books by the author.

Thanks to NetGalley and to Simon & Schuster UK for the book, thanks to all of you for reading and remember to like, share, comment, click, review and aober all, keep smiling!





Book review Book reviews

#Bookreview The Lubetkin Legacy by Marina Lewycka. A novel full of unforgettable characters

Hi all:

I’m close to catching up with my reviews, so hopefully, soon you won’t be bombarded with them but will get some regularly instead. I’m not sure why this one never made it into the blog, but it’s never too late.

The Lubetkin Legacy by Marina Lewycka

The Lubetkin Legacy by Marina Lewycka

‘Lively . . . a joy to read’ – The Times

From the bestselling author of A Short History of Tractors in Ukrainian

North London in the twenty-first century: a place where a son will swiftly adopt an old lady and take her home from hospital to impersonate his dear departed mother, rather than lose the council flat.

A time of golden job opportunities, though you might have to dress up as a coffee bean or work as an intern at an undertaker or put up with champagne and posh French dinners while your boss hits on you.

A place rich in language – whether it’s Romanian, Ukrainian, Russian, Swahili or buxom housing officers talking managementese.

A place where husbands go absent without leave and councillors sacrifice cherry orchards at the altar of new builds.

Marina Lewycka is back in this hilarious, farcical, tender novel of modern issues and manners.


About the author:

Author Marina Lewicka
Author Marina Lewicka

Marina Lewycka was born in Kiel, Germany, after the war, and moved to England with her family when she was about a year old. Her first novel, A Short History of Tractors in Ukrainian, has sold more than a million copies in the UK alone and was shortlisted for the Orange Prize, longlisted for the Man Booker and won the Bollinger Everyman Prize for Comic Fiction and the Waverton Good Read Award. Her second novel, Two Caravans, was shortlisted for the Orwell Prize. A Short History of Tractors in Ukrainian, Two Caravans and Marina’s third and fourth novels, We Are All Made of Glue and Various Pets Alive and Dead are all available in Penguin. Marina Lewycka lives in Sheffield.

My review:

Thanks to Net Galley and Penguin Books UK for offering me a free copy of the novel in exchange for an honest review.

I read A Short History of Tractors in Ukrainian a few years back and enjoyed it, and decided to request this book when I saw it was available in Net Galley.

It is an interesting reading experience. There are two main characters whose alternate points of view guide us through the story. One of them, Berthold, is an unsuccessful middle-aged British Shakespearean actor living with his mother in an apartment designed by famous architect Lubetkin and his story is told in the first person. Violet, a young woman born in Kenia but who has lived in the UK since she was a teenager, moves to London to start a new job and rents the apartment next door to Berthold. Her story is told in the third person. The cast of secondary characters are quirky and include Berthold’s mother, a fabulous woman who unfortunately disappears from the book in the early chapters, Mrs Crazy, a neighbour with an interesting hairdo, a one-legged pigeon, a parrot with a limited repertoire, Inna, an Ukrainian woman with a peculiar view of history, Len, a double amputee due to diabetes now confined to a wheelchair and forever optimistic about the future… The building where they all live is also one of the characters, in a way the main character, in the story, transforming it into a choral event. In the final part of the book (the last 10% according to the e-book reader) the action splits up and part of it moves to Kenia with Violet.

The story includes a variety of themes, from the personal and professional lives of both of the main characters to urbanistic and planning issues, changes to the UK taxes and how those might affect people on benefits, international business corruption in Kenia facilitated by companies in the UK, lies and fraud that appear endemic at all levels, bereavements, family relationships and inheritance disputes, conflicting versions of international politics and history… Some are explored in more detail than others and in my opinion, some felt like an afterthought.

I found the novel irregular, with the beginning and the ending written in a more dynamic style and at a faster place, while in the rest of the book there were some stretches of narration that seemed to intentionally ignore the common writing advice of showing and not telling. I liked the Violet character, and I wouldn’t have minded if more of the story was dedicated to her, but I did not quite connect with Berthold. He functions as a mirror, at times more of a funhouse mirror, reflecting and distorting the characters around him and due to how brilliant and original those are it is difficult to compete with them and not pale in comparison. In telling his story in the first person, his voice can become overbearing, particularly if the reader does not like him enough. I also thought that there was more of the novel dedicated to his character, but that might be my subjective impression.

The resolution of the different stories felt somewhat rushed, although overall satisfactory. I wasn’t sure how well the book would read outside the UK, as some of the issues like the changes to council tax and the different governments and their roles are quite central to a full understanding of the story, but they are pluses to UK readers. In sum, a novel full of unforgettable characters but not quite a rounded reading experience.

Thanks to NetGalley and to the publisher, thanks to all of you for reading and remember to like, share, comment and CLICK! And, if you read any books, take a minute to write a review!

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